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A study of Arnold Schoenberg's respo...
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Dismukes, Andrea Jean.
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A study of Arnold Schoenberg's response to the poems of Richard Dehmel as revealed in selected songs from "Op.2".
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
A study of Arnold Schoenberg's response to the poems of Richard Dehmel as revealed in selected songs from "Op.2"./
作者:
Dismukes, Andrea Jean.
面頁冊數:
71 p.
附註:
Adviser: Susan C. Fleming.
Contained By:
Dissertation Abstracts International68-02A.
標題:
Education, Music. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3252005
A study of Arnold Schoenberg's response to the poems of Richard Dehmel as revealed in selected songs from "Op.2".
Dismukes, Andrea Jean.
A study of Arnold Schoenberg's response to the poems of Richard Dehmel as revealed in selected songs from "Op.2".
- 71 p.
Adviser: Susan C. Fleming.
Thesis (D.M.A.)--The University of Alabama, 2006.
Arnold Schoenberg's Four Songs for Voice and Piano, Op. 2, one of his first sets of published songs, contains three songs in which the young composer sets the texts of the lyrical poet Richard Dehmel. Erwartung, Schenk mir deinen goldenen Kamm (Jesus bettelt), and Erhebung incorporate the German Symbolist poetry of Dehmel's controversial volume Weib und Welt. The document addresses several essential questions regarding the poet and his poetry and examines Schoenberg's compositional choices in setting these three Dehmel poems.Subjects--Topical Terms:
1017808
Education, Music.
A study of Arnold Schoenberg's response to the poems of Richard Dehmel as revealed in selected songs from "Op.2".
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Arnold Schoenberg's Four Songs for Voice and Piano, Op. 2, one of his first sets of published songs, contains three songs in which the young composer sets the texts of the lyrical poet Richard Dehmel. Erwartung, Schenk mir deinen goldenen Kamm (Jesus bettelt), and Erhebung incorporate the German Symbolist poetry of Dehmel's controversial volume Weib und Welt. The document addresses several essential questions regarding the poet and his poetry and examines Schoenberg's compositional choices in setting these three Dehmel poems.
520
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This study looks at Schoenberg's early influences, focusing on his apprenticeship under Alexander von Zemlinsky, who introduced Schoenberg to contemporary trends in music and poetry, and who became a major figure in Schoenberg's personal and professional development. The study also explores the influence of Brahms and Wagner on both Zemlinsky and Schoenberg.
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This examination of the Dehmel settings reveals patterns of development in Schoenberg's style. These patterns come into view when observing key examples of his treatment of text, rhythm, melody, harmony and form. His setting of the text demonstrates his attentiveness to the intrinsic qualities of the poem. The end result is a fully integrated composition, organically emerging with apparent ease, attesting to Schoenberg's remarkable ability.
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