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The spaces of Irish drama = stage an...
~
Lojek, Helen, (1944-)
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The spaces of Irish drama = stage and place in contemporary plays /
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
The spaces of Irish drama/ Helen Heusner Lojek.
其他題名:
stage and place in contemporary plays /
作者:
Lojek, Helen,
出版者:
New York, NY :Palgrave Macmillan, : 2011.,
面頁冊數:
1 online resource (x, 181 p.)
內容註:
Introduction -- Mapping the territory : Brian Friel's Translations (1980) -- Picturing a changing landscape : Conor McPherson's The weir (1997) -- Travelling in place : Marina Carr's By the bog of cats? (1998) -- Exploring interiors : Frank McGuinness's Gates of gold (2002) -- Conclusion.
標題:
English drama - Irish authors -
標題:
Ireland - Encyclopedias. - Civilization -
電子資源:
http://link.springer.com/10.1057/9780230370418
ISBN:
9780230370418 (electronic bk.)
The spaces of Irish drama = stage and place in contemporary plays /
Lojek, Helen,1944-
The spaces of Irish drama
stage and place in contemporary plays /[electronic resource] :Helen Heusner Lojek. - 1st ed. - New York, NY :Palgrave Macmillan,2011. - 1 online resource (x, 181 p.)
Includes bibliographical references (p. [159]-172) and index.
Introduction -- Mapping the territory : Brian Friel's Translations (1980) -- Picturing a changing landscape : Conor McPherson's The weir (1997) -- Travelling in place : Marina Carr's By the bog of cats? (1998) -- Exploring interiors : Frank McGuinness's Gates of gold (2002) -- Conclusion.
Contemporary Irish drama communicates not only through words but also through the non-verbal use of space {esc}b6{esc}s both the geographical places in which plays are set and the ways stage space is used. The work of cultural and physical geographers, brought to bear on plays by Friel, McPherson, Carr, and McGuinness, illuminates the extent to which perceptions of themes and characters are determined by the plays' uses of space. The plays shape reactions to issues of belonging and not belonging, home and homeland, by locating characters in specific places and by establishing stage spaces that inform perceptions of both Irish characters and Irish locales.
ISBN: 9780230370418 (electronic bk.)
Standard No.: 9786613440266
Source: 566121Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Uniform Titles:
Gates of gold.
Subjects--Topical Terms:
691491
English drama
--Irish authorsSubjects--Geographical Terms:
925823
Ireland
--Civilization--Encyclopedias.Index Terms--Genre/Form:
542853
Electronic books.
LC Class. No.: PR8789 / .L59 2011
Dewey Class. No.: 822/.91099415
The spaces of Irish drama = stage and place in contemporary plays /
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stage and place in contemporary plays /
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Introduction -- Mapping the territory : Brian Friel's Translations (1980) -- Picturing a changing landscape : Conor McPherson's The weir (1997) -- Travelling in place : Marina Carr's By the bog of cats? (1998) -- Exploring interiors : Frank McGuinness's Gates of gold (2002) -- Conclusion.
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Contemporary Irish drama communicates not only through words but also through the non-verbal use of space {esc}b6{esc}s both the geographical places in which plays are set and the ways stage space is used. The work of cultural and physical geographers, brought to bear on plays by Friel, McPherson, Carr, and McGuinness, illuminates the extent to which perceptions of themes and characters are determined by the plays' uses of space. The plays shape reactions to issues of belonging and not belonging, home and homeland, by locating characters in specific places and by establishing stage spaces that inform perceptions of both Irish characters and Irish locales.
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"Contemporary Irish drama communicates not only through words but also through the non-verbal use of space - both the geographical places in which plays are set and the ways stage space is used. The work of cultural and physical geographers, brought to bear on plays by Friel, McPherson, Carr, and McGuinness, illuminates the extent to which perceptions of themes and characters are determined by the plays' uses of space. The plays shape reactions to issues of belonging and not belonging, home and homeland, by locating characters in specific places and by establishing stage spaces that inform perceptions of both Irish characters and Irish locales"--
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