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The influence of individualism and p...

Duncan, Nancy J.

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The influence of individualism and professionalism on American contemporary concert dance.

Record Type:	Language materials, printed : Monograph/item
Title/Author:	The influence of individualism and professionalism on American contemporary concert dance./
Author:	Duncan, Nancy J.
Description:	154 p.
Notes:	Adviser: Leslie Satin.
Contained By:	Masters Abstracts International44-05.
Subject:	Dance. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1433010
ISBN:	9780542567308

The influence of individualism and professionalism on American contemporary concert dance.
Duncan, Nancy J.

The influence of individualism and professionalism on American contemporary concert dance. - 154 p.

Adviser: Leslie Satin.

Thesis (M.A.L.S.)--State University of New York Empire State College, 2006.

I explore the influence of individualism and professionalism on the development of twentieth century American contemporary concert dance to provide a context for understanding the 1990's "audience problem." Examples are drawn from four periods illustrating how the actions of visionaries compartmentalized new dance as art, education, modern, "leftist," humanitarian, African-American, cultural diplomacy tool, and avant-garde. The drive for professionalism isolated contemporary dance: on tour, within large cities, and in institutes of higher education. The prevailing commitment during the twentieth century was to serve the expressive and utilitarian individualism of the professional over a more republican response to the community-at-large. Using personal and professional experiences, I present a case for a new kind of pioneering, and thus, a new kind of individualism and professionalism, that will bring the intrinsic, spiritual benefits gained through participatory experiences in contemporary dance to the many Americans living outside the current centers of dance.

ISBN: 9780542567308Subjects--Topical Terms:

610547
Dance.

The influence of individualism and professionalism on American contemporary concert dance.
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020 $a 9780542567308
035 $a (UMI)AAI1433010
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040 $a UMI $c UMI
100 1 $a Duncan, Nancy J. $3 1295193
245 1 4 $a The influence of individualism and professionalism on American contemporary concert dance.
300 $a 154 p.
500 $a Adviser: Leslie Satin.
500 $a Source: Masters Abstracts International, Volume: 44-05, page: 2044.
502 $a Thesis (M.A.L.S.)--State University of New York Empire State College, 2006.
520 $a I explore the influence of individualism and professionalism on the development of twentieth century American contemporary concert dance to provide a context for understanding the 1990's "audience problem." Examples are drawn from four periods illustrating how the actions of visionaries compartmentalized new dance as art, education, modern, "leftist," humanitarian, African-American, cultural diplomacy tool, and avant-garde. The drive for professionalism isolated contemporary dance: on tour, within large cities, and in institutes of higher education. The prevailing commitment during the twentieth century was to serve the expressive and utilitarian individualism of the professional over a more republican response to the community-at-large. Using personal and professional experiences, I present a case for a new kind of pioneering, and thus, a new kind of individualism and professionalism, that will bring the intrinsic, spiritual benefits gained through participatory experiences in contemporary dance to the many Americans living outside the current centers of dance.
590 $a School code: 1408.
650 4 $a Dance. $3 610547
690 $a 0378
710 2 $a State University of New York Empire State College. $3 1017932
773 0 $t Masters Abstracts International $g 44-05.
790 $a 1408
790 1 0 $a Satin, Leslie, $e advisor
791 $a M.A.L.S.
792 $a 2006
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1433010