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La palabra como instrumento de creac...
~
Lopez-Alvarez, Carmen Angela.
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La palabra como instrumento de creacion y destruccion en "Yo, el Supremo".
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
La palabra como instrumento de creacion y destruccion en "Yo, el Supremo"./
作者:
Lopez-Alvarez, Carmen Angela.
面頁冊數:
229 p.
附註:
Adviser: Julia Cuervo Hewitt.
Contained By:
Dissertation Abstracts International57-01A.
標題:
History, Latin American. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9612783
La palabra como instrumento de creacion y destruccion en "Yo, el Supremo".
Lopez-Alvarez, Carmen Angela.
La palabra como instrumento de creacion y destruccion en "Yo, el Supremo".
= The Word as an instrument of creation and destruction in "I, the Supreme". - 229 p.
Adviser: Julia Cuervo Hewitt.
Thesis (Ph.D.)--The Pennsylvania State University, 1995.
In both the Judeo-Christian and the Paraguayan Guarani traditions, the role of the Word is fundamental. In these traditions, the Word is the Alpha and Omega of all things created and constitutes the essence of the human being. In addition, the Word is the source of creation and destruction and of power over man's life, property, and governmental institutions. These ideas about the Word have been influential in the works of theoreticians such as Jacques Derrida, Michel Foucault, Jacques Lacan, and writers such as the Paraguayan Augusto Roa Bastos.Subjects--Topical Terms:
1017580
History, Latin American.
La palabra como instrumento de creacion y destruccion en "Yo, el Supremo".
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In both the Judeo-Christian and the Paraguayan Guarani traditions, the role of the Word is fundamental. In these traditions, the Word is the Alpha and Omega of all things created and constitutes the essence of the human being. In addition, the Word is the source of creation and destruction and of power over man's life, property, and governmental institutions. These ideas about the Word have been influential in the works of theoreticians such as Jacques Derrida, Michel Foucault, Jacques Lacan, and writers such as the Paraguayan Augusto Roa Bastos.
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This dissertation analyzes the use of the Word--oral and written--as an instrument of creation and destruction in I, the Supreme (1974) by Augusto Roa Bastos. In I, the Supreme, it is observed how the synthesis of the Judeo-Christian and Guarani traditions is the primal force behind the dictator-protagonist that defines both the characters and the novel's composition. Among the relevant elements of the creation/destruction of the semantic and discursive possibilities of the Word are the following: the origins and primacy of the oral Word versus the written Word, the effects of writing on memory, the power of writing, and the productivity of the Word.
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The study of these elements leads to a deeper understanding of the different levels of the novel without disregarding its historical context and its style. Furthermore, this dissertation integrates the historical aspect of the novel with its ideological, psychological and mythical components. This integration results in a more holistic approach to the reading of the text and a better understanding of the characteristics of the Paraguayan peoples.
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