Language:
English
繁體中文
Help
回圖書館首頁
手機版館藏查詢
Login
Search
Recommendations
ReaderScope
My Account
Help
Simple Search
Advanced Search
Public Library Lists
Public Reader Lists
AcademicReservedBook [CH]
BookLoanBillboard [CH]
BookReservedBillboard [CH]
Classification Browse [CH]
Exhibition [CH]
New books RSS feed [CH]
Personal Details
Saved Searches
Recommendations
Borrow/Reserve record
Reviews
Personal Lists
ETIBS
Back
Switch To:
Labeled
|
MARC Mode
|
ISBD
Performing Nautanki: Popular communi...
~
Sharma, Devendra.
Linked to FindBook
Google Book
Amazon
博客來
Performing Nautanki: Popular community folk performances as sites of dialogue and social change.
Record Type:
Language materials, printed : Monograph/item
Title/Author:
Performing Nautanki: Popular community folk performances as sites of dialogue and social change./
Author:
Sharma, Devendra.
Description:
250 p.
Notes:
Source: Dissertation Abstracts International, Volume: 67-08, Section: A, page: 2818.
Contained By:
Dissertation Abstracts International67-08A.
Subject:
Folklore. -
Online resource:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3230516
ISBN:
9780542822773
Performing Nautanki: Popular community folk performances as sites of dialogue and social change.
Sharma, Devendra.
Performing Nautanki: Popular community folk performances as sites of dialogue and social change.
- 250 p.
Source: Dissertation Abstracts International, Volume: 67-08, Section: A, page: 2818.
Thesis (Ph.D.)--Ohio University, 2006.
This research analyzes the communicative dimensions of Nautanki , a highly popular folk performance tradition in rural north India. It explores how Nautanki creates participatory dialogue, builds community, and opens up possibilities for social change in rural India. It also tries to understand the position of Nautanki as a traditional folk form in a continuously changing global world.
ISBN: 9780542822773Subjects--Topical Terms:
528224
Folklore.
Performing Nautanki: Popular community folk performances as sites of dialogue and social change.
LDR
:03034nam 2200313 4500
001
1396093
005
20110531080554.5
008
130515s2006 ||||||||||||||||| ||eng d
020
$a
9780542822773
035
$a
(UMI)AAI3230516
035
$a
AAI3230516
040
$a
UMI
$c
UMI
100
1
$a
Sharma, Devendra.
$3
1674852
245
1 0
$a
Performing Nautanki: Popular community folk performances as sites of dialogue and social change.
300
$a
250 p.
500
$a
Source: Dissertation Abstracts International, Volume: 67-08, Section: A, page: 2818.
500
$a
Adviser: Arvind Singhal.
502
$a
Thesis (Ph.D.)--Ohio University, 2006.
520
$a
This research analyzes the communicative dimensions of Nautanki , a highly popular folk performance tradition in rural north India. It explores how Nautanki creates participatory dialogue, builds community, and opens up possibilities for social change in rural India. It also tries to understand the position of Nautanki as a traditional folk form in a continuously changing global world.
520
$a
This research uses Mikhail Bakhtin's concept of performance as carnival and Dwight Conquergood's notion of performance as an alternative to textocentrism to understand Nautanki as a community folk form and an expression of ordinary rural Indian culture. The research employed reflexive and native ethnographic methods. The author, himself a Nautanki artist, used his dual position as a performer-scholar to understand Nautanki's role in rural communities. Specifically, the method included observation of participation and in-depth interviews with Nautanki performers, writers, troupe managers, owners, their clients, and audience members in the field.
520
$a
The present research suggests that Nautanki enhances the feeling of community in rural India and provides community members an opportunity to connect to their cultural heritage. The research also shows that Nautanki helps its audiences to challenge various oppressive social traditions such as dowry and adopt certain pro-social thoughts and behaviors, including gender equality and better health practices. However, this research also shows that Nautanki faces numerous challenges, including competition from an expanding mass media, changing audience preferences, and non-professionalism among its ranks. However, it seems that community folk performance traditions will continue to hold their place in the changing media atmosphere as they are more immediate and connect to their audiences in an intimate manner. Unfortunately, ordinary folk forms have not been given their due respect by Indian elites. In this respect, Nautanki performances and this dissertation represent sites of struggle to reclaim dignity for "ordinary culture."
590
$a
School code: 0167.
650
4
$a
Folklore.
$3
528224
650
4
$a
Music.
$3
516178
650
4
$a
Speech Communication.
$3
1017408
690
$a
0358
690
$a
0413
690
$a
0459
710
2
$a
Ohio University.
$3
626637
773
0
$t
Dissertation Abstracts International
$g
67-08A.
790
1 0
$a
Singhal, Arvind,
$e
advisor
790
$a
0167
791
$a
Ph.D.
792
$a
2006
856
4 0
$u
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3230516
based on 0 review(s)
Location:
ALL
電子資源
Year:
Volume Number:
Items
1 records • Pages 1 •
1
Inventory Number
Location Name
Item Class
Material type
Call number
Usage Class
Loan Status
No. of reservations
Opac note
Attachments
W9159232
電子資源
11.線上閱覽_V
電子書
EB
一般使用(Normal)
On shelf
0
1 records • Pages 1 •
1
Multimedia
Reviews
Add a review
and share your thoughts with other readers
Export
pickup library
Processing
...
Change password
Login