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OGATA KENZAN (1663--1743) (JAPAN).

WILSON, RICHARD L.

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OGATA KENZAN (1663--1743) (JAPAN).

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	OGATA KENZAN (1663--1743) (JAPAN)./
作者:	WILSON, RICHARD L.
面頁冊數:	511 p.
附註:	Source: Dissertation Abstracts International, Volume: 46-11, Section: A, page: 3176.
Contained By:	Dissertation Abstracts International46-11A.
標題:	Art History. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=8529176

OGATA KENZAN (1663--1743) (JAPAN).
WILSON, RICHARD L.

OGATA KENZAN (1663--1743) (JAPAN). - 511 p.

Source: Dissertation Abstracts International, Volume: 46-11, Section: A, page: 3176.

Thesis (Ph.D.)--The University of Kansas, 1985.

Ogata Kenzan is widely recognized as one of the greatest individual potters in Japanese history. Scion of a prominent Kyoto family closely linked with the cultural and intellectual traditions of seventeenth-century Kyoto, Kenzan succeeded in synthesizing his own personal cultivation with the design genius of Rimpa, the native school of decoration. In doing so, he elevated ceramics to the status of a fine art.Subjects--Topical Terms:

635474
Art History.

OGATA KENZAN (1663--1743) (JAPAN).
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245 1 0 $a OGATA KENZAN (1663--1743) (JAPAN).
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500 $a Source: Dissertation Abstracts International, Volume: 46-11, Section: A, page: 3176.
502 $a Thesis (Ph.D.)--The University of Kansas, 1985.
520 $a Ogata Kenzan is widely recognized as one of the greatest individual potters in Japanese history. Scion of a prominent Kyoto family closely linked with the cultural and intellectual traditions of seventeenth-century Kyoto, Kenzan succeeded in synthesizing his own personal cultivation with the design genius of Rimpa, the native school of decoration. In doing so, he elevated ceramics to the status of a fine art.
520 $a Despite the monumental reputation of Kenzan, serious questions of authenticity, stylistic development, and the extent of his role in the studio have obscured his real contribution to Japanese art. This study addresses Kenzan's cultural and family heritage, biography, and artistic production. The artist's background and life are discussed in light of primary source material uncovered since 1915. Kenzan's work is analyzed in three parts--calligraphy, ceramics, and painting--with special emphasis on dated works, stylistic development, and interrelationships between the various media he utilized. An authentic corpus is identified in each area. Four appendices deal with connoisseurship, chronology, ceramic techniques, and the successors to the Kenzan title.
520 $a Kenzan emerges not only as a talented and versatile heir to the indigenous decorative style which his predecessors developed over the seventeenth century; he was also an accomplished amateur artist whose insistence on personal expression anticipated new developments in Edo Period culture. The attitudes he brought to the field of ceramics establish him as the first artist-potter in Japan.
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