東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

Nightclub capitalism and expatriate ...

Cashman, Scott M.

Linked to FindBook

Google Book

Amazon

博客來

Nightclub capitalism and expatriate jazz musicians in Paris.

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Nightclub capitalism and expatriate jazz musicians in Paris./
Author:	Cashman, Scott M.
Description:	804 p.
Notes:	Source: Dissertation Abstracts International, Volume: 62-09, Section: A, page: 3092.
Contained By:	Dissertation Abstracts International62-09A.
Subject:	American Studies. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3027185
ISBN:	9780493391984

Nightclub capitalism and expatriate jazz musicians in Paris.
Cashman, Scott M.

Nightclub capitalism and expatriate jazz musicians in Paris. - 804 p.

Source: Dissertation Abstracts International, Volume: 62-09, Section: A, page: 3092.

Thesis (Ph.D.)--University of Massachusetts Amherst, 2001.

The proliferation of the American music business has created a power elite which shapes and controls the popular music industry. For American blues and jazz musicians in the 20th century, becoming an expatriate served as an alternative to that subjugation. That alternative existed in the 1990s in some degree, though Europe too has fallen under the influence of American marketing of artists popular in the United States.

ISBN: 9780493391984Subjects--Topical Terms:

1017604
American Studies.

Nightclub capitalism and expatriate jazz musicians in Paris.
LDR:02319nam 2200313 4500 001 1392188
005 20110208131722.5
008 130515s2001 ||||||||||||||||| ||eng d
020 $a 9780493391984
035 $a (UMI)AAI3027185
035 $a AAI3027185
040 $a UMI $c UMI
100 1 $a Cashman, Scott M. $3 1670645
245 1 0 $a Nightclub capitalism and expatriate jazz musicians in Paris.
300 $a 804 p.
500 $a Source: Dissertation Abstracts International, Volume: 62-09, Section: A, page: 3092.
500 $a Director: Alfred B. Hudson.
502 $a Thesis (Ph.D.)--University of Massachusetts Amherst, 2001.
520 $a The proliferation of the American music business has created a power elite which shapes and controls the popular music industry. For American blues and jazz musicians in the 20th century, becoming an expatriate served as an alternative to that subjugation. That alternative existed in the 1990s in some degree, though Europe too has fallen under the influence of American marketing of artists popular in the United States.
520 $a This dissertation discusses the community of American expatriate jazz musicians currently living in Paris. These musicians derive the bulk of their income working in Parisian nightclubs and restaurants. Paris is often the focal point of a myth that Europe celebrates its blues and jazz musicians. The myth's logical conclusion is that expatriate American musicians find easy success in Europe. The community of working American musicians in Paris, however, must struggle to live, thereby replicating the existence of many of their counterparts in America. For a musician to now increase their European stature, and to increase their personal stature and fulfillment as a musician, building a career in the States prior to relocating to Europe is a more practical career plan. In the present, nightclub capitalism is international in scope and contributes to the shaping of the careers and, more fully, the lives of American expatriate jazz musicians.
590 $a School code: 0118.
650 4 $a American Studies. $3 1017604
650 4 $a Anthropology, Cultural. $3 735016
650 4 $a Music. $3 516178
650 4 $a Economics, Labor. $3 1019135
690 $a 0323
690 $a 0326
690 $a 0413
690 $a 0510
710 2 $a University of Massachusetts Amherst. $3 1019433
773 0 $t Dissertation Abstracts International $g 62-09A.
790 1 0 $a Hudson, Alfred B., $e advisor
790 $a 0118
791 $a Ph.D.
792 $a 2001
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3027185