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Let the world listen right: Freestyl...

Neff, Ali Colleen.

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Let the world listen right: Freestyle hip-hop at the contemporary crossroads of the Mississippi Delta.

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Let the world listen right: Freestyle hip-hop at the contemporary crossroads of the Mississippi Delta./
Author:	Neff, Ali Colleen.
Description:	230 p.
Notes:	Adviser: William R. Ferris.
Contained By:	Masters Abstracts International45-04.
Subject:	Anthropology, Cultural. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1442325

Let the world listen right: Freestyle hip-hop at the contemporary crossroads of the Mississippi Delta.
Neff, Ali Colleen.

Let the world listen right: Freestyle hip-hop at the contemporary crossroads of the Mississippi Delta. - 230 p.

Adviser: William R. Ferris.

Thesis (M.A.)--The University of North Carolina at Chapel Hill, 2007.

Hip-hop in the Mississippi Delta is defined by the interaction of Diasporic aesthetic practice, local cultural tradition and global networks. Through collaborative ethnographic work with Delta hip-hop artists and the community that surrounds them, I explore the ways in which these forces influence the form and function of expressive culture in the area. Because the music of the region has been a site of intensive ethnographic collection for over a century, I will draw from scholarship on traditional Delta music to demonstrate its relationship to contemporary styles. Today, the freestyle hip-hop artist has taken on the prominent role once reserved for the bluesman. Rather than representing a break with the blues tradition, Delta hip-hop carries on many of the stylistic traits, performance techniques and functions of the blues. In its relationship to the blues, Delta freestyle hip-hop demonstrates the dynamic nature of Afrodiasporic folklore.Subjects--Topical Terms:

735016
Anthropology, Cultural.

Let the world listen right: Freestyle hip-hop at the contemporary crossroads of the Mississippi Delta.
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035 $a (UMI)AAI1442325
035 $a AAI1442325
040 $a UMI $c UMI
100 1 $a Neff, Ali Colleen. $3 1267364
245 1 0 $a Let the world listen right: Freestyle hip-hop at the contemporary crossroads of the Mississippi Delta.
300 $a 230 p.
500 $a Adviser: William R. Ferris.
500 $a Source: Masters Abstracts International, Volume: 45-04, page: 1780.
502 $a Thesis (M.A.)--The University of North Carolina at Chapel Hill, 2007.
520 $a Hip-hop in the Mississippi Delta is defined by the interaction of Diasporic aesthetic practice, local cultural tradition and global networks. Through collaborative ethnographic work with Delta hip-hop artists and the community that surrounds them, I explore the ways in which these forces influence the form and function of expressive culture in the area. Because the music of the region has been a site of intensive ethnographic collection for over a century, I will draw from scholarship on traditional Delta music to demonstrate its relationship to contemporary styles. Today, the freestyle hip-hop artist has taken on the prominent role once reserved for the bluesman. Rather than representing a break with the blues tradition, Delta hip-hop carries on many of the stylistic traits, performance techniques and functions of the blues. In its relationship to the blues, Delta freestyle hip-hop demonstrates the dynamic nature of Afrodiasporic folklore.
590 $a School code: 0153.
650 4 $a Anthropology, Cultural. $3 735016
650 4 $a Folklore. $3 528224
650 4 $a Music. $3 516178
690 $a 0326
690 $a 0358
690 $a 0413
710 2 $a The University of North Carolina at Chapel Hill. $3 1017449
773 0 $t Masters Abstracts International $g 45-04.
790 $a 0153
790 1 0 $a Ferris, William R., $e advisor
791 $a M.A.
792 $a 2007
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1442325