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Lori Blondeau: High-tech storytellin...
~
Taunton, Carla.
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Lori Blondeau: High-tech storytelling for social change.
Record Type:
Language materials, printed : Monograph/item
Title/Author:
Lori Blondeau: High-tech storytelling for social change./
Author:
Taunton, Carla.
Description:
211 p.
Notes:
Source: Masters Abstracts International, Volume: 45-06, page: 2699.
Contained By:
Masters Abstracts International45-06.
Subject:
Biography. -
Online resource:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=MR26932
ISBN:
9780494269329
Lori Blondeau: High-tech storytelling for social change.
Taunton, Carla.
Lori Blondeau: High-tech storytelling for social change.
- 211 p.
Source: Masters Abstracts International, Volume: 45-06, page: 2699.
Thesis (M.A.)--Carleton University (Canada), 2006.
This thesis explores the artistic practice of Cree/Saulteaux performance artist Lori Blondeau. The performance art of Lori Blondeau contributes to the discourse of Aboriginal sovereignty, reclaiming Aboriginal women's identities from Eurocentric colonial representations and popular culture's stereotypes. Her performances share Aboriginal stories and colonial histories to negotiate an indigenized space for discussion of Aboriginal perspectives. Through the lens of indigenous self-determination and empowerment, Blondeau shares her family's stories, which can be situated within the larger context of Canadian Aboriginal history. I examine Lori Blondeau's high-tech storytelling performance practice, illustrating her fusion of Aboriginal storytelling with performance art. Her work is explored as a decolonizing artistic practice, staging sites for cultural resistance.
ISBN: 9780494269329Subjects--Topical Terms:
531296
Biography.
Lori Blondeau: High-tech storytelling for social change.
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Source: Masters Abstracts International, Volume: 45-06, page: 2699.
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This thesis explores the artistic practice of Cree/Saulteaux performance artist Lori Blondeau. The performance art of Lori Blondeau contributes to the discourse of Aboriginal sovereignty, reclaiming Aboriginal women's identities from Eurocentric colonial representations and popular culture's stereotypes. Her performances share Aboriginal stories and colonial histories to negotiate an indigenized space for discussion of Aboriginal perspectives. Through the lens of indigenous self-determination and empowerment, Blondeau shares her family's stories, which can be situated within the larger context of Canadian Aboriginal history. I examine Lori Blondeau's high-tech storytelling performance practice, illustrating her fusion of Aboriginal storytelling with performance art. Her work is explored as a decolonizing artistic practice, staging sites for cultural resistance.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=MR26932
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