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Mind/body dualism and music theory p...
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Walker, Christina M.
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Mind/body dualism and music theory pedagogy: Applications of Dalcroze Eurhythmics.
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
Mind/body dualism and music theory pedagogy: Applications of Dalcroze Eurhythmics./
作者:
Walker, Christina M.
面頁冊數:
97 p.
附註:
Adviser: Hali Fieldman.
Contained By:
Masters Abstracts International45-06.
標題:
Education, Educational Psychology. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1444512
ISBN:
9780549053095
Mind/body dualism and music theory pedagogy: Applications of Dalcroze Eurhythmics.
Walker, Christina M.
Mind/body dualism and music theory pedagogy: Applications of Dalcroze Eurhythmics.
- 97 p.
Adviser: Hali Fieldman.
Thesis (M.M.)--University of Missouri - Kansas City, 2007.
Music theory pedagogues are continually trying to find effective ways of teaching what can be a difficult subject to learn for music students. Traditional methods often rely on purely intellectual approaches to music theory, an influence of the Cartesian philosophy of mind/body dualism. Such methods are problematic, however, in light of recent research by educational psychologists that reveal the importance of the body in learning. Around the turn of the twentieth century the Swiss musician and pedagogue Smile Jaques-Dalcroze discovered that it was a split between mind and body that hindered students from learning music. In response he formulated a method that consists of exercises designed to strengthen mind/body communication, helping students experience music intellectually and viscerally. The research presented here suggests the application of Dalcroze Eurhythmics to music theory as an embodied pedagogical approach and is supported by examples of its current use in the classroom.
ISBN: 9780549053095Subjects--Topical Terms:
1017560
Education, Educational Psychology.
Mind/body dualism and music theory pedagogy: Applications of Dalcroze Eurhythmics.
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Music theory pedagogues are continually trying to find effective ways of teaching what can be a difficult subject to learn for music students. Traditional methods often rely on purely intellectual approaches to music theory, an influence of the Cartesian philosophy of mind/body dualism. Such methods are problematic, however, in light of recent research by educational psychologists that reveal the importance of the body in learning. Around the turn of the twentieth century the Swiss musician and pedagogue Smile Jaques-Dalcroze discovered that it was a split between mind and body that hindered students from learning music. In response he formulated a method that consists of exercises designed to strengthen mind/body communication, helping students experience music intellectually and viscerally. The research presented here suggests the application of Dalcroze Eurhythmics to music theory as an embodied pedagogical approach and is supported by examples of its current use in the classroom.
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