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La conciencia historico-literaria en...

Noguera, Ruben Basilio.

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La conciencia historico-literaria en "Yo el Supremo" de Augusto Roa Bastos. (Spanish text);.

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	La conciencia historico-literaria en "Yo el Supremo" de Augusto Roa Bastos. (Spanish text);./
作者:	Noguera, Ruben Basilio.
面頁冊數:	164 p.
附註:	Director: Maria A. Salgado.
Contained By:	Dissertation Abstracts International51-06A.
標題:	Literature, Latin American. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9033007

La conciencia historico-literaria en "Yo el Supremo" de Augusto Roa Bastos. (Spanish text);.
Noguera, Ruben Basilio.

La conciencia historico-literaria en "Yo el Supremo" de Augusto Roa Bastos. (Spanish text);. - 164 p.

Director: Maria A. Salgado.

Thesis (Ph.D.)--The University of North Carolina at Chapel Hill, 1989.

The first chapter analyzes the "literary consciousness" in Yo el Supremo (1974), that is, the discourse that the central narrative consciousness (that of the main character Francia) delivers on literature and writing. To demonstrate this point, I have used various quotations from the novel, as well as the studies and opinions of pertinent critics. The chapter concludes with the idea that the Protagonist Francia is an imaginative recreation of the historrical 19th century Paraguayan dictator of the same surname, and also with the idea that the act and nature of writing constitute one of the central themes of the novel.Subjects--Topical Terms:

1024734
Literature, Latin American.

La conciencia historico-literaria en "Yo el Supremo" de Augusto Roa Bastos. (Spanish text);.
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100 1 $a Noguera, Ruben Basilio. $3 1286602
245 1 3 $a La conciencia historico-literaria en "Yo el Supremo" de Augusto Roa Bastos. (Spanish text);.
300 $a 164 p.
500 $a Director: Maria A. Salgado.
500 $a Source: Dissertation Abstracts International, Volume: 51-06, Section: A, page: 2034.
502 $a Thesis (Ph.D.)--The University of North Carolina at Chapel Hill, 1989.
520 $a The first chapter analyzes the "literary consciousness" in Yo el Supremo (1974), that is, the discourse that the central narrative consciousness (that of the main character Francia) delivers on literature and writing. To demonstrate this point, I have used various quotations from the novel, as well as the studies and opinions of pertinent critics. The chapter concludes with the idea that the Protagonist Francia is an imaginative recreation of the historrical 19th century Paraguayan dictator of the same surname, and also with the idea that the act and nature of writing constitute one of the central themes of the novel.
520 $a The second chapter deals with the theme of history. It analyzes the discourse that the central consciousness delivers on not only the history of 19th century Paraguay--and, by extension, that of Latin America--, but also on its own history (or, rather, story). The protagonist Francia, while serving as the historical consciousness of the people he ruled for a time, also tries to impose his own personal vision of history.
520 $a The third chapter examines what is perhaps the main theme of the novel: Power made effective through discourse. The dictator/protagonist Francia executes his power mainly through discourse, that is to say, writing and speech. By the end of the chapter, I hope to have demonstrated the truth of "the discourse of power and the power of discourse."
590 $a School code: 0153.
650 4 $a Literature, Latin American. $3 1024734
690 $a 0312
710 2 $a The University of North Carolina at Chapel Hill. $3 1017449
773 0 $t Dissertation Abstracts International $g 51-06A.
790 $a 0153
790 1 0 $a Salgado, Maria A., $e advisor
791 $a Ph.D.
792 $a 1989
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9033007