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Presencia de la episteme posmoderna ...

Aiello Fernandez, Antonio J.

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Presencia de la episteme posmoderna en el discurso narrativo Hispanoamericano de los umbrales del siglo XXI: Carlos Fuentes Macias, Mario Vargas Llosa y Leonardo Padura Fuentes.

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Presencia de la episteme posmoderna en el discurso narrativo Hispanoamericano de los umbrales del siglo XXI: Carlos Fuentes Macias, Mario Vargas Llosa y Leonardo Padura Fuentes./
Author:	Aiello Fernandez, Antonio J.
Description:	302 p.
Notes:	Source: Dissertation Abstracts International, Volume: 71-05, Section: A, page: 1647.
Contained By:	Dissertation Abstracts International71-05A.
Subject:	Literature, Modern. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3402943
ISBN:	9781109756760

Presencia de la episteme posmoderna en el discurso narrativo Hispanoamericano de los umbrales del siglo XXI: Carlos Fuentes Macias, Mario Vargas Llosa y Leonardo Padura Fuentes.
Aiello Fernandez, Antonio J.

Presencia de la episteme posmoderna en el discurso narrativo Hispanoamericano de los umbrales del siglo XXI: Carlos Fuentes Macias, Mario Vargas Llosa y Leonardo Padura Fuentes. - 302 p.

Source: Dissertation Abstracts International, Volume: 71-05, Section: A, page: 1647.

Thesis (Ph.D.)--The University of Arizona, 2010.

This dissertation examines the presence of postmodern episteme in the Spanish American narrative discourse at the threshold of the 21st century with an emphasis on three writers: Carlos Fuentes Macias, Mario Vargas Llosa and Leonardo Padura Fuentes. Those authors are representative figures of this literary period in different regions, and they have written novels considered by the critique as postmodern. In their novels, this episteme is present in particular characteristics from this aesthetic and literary period, mostly the theoretical principles of Jean Francois Lyotard, Fredric Jameson, Jean Baudrillard, Umberto Eco, Michael Foucault, Paul Ricoeur, Brian McHale, Nicholas Zurbrugg, Ihab Hassan, Linda Hutcheon, Raymond Williams and Seymour Menton. All of these postmodern theories are reflected in the strategies and mechanisms used by these leading Latin American narrators and in the meaning that is conveyed through the novelistic discourse and how they point to the philosophical, aesthetical, and pragmatic cosmovision from this period. Chapter I functions as a theoretical approach to characteristics of Modernity, Postmodernity and their literary implications. Therefore, this study offers an outlook about what Postmodernity is from the sociological and anthropological points of view; what their key characteristics are; who the fundamental theorists are both in the international and Spanish American context; how Postmodernist's influence on art postulates a new aesthetic paradigm: the postmodern; and what formal, thematic and hermeneutic changes it has generated in the narrative genre. Finally, a critique and a personal stance in this polemic are offered. Chapters II, III and IV examine specifically the strategies and mechanisms used by these authors -- Carlos Fuentes Macias, Mario Vargas Llosa and Leonardo Padura -- to construct the postmodern narrative discourse in their respective novels -- La silla del Aguila, for Fuentes; La fiesta del chivo, for Vargas Llosa; and La novela de mi vida, for Padura --. These chapters disclose the presence of this episteme in the above mentioned works. The epilog concludes this study by pointing out the common characteristics of postmodernity present in each novel, and, in more general terms, the characteristics of this major Spanish American literary period in the narrative.

ISBN: 9781109756760Subjects--Topical Terms:

624011
Literature, Modern.

Presencia de la episteme posmoderna en el discurso narrativo Hispanoamericano de los umbrales del siglo XXI: Carlos Fuentes Macias, Mario Vargas Llosa y Leonardo Padura Fuentes.
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020 $a 9781109756760
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100 1 $a Aiello Fernandez, Antonio J. $3 1674634
245 1 0 $a Presencia de la episteme posmoderna en el discurso narrativo Hispanoamericano de los umbrales del siglo XXI: Carlos Fuentes Macias, Mario Vargas Llosa y Leonardo Padura Fuentes.
300 $a 302 p.
500 $a Source: Dissertation Abstracts International, Volume: 71-05, Section: A, page: 1647.
500 $a Adviser: Lanin A. Gyurko.
502 $a Thesis (Ph.D.)--The University of Arizona, 2010.
520 $a This dissertation examines the presence of postmodern episteme in the Spanish American narrative discourse at the threshold of the 21st century with an emphasis on three writers: Carlos Fuentes Macias, Mario Vargas Llosa and Leonardo Padura Fuentes. Those authors are representative figures of this literary period in different regions, and they have written novels considered by the critique as postmodern. In their novels, this episteme is present in particular characteristics from this aesthetic and literary period, mostly the theoretical principles of Jean Francois Lyotard, Fredric Jameson, Jean Baudrillard, Umberto Eco, Michael Foucault, Paul Ricoeur, Brian McHale, Nicholas Zurbrugg, Ihab Hassan, Linda Hutcheon, Raymond Williams and Seymour Menton. All of these postmodern theories are reflected in the strategies and mechanisms used by these leading Latin American narrators and in the meaning that is conveyed through the novelistic discourse and how they point to the philosophical, aesthetical, and pragmatic cosmovision from this period. Chapter I functions as a theoretical approach to characteristics of Modernity, Postmodernity and their literary implications. Therefore, this study offers an outlook about what Postmodernity is from the sociological and anthropological points of view; what their key characteristics are; who the fundamental theorists are both in the international and Spanish American context; how Postmodernist's influence on art postulates a new aesthetic paradigm: the postmodern; and what formal, thematic and hermeneutic changes it has generated in the narrative genre. Finally, a critique and a personal stance in this polemic are offered. Chapters II, III and IV examine specifically the strategies and mechanisms used by these authors -- Carlos Fuentes Macias, Mario Vargas Llosa and Leonardo Padura -- to construct the postmodern narrative discourse in their respective novels -- La silla del Aguila, for Fuentes; La fiesta del chivo, for Vargas Llosa; and La novela de mi vida, for Padura --. These chapters disclose the presence of this episteme in the above mentioned works. The epilog concludes this study by pointing out the common characteristics of postmodernity present in each novel, and, in more general terms, the characteristics of this major Spanish American literary period in the narrative.
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650 4 $a Literature, Modern. $3 624011
650 4 $a Literature, Latin American. $3 1024734
650 4 $a Epistemology. $3 896969
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690 $a 0312
690 $a 0393
710 2 $a The University of Arizona. $b Spanish. $3 1032162
773 0 $t Dissertation Abstracts International $g 71-05A.
790 1 0 $a Gyurko, Lanin A., $e advisor
790 1 0 $a Gilabert, Joan J. $e committee member
790 1 0 $a Compitello, Malcolm $e committee member
790 $a 0009
791 $a Ph.D.
792 $a 2010
793 $a French and English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3402943