語系:
繁體中文
English
說明(常見問題)
回圖書館首頁
手機版館藏查詢
登入
回首頁
切換:
標籤
|
MARC模式
|
ISBD
A fool and his money: Culture and fi...
~
Rice, Melinda Carolyn.
FindBook
Google Book
Amazon
博客來
A fool and his money: Culture and financial choice during the John Law affair of 1720.
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
A fool and his money: Culture and financial choice during the John Law affair of 1720./
作者:
Rice, Melinda Carolyn.
面頁冊數:
280 p.
附註:
Adviser: Kathryn Norberg.
Contained By:
Dissertation Abstracts International68-04A.
標題:
Economics, History. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3257184
A fool and his money: Culture and financial choice during the John Law affair of 1720.
Rice, Melinda Carolyn.
A fool and his money: Culture and financial choice during the John Law affair of 1720.
- 280 p.
Adviser: Kathryn Norberg.
Thesis (Ph.D.)--University of California, Los Angeles, 2007.
This project studies the social and cultural impact of the failure of the first-ever Bank of France in 1720. This dissertation places cultural products, such as plays and satirical engravings, alongside the private credit market in order to understand how the failure of John Law's economic reforms affected social relationships. The crisis of 1720 brought new groups into the private credit market which transformed time-honored social roles. The nobility had always dominated the credit market, a situation that was perfectly aligned with their social status. The entry of new groups into the credit markets posed problems for a traditional society that valued stability of orders based on corresponding levels of wealth. After 1720, there was a need to reconfigure the relationship between wealth and the established social order. The theatre was a privileged space for understanding how participants made sense of a rapidly changing economic world which threatened the delicate balance between different social groups. This dissertation looks at theatrical comedies and engravings that deal with money and finance produced between 1660 and 1732. The social and cultural conflicts posed by changing economic conditions could not be resolved by politics or religion. Instead, the gradual acceptance of the new social groups into arenas traditionally dominated by the nobility was resolved through cultural representations that demonstrated how society could successfully incorporate the newly wealthy into the existing social order.Subjects--Topical Terms:
1017418
Economics, History.
A fool and his money: Culture and financial choice during the John Law affair of 1720.
LDR
:02409nam 2200265 a 45
001
942096
005
20110519
008
110519s2007 ||||||||||||||||| ||eng d
035
$a
(UMI)AAI3257184
035
$a
AAI3257184
040
$a
UMI
$c
UMI
100
1
$a
Rice, Melinda Carolyn.
$3
1266192
245
1 2
$a
A fool and his money: Culture and financial choice during the John Law affair of 1720.
300
$a
280 p.
500
$a
Adviser: Kathryn Norberg.
500
$a
Source: Dissertation Abstracts International, Volume: 68-04, Section: A, page: 1619.
502
$a
Thesis (Ph.D.)--University of California, Los Angeles, 2007.
520
$a
This project studies the social and cultural impact of the failure of the first-ever Bank of France in 1720. This dissertation places cultural products, such as plays and satirical engravings, alongside the private credit market in order to understand how the failure of John Law's economic reforms affected social relationships. The crisis of 1720 brought new groups into the private credit market which transformed time-honored social roles. The nobility had always dominated the credit market, a situation that was perfectly aligned with their social status. The entry of new groups into the credit markets posed problems for a traditional society that valued stability of orders based on corresponding levels of wealth. After 1720, there was a need to reconfigure the relationship between wealth and the established social order. The theatre was a privileged space for understanding how participants made sense of a rapidly changing economic world which threatened the delicate balance between different social groups. This dissertation looks at theatrical comedies and engravings that deal with money and finance produced between 1660 and 1732. The social and cultural conflicts posed by changing economic conditions could not be resolved by politics or religion. Instead, the gradual acceptance of the new social groups into arenas traditionally dominated by the nobility was resolved through cultural representations that demonstrated how society could successfully incorporate the newly wealthy into the existing social order.
590
$a
School code: 0031.
650
4
$a
Economics, History.
$3
1017418
650
4
$a
History, European.
$3
1018076
690
$a
0335
690
$a
0509
710
2
$a
University of California, Los Angeles.
$3
626622
773
0
$t
Dissertation Abstracts International
$g
68-04A.
790
$a
0031
790
1 0
$a
Norberg, Kathryn,
$e
advisor
791
$a
Ph.D.
792
$a
2007
856
4 0
$u
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3257184
筆 0 讀者評論
館藏地:
全部
電子資源
出版年:
卷號:
館藏
1 筆 • 頁數 1 •
1
條碼號
典藏地名稱
館藏流通類別
資料類型
索書號
使用類型
借閱狀態
預約狀態
備註欄
附件
W9111467
電子資源
11.線上閱覽_V
電子書
EB W9111467
一般使用(Normal)
在架
0
1 筆 • 頁數 1 •
1
多媒體
評論
新增評論
分享你的心得
Export
取書館
處理中
...
變更密碼
登入