東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Better recognize: African American t...

Mahala, Macelle R.

FindBook

Google Book

Amazon

博客來

Better recognize: African American theatre as a politics of cultural practice.

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Better recognize: African American theatre as a politics of cultural practice./
作者:	Mahala, Macelle R.
面頁冊數:	207 p.
附註:	Advisers: Michal Kobialka; Lou Bellamy.
Contained By:	Dissertation Abstracts International68-05A.
標題:	Black Studies. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3263120
ISBN:	9780549018681

Better recognize: African American theatre as a politics of cultural practice.
Mahala, Macelle R.

Better recognize: African American theatre as a politics of cultural practice. - 207 p.

Advisers: Michal Kobialka; Lou Bellamy.

Thesis (Ph.D.)--University of Minnesota, 2007.

This dissertation looks at a few specific moments in the careers of four acclaimed African American playwrights; Ed Bullins, Kia Corthron, Suzan-Lori Parks, and August Wilson. I argue that these playwrights each engage in a politics of "cultural recognition," a term associated with the effort towards the acknowledgment and political parity of the distinct cultural groups that make up a multiethnic civil society. I contend that cultural recognition is enacted in an efficacious sense in each of these playwright's works---that is, each playwright brings the communal and culturally specific aspects of their individual identities explicitly to bear in their participation in American theatre in ways that combat current trends of neoliberalism, which seeks the erasure of social collectivity and disallows the acknowledgement of the continued experience and historical legacy of racism and white supremacy.

ISBN: 9780549018681Subjects--Topical Terms:

1017673
Black Studies.

Better recognize: African American theatre as a politics of cultural practice.
LDR:02858nam 2200313 a 45 001 943080
005 20110520
008 110520s2007 ||||||||||||||||| ||eng d
020 $a 9780549018681
035 $a (UMI)AAI3263120
035 $a AAI3263120
040 $a UMI $c UMI
100 1 $a Mahala, Macelle R. $3 1267120
245 1 0 $a Better recognize: African American theatre as a politics of cultural practice.
300 $a 207 p.
500 $a Advisers: Michal Kobialka; Lou Bellamy.
500 $a Source: Dissertation Abstracts International, Volume: 68-05, Section: A, page: 1735.
502 $a Thesis (Ph.D.)--University of Minnesota, 2007.
520 $a This dissertation looks at a few specific moments in the careers of four acclaimed African American playwrights; Ed Bullins, Kia Corthron, Suzan-Lori Parks, and August Wilson. I argue that these playwrights each engage in a politics of "cultural recognition," a term associated with the effort towards the acknowledgment and political parity of the distinct cultural groups that make up a multiethnic civil society. I contend that cultural recognition is enacted in an efficacious sense in each of these playwright's works---that is, each playwright brings the communal and culturally specific aspects of their individual identities explicitly to bear in their participation in American theatre in ways that combat current trends of neoliberalism, which seeks the erasure of social collectivity and disallows the acknowledgement of the continued experience and historical legacy of racism and white supremacy.
520 $a In order to better understand precisely how African American theatrical practices constitute forms of cultural recognition within the public sphere, I examine Ed Bullins' work with Black Arts Movement during the 1960's and 1970's, August Wilson's interaction with the regional theatre system throughout the development and production of his 20th century cycle in the 1980's and 1990's, Kia Corthron's project of writing plays for specific African American communities during the 1990's and 2000's, and Suzan-Lori Parks' deconstruction of the national racial and historical mythologies in The America Play (1993), Venus (1996), and Topdog/Underdog (2001). Because each of these playwrights has been seminal is shaping the field of African American theatre and performance, looking comparatively at their work reveals distinct methods of theatrical production which have complicated, shaped, and questioned racial and cultural formation in America over the past four decades.
590 $a School code: 0130.
650 4 $a Black Studies. $3 1017673
650 4 $a Literature, American. $3 1017657
650 4 $a Theater. $3 522973
690 $a 0325
690 $a 0465
690 $a 0591
710 2 $a University of Minnesota. $3 676231
773 0 $t Dissertation Abstracts International $g 68-05A.
790 $a 0130
790 1 0 $a Bellamy, Lou, $e advisor
790 1 0 $a Kobialka, Michal, $e advisor
791 $a Ph.D.
792 $a 2007
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3263120