東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

The machine in the making: Examining...

Gross, Steven Ward.

Linked to FindBook

Google Book

Amazon

博客來

The machine in the making: Examining the collaboration effect between artist and technology.

Record Type:	Language materials, printed : Monograph/item
Title/Author:	The machine in the making: Examining the collaboration effect between artist and technology./
Author:	Gross, Steven Ward.
Description:	417 p.
Notes:	Adviser: Frank Moretti.
Contained By:	Dissertation Abstracts International68-06A.
Subject:	Art History. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3269071
ISBN:	9780549083108

The machine in the making: Examining the collaboration effect between artist and technology.
Gross, Steven Ward.

The machine in the making: Examining the collaboration effect between artist and technology. - 417 p.

Adviser: Frank Moretti.

Thesis (Ed.D.)--Teachers College, Columbia University, 2007.

Artistic technologies have evolved to the point where machines can engage in artistic practice separately from human artists, disrupting traditional ideas about what it means to make art and transforming the relationship between artist and technology. While the discourse surrounding these technologies represents them as either the loss of the artist's control over the art-making process or as a corruption of the technology itself, artists describe their relationship with their technology as one of collaboration, almost as if the technology possessed a consciousness of its own.

ISBN: 9780549083108Subjects--Topical Terms:

635474
Art History.

The machine in the making: Examining the collaboration effect between artist and technology.
LDR:02048nam 2200301 a 45 001 969670
005 20110920
008 110921s2007 eng d
020 $a 9780549083108
035 $a (UMI)AAI3269071
035 $a AAI3269071
040 $a UMI $c UMI
100 1 $a Gross, Steven Ward. $3 1293726
245 1 4 $a The machine in the making: Examining the collaboration effect between artist and technology.
300 $a 417 p.
500 $a Adviser: Frank Moretti.
500 $a Source: Dissertation Abstracts International, Volume: 68-06, Section: A, page: .
502 $a Thesis (Ed.D.)--Teachers College, Columbia University, 2007.
520 $a Artistic technologies have evolved to the point where machines can engage in artistic practice separately from human artists, disrupting traditional ideas about what it means to make art and transforming the relationship between artist and technology. While the discourse surrounding these technologies represents them as either the loss of the artist's control over the art-making process or as a corruption of the technology itself, artists describe their relationship with their technology as one of collaboration, almost as if the technology possessed a consciousness of its own.
520 $a The research presented herein examines this "collaborative effect" that occurs between artist and technology by first reviewing the automations of three artists who constructed machines that act independently of their creators to make art, and then by analyzing the resulting discourse. The collaborative effect is subsequently used as a guide for understanding the artist's relationship to current technologies and exploring ways in which such greater understanding can be fostered in the instruction of art and technology.
590 $a School code: 0055.
650 4 $a Art History. $3 635474
650 4 $a Education, Art. $3 1018432
650 4 $a Education, Technology. $3 1017498
690 $a 0273
690 $a 0377
690 $a 0710
710 2 0 $a Teachers College, Columbia University. $3 1018028
773 0 $t Dissertation Abstracts International $g 68-06A.
790 $a 0055
790 1 0 $a Moretti, Frank, $e advisor
791 $a Ed.D.
792 $a 2007
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3269071