東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

John Cotton Dana and the business of...

The Bard Graduate Center for Studies in the Decorative Arts, Design, and Culture.

FindBook

Google Book

Amazon

博客來

John Cotton Dana and the business of enlightening Newark: Applied art at the Newark Public Library and Museum, 1902--1929.

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	John Cotton Dana and the business of enlightening Newark: Applied art at the Newark Public Library and Museum, 1902--1929./
作者:	Shales, Ezra.
面頁冊數:	399 p.
附註:	Adviser: Kenneth L. Ames.
Contained By:	Dissertation Abstracts International67-07A.
標題:	Art History. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3222573
ISBN:	9780542769863

John Cotton Dana and the business of enlightening Newark: Applied art at the Newark Public Library and Museum, 1902--1929.
Shales, Ezra.

John Cotton Dana and the business of enlightening Newark: Applied art at the Newark Public Library and Museum, 1902--1929. - 399 p.

Adviser: Kenneth L. Ames.

Thesis (Ph.D.)--The Bard Graduate Center for Studies in the Decorative Arts, Design, and Culture, 2007.

The dissertation is a case study of how exhibitions of applied art were used as ideological tools to prescribe civic behavior in one of the twenty most important industrial cities in the United States during the Progressive Era. Its focus is on John Cotton Dana (1856-1929), librarian and museum founder, and the exhibitions he coordinated in Newark, New Jersey, at the Free Public Library and the Newark Museum between 1902 and 1929. Dana promised Newark that culture had "cash-value" and that a museum would promote economic and moral benefits. He focused on applied art as a political and educational instrument to foster "good taste" in Newark's largely immigrant population. I contextualize Dana's mission of taste-making in relation to other political-aesthetic agencies of the Progressive Era that sought to improve civic life, from Hull-House to the Metropolitan Museum of Art. Responding to the broader historical discourse, I complicate prior characterizations of the director, his museum, and the era as "Progressive" by exploring whether Dana's mission of enlightenment was dedicated to the welfare of its citizens or to the economic prosperity of Newark's retailers and manufacturers. My focus on exhibitions which displayed New Jersey products such as vases and toilets has three aims: to apply material culture analysis to installation methods and exhibitions (and avoid the bias inherent to segregating "fine art" and "library" artifacts); to examine the ways Dana positioned applied art, including handicrafts, industrially manufactured goods, and historicist ornament, as "progressive reform"; and to argue that his attempt to make a museum "intimate with commerce" was driven by his location in Newark. Dana's method of framing goods such as comic books and department-store teacups is reconsidered in relation to European as well as American influences, as are his many other innovations, from opening the first business library to holding the first exhibitions of Cubist painting and Deutscher Werkbund commercial art in America. I challenge traditional interpretations of the histories of the library and museum as distinct narratives, and restore the connections between exhibitions of Japanese prints, new Pictorialist photography, traditional plaster casts, and local ceramic factory and studio production.

ISBN: 9780542769863Subjects--Topical Terms:

635474
Art History.

John Cotton Dana and the business of enlightening Newark: Applied art at the Newark Public Library and Museum, 1902--1929.
LDR:03399nam 2200325 a 45 001 974476
005 20110929
008 110929s2007 eng d
020 $a 9780542769863
035 $a (UnM)AAI3222573
035 $a AAI3222573
040 $a UnM $c UnM
100 1 $a Shales, Ezra. $3 1298405
245 1 0 $a John Cotton Dana and the business of enlightening Newark: Applied art at the Newark Public Library and Museum, 1902--1929.
300 $a 399 p.
500 $a Adviser: Kenneth L. Ames.
500 $a Source: Dissertation Abstracts International, Volume: 67-07, Section: A, page: 2361.
502 $a Thesis (Ph.D.)--The Bard Graduate Center for Studies in the Decorative Arts, Design, and Culture, 2007.
520 $a The dissertation is a case study of how exhibitions of applied art were used as ideological tools to prescribe civic behavior in one of the twenty most important industrial cities in the United States during the Progressive Era. Its focus is on John Cotton Dana (1856-1929), librarian and museum founder, and the exhibitions he coordinated in Newark, New Jersey, at the Free Public Library and the Newark Museum between 1902 and 1929. Dana promised Newark that culture had "cash-value" and that a museum would promote economic and moral benefits. He focused on applied art as a political and educational instrument to foster "good taste" in Newark's largely immigrant population. I contextualize Dana's mission of taste-making in relation to other political-aesthetic agencies of the Progressive Era that sought to improve civic life, from Hull-House to the Metropolitan Museum of Art. Responding to the broader historical discourse, I complicate prior characterizations of the director, his museum, and the era as "Progressive" by exploring whether Dana's mission of enlightenment was dedicated to the welfare of its citizens or to the economic prosperity of Newark's retailers and manufacturers. My focus on exhibitions which displayed New Jersey products such as vases and toilets has three aims: to apply material culture analysis to installation methods and exhibitions (and avoid the bias inherent to segregating "fine art" and "library" artifacts); to examine the ways Dana positioned applied art, including handicrafts, industrially manufactured goods, and historicist ornament, as "progressive reform"; and to argue that his attempt to make a museum "intimate with commerce" was driven by his location in Newark. Dana's method of framing goods such as comic books and department-store teacups is reconsidered in relation to European as well as American influences, as are his many other innovations, from opening the first business library to holding the first exhibitions of Cubist painting and Deutscher Werkbund commercial art in America. I challenge traditional interpretations of the histories of the library and museum as distinct narratives, and restore the connections between exhibitions of Japanese prints, new Pictorialist photography, traditional plaster casts, and local ceramic factory and studio production.
590 $a School code: 0279.
650 4 $a Art History. $3 635474
650 4 $a Biography. $3 531296
650 4 $a Design and Decorative Arts. $3 1024640
650 4 $a History, United States. $3 1017393
650 4 $a Library Science. $3 881164
650 4 $a Museology. $3 1018504
690 $a 0304
690 $a 0337
690 $a 0377
690 $a 0389
690 $a 0399
690 $a 0730
710 2 0 $a The Bard Graduate Center for Studies in the Decorative Arts, Design, and Culture. $3 1298216
773 0 $t Dissertation Abstracts International $g 67-07A.
790 $a 0279
790 1 0 $a Ames, Kenneth L., $e advisor
791 $a Ph.D.
792 $a 2007
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3222573