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The use and abuse of the sublime: Jo...

Ray, Gene.

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The use and abuse of the sublime: Joseph Beuys and art after Auschwitz.

Record Type:	Language materials, printed : Monograph/item
Title/Author:	The use and abuse of the sublime: Joseph Beuys and art after Auschwitz./
Author:	Ray, Gene.
Description:	219 p.
Notes:	Source: Dissertation Abstracts International, Volume: 58-08, Section: A, page: 2886.
Contained By:	Dissertation Abstracts International58-08A.
Subject:	Art History. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9805973
ISBN:	9780591559545

The use and abuse of the sublime: Joseph Beuys and art after Auschwitz.
Ray, Gene.

The use and abuse of the sublime: Joseph Beuys and art after Auschwitz. - 219 p.

Source: Dissertation Abstracts International, Volume: 58-08, Section: A, page: 2886.

Thesis (Ph.D.)--University of Miami, 1997.

The German artist, performer and pedagogue Joseph Beuys was one of the most innovative and influential figures in postwar European art. His work and the history of its reception is analyzed against the background of major trends of postwar thought and culture, including the contemporary revival of the aesthetic category of the sublime. Close readings of selected Beuys works, including Mountain King (1958-72), Fat Chair (1963), Tram Stop (1976), The End of the Twentieth Century (1983), Plight (1985) and Palazzo Regale (1985) are advanced as evidence that Beuys pioneered a new mode of evoking and avowing the Holocaust through visual and sculptural means. Aspects of this mode and inflections of Beuys' material sensibility are traced in the work of other contemporary artists, including Anselm Kiefer.

ISBN: 9780591559545Subjects--Topical Terms:

635474
Art History.

The use and abuse of the sublime: Joseph Beuys and art after Auschwitz.
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245 1 4 $a The use and abuse of the sublime: Joseph Beuys and art after Auschwitz.
300 $a 219 p.
500 $a Source: Dissertation Abstracts International, Volume: 58-08, Section: A, page: 2886.
500 $a Supervisor: John Knoblock.
502 $a Thesis (Ph.D.)--University of Miami, 1997.
520 $a The German artist, performer and pedagogue Joseph Beuys was one of the most innovative and influential figures in postwar European art. His work and the history of its reception is analyzed against the background of major trends of postwar thought and culture, including the contemporary revival of the aesthetic category of the sublime. Close readings of selected Beuys works, including Mountain King (1958-72), Fat Chair (1963), Tram Stop (1976), The End of the Twentieth Century (1983), Plight (1985) and Palazzo Regale (1985) are advanced as evidence that Beuys pioneered a new mode of evoking and avowing the Holocaust through visual and sculptural means. Aspects of this mode and inflections of Beuys' material sensibility are traced in the work of other contemporary artists, including Anselm Kiefer.
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650 4 $a Art History. $3 635474
650 4 $a Literature, Comparative. $3 530051
650 4 $a Literature, Germanic. $3 1019072
650 4 $a Philosophy. $3 516511
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