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Nostalgia, irony, object and icon: ...

Bielen, Bonney J.

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Nostalgia, irony, object and icon: The production of femininity through multiple lenses.

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Nostalgia, irony, object and icon: The production of femininity through multiple lenses./
作者:	Bielen, Bonney J.
面頁冊數:	179 p.
附註:	Source: Dissertation Abstracts International, Volume: 71-06, Section: A, page: 2253.
Contained By:	Dissertation Abstracts International71-06A.
標題:	American Studies. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3411000
ISBN:	9781124032177

Nostalgia, irony, object and icon: The production of femininity through multiple lenses.
Bielen, Bonney J.

Nostalgia, irony, object and icon: The production of femininity through multiple lenses. - 179 p.

Source: Dissertation Abstracts International, Volume: 71-06, Section: A, page: 2253.

Thesis (Ed.D.)--University of St. Thomas (Minnesota), 2010.

Baudrillard's statement, that "when the real is no longer what it was, nostalgia assumes its full meaning," is the starting point for this study, which examines the nostalgic impulse as it manifests in the behavior of a very specific group of consumers and collectors...those who buy, sell, and collect vintage foundation wear, or girdles.

ISBN: 9781124032177Subjects--Topical Terms:

1017604
American Studies.

Nostalgia, irony, object and icon: The production of femininity through multiple lenses.
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500 $a Source: Dissertation Abstracts International, Volume: 71-06, Section: A, page: 2253.
500 $a Adviser: Don La Magdeleine.
502 $a Thesis (Ed.D.)--University of St. Thomas (Minnesota), 2010.
520 $a Baudrillard's statement, that "when the real is no longer what it was, nostalgia assumes its full meaning," is the starting point for this study, which examines the nostalgic impulse as it manifests in the behavior of a very specific group of consumers and collectors...those who buy, sell, and collect vintage foundation wear, or girdles.
520 $a The study begins with an abbreviated history of the girdle in the United States, as it is necessary to first understand the attitudes that shaped the idea of the girdle as a cultural artifact. Through tracing this history, the study shows how the girdle served as a powerful tool in the construction of female identity, particularly in the post-WWII era.
520 $a Using the on-line auction site eBay as representative of the postmodern marketplace, the study examines buyer behavior as it relates to these items of purely nostalgic value. Using Marx's construction of commodity fetishism, Baudrillard's precession of simulacra and Hutcheon's theory of the ironic as it manifests itself through nostalgia, I analyze the behavior of buyers and collectors to explore the nostalgic impulse as a symptom of the postmodern condition.
520 $a The study used the research techniques that have come to be known as "virtual ethnography," conducting research and interviews through a variety of electronic media including discussion boards, chat rooms, email, and instant messaging. To establish a context for the study, I frequented web sites that were designed and maintained by individuals who bought, sold, and collected vintage girdles.
520 $a The results of the study suggest that, though there may be several factors involved in the buying and collecting of vintage girdles, the strongest and most frequently mentioned of these can be traced to the nostalgic impulse. While at times the ironic dimension of these objects is in play, it still rests on a foundation of, as Baudrillard might say, a postmodern resurrection of the figurative where the object and substance have disappeared or, more simply, nostalgia for the real.
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