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Salon, page, world: Jessie Redmon Fa...

Stoeckl, Sarah.

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Salon, page, world: Jessie Redmon Fauset, Mabel Dodge Luhan, Gertrude Stein, and the borderlands of culture.

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Salon, page, world: Jessie Redmon Fauset, Mabel Dodge Luhan, Gertrude Stein, and the borderlands of culture./
Author:	Stoeckl, Sarah.
Description:	106 p.
Notes:	Adviser: Melody Graulich.
Contained By:	Masters Abstracts International46-01.
Subject:	Language, Modern. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1445085
ISBN:	9780549116592

Salon, page, world: Jessie Redmon Fauset, Mabel Dodge Luhan, Gertrude Stein, and the borderlands of culture.
Stoeckl, Sarah.

Salon, page, world: Jessie Redmon Fauset, Mabel Dodge Luhan, Gertrude Stein, and the borderlands of culture. - 106 p.

Adviser: Melody Graulich.

Thesis (M.A.)--Utah State University, 2007.

I focused this study on borderland spaces of modernism, specifically the artistic salons of three distinctive women: Jessie Fauset, Mabel Luhan, and Gertrude Stein. By "reading" books from these authors alongside the physical/cultural space of their salons, I saw each of them manifesting concerns with the meaning of modernism, patronage, sexuality/gender, domestic/cultural ritual, public/private space, and the meaning of "home." The salon space became a venue for enacting the liminal culture of modernism; but for these women, the salon also gave them flexibility to control and explore their worlds. Ultimately, I discovered the salon to be as created and readable a "text" as any other work of art, particularly for the modernist period when artists and intellectuals attempted to re-create culture in general. Border spaces are not comfortable, but they are rife with opportunities and these women used them as such in dynamic, personal, and intriguing ways.

ISBN: 9780549116592Subjects--Topical Terms:

1018098
Language, Modern.

Salon, page, world: Jessie Redmon Fauset, Mabel Dodge Luhan, Gertrude Stein, and the borderlands of culture.
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020 $a 9780549116592
035 $a (UMI)AAI1445085
035 $a AAI1445085
040 $a UMI $c UMI
100 1 $a Stoeckl, Sarah. $3 1277539
245 1 0 $a Salon, page, world: Jessie Redmon Fauset, Mabel Dodge Luhan, Gertrude Stein, and the borderlands of culture.
300 $a 106 p.
500 $a Adviser: Melody Graulich.
500 $a Source: Masters Abstracts International, Volume: 46-01, page: 0088.
502 $a Thesis (M.A.)--Utah State University, 2007.
520 $a I focused this study on borderland spaces of modernism, specifically the artistic salons of three distinctive women: Jessie Fauset, Mabel Luhan, and Gertrude Stein. By "reading" books from these authors alongside the physical/cultural space of their salons, I saw each of them manifesting concerns with the meaning of modernism, patronage, sexuality/gender, domestic/cultural ritual, public/private space, and the meaning of "home." The salon space became a venue for enacting the liminal culture of modernism; but for these women, the salon also gave them flexibility to control and explore their worlds. Ultimately, I discovered the salon to be as created and readable a "text" as any other work of art, particularly for the modernist period when artists and intellectuals attempted to re-create culture in general. Border spaces are not comfortable, but they are rife with opportunities and these women used them as such in dynamic, personal, and intriguing ways.
590 $a School code: 0241.
650 4 $a Language, Modern. $3 1018098
650 4 $a Literature, American. $3 1017657
650 4 $a Women's Studies. $3 1017481
690 $a 0291
690 $a 0453
690 $a 0591
710 2 $a Utah State University. $3 960049
773 0 $t Masters Abstracts International $g 46-01.
790 $a 0241
790 1 0 $a Graulich, Melody, $e advisor
791 $a M.A.
792 $a 2007
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1445085