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A performer's analysis of Isang Yun'...

Sim, Hoejin.

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A performer's analysis of Isang Yun's "Early Songs" and "Teile dich Nacht".

Record Type:	Language materials, printed : Monograph/item
Title/Author:	A performer's analysis of Isang Yun's "Early Songs" and "Teile dich Nacht"./
Author:	Sim, Hoejin.
Description:	113 p.
Notes:	Chair: Christine L. Anderson.
Contained By:	Dissertation Abstracts International65-04A.
Subject:	Education, Music. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3128575
ISBN:	9780496758371

A performer's analysis of Isang Yun's "Early Songs" and "Teile dich Nacht".
Sim, Hoejin.

A performer's analysis of Isang Yun's "Early Songs" and "Teile dich Nacht". - 113 p.

Chair: Christine L. Anderson.

Thesis (D.M.A.)--Temple University, 2004.

Isang Yun (1917--1995), a Korean-German composer, is known for expressing East-Asian philosophy and music through a Western musical idiom. Yun was born and raised in Korea, but spent most of his compositional career in Germany, writing numerous pieces that range from various solo works to grand symphonies. Drawing on his own cultural heritage, ancient Chinese and Korean traditional music and Taoism, Yun created unique techniques, such as Hauptton (main note) and Hauptklang (main sound). Hauptton refers to a main note that is held and decorated forming a central melodic line. When several Haupttone are sounded simultaneously, they form Hauptklang.

ISBN: 9780496758371Subjects--Topical Terms:

1017808
Education, Music.

A performer's analysis of Isang Yun's "Early Songs" and "Teile dich Nacht".
LDR:03758nam 2200313 a 45 001 973586
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020 $a 9780496758371
035 $a (UnM)AAI3128575
035 $a AAI3128575
040 $a UnM $c UnM
100 1 $a Sim, Hoejin. $3 1297536
245 1 2 $a A performer's analysis of Isang Yun's "Early Songs" and "Teile dich Nacht".
300 $a 113 p.
500 $a Chair: Christine L. Anderson.
500 $a Source: Dissertation Abstracts International, Volume: 65-04, Section: A, page: 1296.
502 $a Thesis (D.M.A.)--Temple University, 2004.
520 $a Isang Yun (1917--1995), a Korean-German composer, is known for expressing East-Asian philosophy and music through a Western musical idiom. Yun was born and raised in Korea, but spent most of his compositional career in Germany, writing numerous pieces that range from various solo works to grand symphonies. Drawing on his own cultural heritage, ancient Chinese and Korean traditional music and Taoism, Yun created unique techniques, such as Hauptton (main note) and Hauptklang (main sound). Hauptton refers to a main note that is held and decorated forming a central melodic line. When several Haupttone are sounded simultaneously, they form Hauptklang.
520 $a From the outset, Yun tried to find an indigenous Korean sound by exploring the elements of Korean traditional music. Of his early works composed in Korea, only the Early Songs, a collection of five songs written between 1941 and 1948, were published during his lifetime. Other works written by the composer while in Korea were branded inferior by the composer himself and never published. Yun's Early Songs show his youthful effort to incorporate Korean traditional modes and rhythms into Western musical forms. Moreover, these songs are his only music for voice and piano, and are among his most accessible and performed works. The Early Songs are not only an important example of his early compositional style, but are interesting repertoire to teach and perform.
520 $a Teile dich Nacht, a cantata on three poems of Nelly Sachs, shows a remarkable stylistic change from the Early Songs. Written in 1980 and premiered the following year, this cantata for soprano and chamber ensemble demands highly advanced techniques from both soprano and instrumentalists. The vocal part spans a wide range of over two octaves from Bb3 to C#6 1, and requires Sprechstimme and a good control over dynamics from pppp to fff. The cantata is also difficult to interpret, due to the emotional intensity of the texts, in which the poet refers to such subjects as the Holocaust, isolation from the world, and premonitions of death and the future. A practical consideration is the work's large chamber ensemble of twelve players: strings, woodwinds, horn, harp (or piano), and percussion. Despite its relative inaccessibility, Teile dich Nacht is a touching setting of solemn lyric poems, and exemplifies Yun's mature style in its uses of Hauptton and Hauptklang, diverse glissandos and vibratos, trills of various intervals, and specific and subtle dynamic changes.
520 $a Yun's compositions are relatively unknown in the United States; but his music deserves to be explored and performed more frequently. It is hoped that this monograph will be a useful resource for musical scholars and performers, and will honor the composer's wish to communicate intimately with the audience through his music.
590 $a School code: 0225.
650 4 $a Education, Music. $3 1017808
650 4 $a Music. $3 516178
690 $a 0413
690 $a 0522
710 2 0 $a Temple University. $3 959342
773 0 $t Dissertation Abstracts International $g 65-04A.
790 $a 0225
790 1 0 $a Anderson, Christine L., $e advisor
791 $a D.M.A.
792 $a 2004
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3128575