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Identity, performance and technology...

Broadhurst, Susan.

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Identity, performance and technology = practices of empowerment, embodiment and technicity /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Identity, performance and technology/ edited by Susan Broadhurst and Josephine Machon.
Reminder of title:	practices of empowerment, embodiment and technicity /
other author:	Broadhurst, Susan.
Published:	Basingstoke :Palgrave Macmillan, : 2012.,
Description:	1 online resource.
Notes:	Includes index.
[NT 15003449]:	Introduction; S.Broadhurst & J.Machon -- PART I: IDENTITIES-- NEW EPISTEMOLOGIES AND ONTOLOGIES -- Improvising Artists, Embodied Technology and Emergent Techniques; A.Bucksbarg & S.Carter -- Shifting Listening Identities : Towards a Fluidity of Form in Digital Music; F.Schroeder -- Art as Eudaimonia: Embodied Identities and the Return Beat; O.Taiwo -- Graeae: An Aesthetic of Access : (De)cluttering the Clutter; J.Sealey & C.Hope Lynch -- PART II: (EX)POSING IDENTITY : EMBODIED ART PRACTICES -- Woven Bodies, Woven Cultures; G.Boddington -- Pina; S.Broadhurst -- Experiential Identities in the Work of Marisa Carnesky; J.Machon -- Lynn Hershman and the Creation of Multiple Robertas; R.Mock -- PART III: EMPOWERMENT/DISEMPOWERMENT IN DIGITAL PERFORMANCE -- (be)longing: A Case Study of Recording and Representation; L.Hill -- Pluralistic Presence: Practising Embodiment with My Avatar; S.Popat & K.Preece -- The Silent Screen/Scream: A Sensual Exploration of the Interior/Exterior Screens of the (Dis)closing Subject; P.Woodward -- PART IV: BLURRING THE BOUNDARIES: THE DELIMITED SELF -- Below the Surface; H.Paris -- 'Stelarc's Mystical Body'; C.Gere -- Borderless Bodies : The Cellulardata Body; H.Sky.
Subject:	Performing arts - Technological innovations. -
Online resource:	http://link.springer.com/10.1057/9781137284440
ISBN:	9781137284440 (electronic bk.)

Identity, performance and technology = practices of empowerment, embodiment and technicity /
Identity, performance and technologypractices of empowerment, embodiment and technicity /[electronic resource] :edited by Susan Broadhurst and Josephine Machon. - Basingstoke :Palgrave Macmillan,2012. - 1 online resource.

Includes index.

Introduction; S.Broadhurst & J.Machon -- PART I: IDENTITIES-- NEW EPISTEMOLOGIES AND ONTOLOGIES -- Improvising Artists, Embodied Technology and Emergent Techniques; A.Bucksbarg & S.Carter -- Shifting Listening Identities : Towards a Fluidity of Form in Digital Music; F.Schroeder -- Art as Eudaimonia: Embodied Identities and the Return Beat; O.Taiwo -- Graeae: An Aesthetic of Access : (De)cluttering the Clutter; J.Sealey & C.Hope Lynch -- PART II: (EX)POSING IDENTITY : EMBODIED ART PRACTICES -- Woven Bodies, Woven Cultures; G.Boddington -- Pina; S.Broadhurst -- Experiential Identities in the Work of Marisa Carnesky; J.Machon -- Lynn Hershman and the Creation of Multiple Robertas; R.Mock -- PART III: EMPOWERMENT/DISEMPOWERMENT IN DIGITAL PERFORMANCE -- (be)longing: A Case Study of Recording and Representation; L.Hill -- Pluralistic Presence: Practising Embodiment with My Avatar; S.Popat & K.Preece -- The Silent Screen/Scream: A Sensual Exploration of the Interior/Exterior Screens of the (Dis)closing Subject; P.Woodward -- PART IV: BLURRING THE BOUNDARIES: THE DELIMITED SELF -- Below the Surface; H.Paris -- 'Stelarc's Mystical Body'; C.Gere -- Borderless Bodies : The Cellulardata Body; H.Sky.

This book investigates the implications of technology on identity in embodied performance; the discussion within it forms a forum of debate exploring the interrelationship of and between identities in performance practices, informed by new technologies. This collection considers how identity is formed, de-formed, constructed, deconstructed, blurred and celebrated within diverse approaches to technological performance practices. Digital practices as experimental artworks and performances both serve as critique and have an indirect affect on the social and political. The discussions included in this collection highlight how a redefinition of the latter term comes about in as much as they question the very nature of our accepted ideas and belief systems regarding new technologies. These essays demonstrate how embodied technological practice, as with all avant-garde art, presents itself and any analysis applied to it as an experimental extension of the socio-political and cultural experience of an epoch.

ISBN: 9781137284440 (electronic bk.)

Source: 506660Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

865189
Performing arts
--Technological innovations.Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PN1584 / .I34 2012

Dewey Class. No.: 790

Identity, performance and technology = practices of empowerment, embodiment and technicity /
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245 0 0 $a Identity, performance and technology $h [electronic resource] : $b practices of empowerment, embodiment and technicity / $c edited by Susan Broadhurst and Josephine Machon.
260 $a Basingstoke : $b Palgrave Macmillan, $c 2012.
300 $a 1 online resource.
500 $a Includes index.
505 0 $a Introduction; S.Broadhurst & J.Machon -- PART I: IDENTITIES-- NEW EPISTEMOLOGIES AND ONTOLOGIES -- Improvising Artists, Embodied Technology and Emergent Techniques; A.Bucksbarg & S.Carter -- Shifting Listening Identities : Towards a Fluidity of Form in Digital Music; F.Schroeder -- Art as Eudaimonia: Embodied Identities and the Return Beat; O.Taiwo -- Graeae: An Aesthetic of Access : (De)cluttering the Clutter; J.Sealey & C.Hope Lynch -- PART II: (EX)POSING IDENTITY : EMBODIED ART PRACTICES -- Woven Bodies, Woven Cultures; G.Boddington -- Pina; S.Broadhurst -- Experiential Identities in the Work of Marisa Carnesky; J.Machon -- Lynn Hershman and the Creation of Multiple Robertas; R.Mock -- PART III: EMPOWERMENT/DISEMPOWERMENT IN DIGITAL PERFORMANCE -- (be)longing: A Case Study of Recording and Representation; L.Hill -- Pluralistic Presence: Practising Embodiment with My Avatar; S.Popat & K.Preece -- The Silent Screen/Scream: A Sensual Exploration of the Interior/Exterior Screens of the (Dis)closing Subject; P.Woodward -- PART IV: BLURRING THE BOUNDARIES: THE DELIMITED SELF -- Below the Surface; H.Paris -- 'Stelarc's Mystical Body'; C.Gere -- Borderless Bodies : The Cellulardata Body; H.Sky.
520 $a This book investigates the implications of technology on identity in embodied performance; the discussion within it forms a forum of debate exploring the interrelationship of and between identities in performance practices, informed by new technologies. This collection considers how identity is formed, de-formed, constructed, deconstructed, blurred and celebrated within diverse approaches to technological performance practices. Digital practices as experimental artworks and performances both serve as critique and have an indirect affect on the social and political. The discussions included in this collection highlight how a redefinition of the latter term comes about in as much as they question the very nature of our accepted ideas and belief systems regarding new technologies. These essays demonstrate how embodied technological practice, as with all avant-garde art, presents itself and any analysis applied to it as an experimental extension of the socio-political and cultural experience of an epoch.
650 0 $a Performing arts $x Technological innovations. $3 865189
650 0 $a Art and technology. $3 543297
650 0 $a Performing arts $x Philosophy. $3 680388
650 7 $a SPORTS & RECREATION / General $2 bisacsh $3 1599825
655 4 $a Electronic books. $2 lcsh $3 542853
700 1 $a Broadhurst, Susan. $3 1081870
700 1 $a Machon, Josephine, $d 1979- $3 1098976
856 4 0 $3 Palgrave Connect $u http://link.springer.com/10.1057/9781137284440
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994 $a C0 $b TEF