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Truth and literature: The relevance ...
~
Farley, John.
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Truth and literature: The relevance of truth to literary value.
Record Type:
Language materials, printed : Monograph/item
Title/Author:
Truth and literature: The relevance of truth to literary value./
Author:
Farley, John.
Description:
182 p.
Notes:
Source: Dissertation Abstracts International, Volume: 71-12, Section: A, page: .
Contained By:
Dissertation Abstracts International71-12A.
Subject:
Literature, General. -
Online resource:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3426735
ISBN:
9781124289458
Truth and literature: The relevance of truth to literary value.
Farley, John.
Truth and literature: The relevance of truth to literary value.
- 182 p.
Source: Dissertation Abstracts International, Volume: 71-12, Section: A, page: .
Thesis (Ph.D.)--City University of New York, 2010.
In this dissertation, I examine the question of whether it is ever appropriate to judge a work of literature on the truth or falsity of the statements it contains. I argue that literary works often do assert truths, and that therefore a normal and appropriate element of our critical response to these works involves an assessment of their truth claims. I am therefore arguing against what has come to be called the "No Truth Theory," whose various defenders claim that truth is never relevant to the literary value of a piece of language.
ISBN: 9781124289458Subjects--Topical Terms:
1018152
Literature, General.
Truth and literature: The relevance of truth to literary value.
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182 p.
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Source: Dissertation Abstracts International, Volume: 71-12, Section: A, page: .
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Adviser: Sibyl Schwarzenbach.
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Thesis (Ph.D.)--City University of New York, 2010.
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In this dissertation, I examine the question of whether it is ever appropriate to judge a work of literature on the truth or falsity of the statements it contains. I argue that literary works often do assert truths, and that therefore a normal and appropriate element of our critical response to these works involves an assessment of their truth claims. I am therefore arguing against what has come to be called the "No Truth Theory," whose various defenders claim that truth is never relevant to the literary value of a piece of language.
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I trace the No Truth Theory in its modern form, through the work of Arnold Isenberg, Sydney Zink, Monroe Beardsley, Peter Lamarque and Stein Haugom Olsen. I identify several common threads in their arguments, and isolate the source of my disagreement with them, namely, their (in my view) mistaken theory of what a work of literature is. While they all consider a work of literature to be a locutionary act, I argue that a work of literature is an illocutionary act, or more precisely, that a work of literature often has an illocutionary force, and that assessing how well this illocutionary act is performed is a legitimate part of literary criticism. The assertion of truths is, of course, one such illocutionary project, and so the assessment of truths is part of legitimate critical practice. I show that the purely locutionary view of literature, espoused by the NTT, is inadequate, while the illocutionary view has much to recommend it.
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I show how the illocutionary view of literature affects our understanding of several key literary concepts, such as metaphor, theme and thesis. I apply my theory to particular cases, and show how an assessment of truth claims is crucial to certain kinds of literary works.
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School code: 0046.
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Wiseman, Mary
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3426735
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