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An anatomy of sacrifice in plays by ...
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Martel, Francois.
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An anatomy of sacrifice in plays by Edward Albee and Michel Marc Bouchard.
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
An anatomy of sacrifice in plays by Edward Albee and Michel Marc Bouchard./
作者:
Martel, Francois.
面頁冊數:
106 p.
附註:
Source: Masters Abstracts International, Volume: 46-01, page: 0091.
Contained By:
Masters Abstracts International46-01.
標題:
Literature, American. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=MR26019
ISBN:
9780494260197
An anatomy of sacrifice in plays by Edward Albee and Michel Marc Bouchard.
Martel, Francois.
An anatomy of sacrifice in plays by Edward Albee and Michel Marc Bouchard.
- 106 p.
Source: Masters Abstracts International, Volume: 46-01, page: 0091.
Thesis (M.A.)--Universite de Sherbrooke (Canada), 2007.
An Anatomy of Sacrifice in Plays by Edward Albee and Michel Marc Bouchard analyses the potential interpretations and intelligibility of sacrifices performed in a modern, secular context. The guiding question of this work has been how to interpret the apparent gestures of sacrifice presented inside dramas and as semiotic representations of sacrifice before an audience. The confirmed hypothesis of this study is that the central sacrifice presented in each play is intelligible to the degree that it implies a sense of a religious or sacred code. The dramas of the corpus include The Zoo Story and Who's Afraid of Virginia Woolf? by Edward Albee, as well as Les feluettes ou la repetition d'un drame romantique and L'histoire de l'oie by Michel Marc Bouchard.
ISBN: 9780494260197Subjects--Topical Terms:
1017657
Literature, American.
An anatomy of sacrifice in plays by Edward Albee and Michel Marc Bouchard.
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Source: Masters Abstracts International, Volume: 46-01, page: 0091.
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Thesis (M.A.)--Universite de Sherbrooke (Canada), 2007.
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An Anatomy of Sacrifice in Plays by Edward Albee and Michel Marc Bouchard analyses the potential interpretations and intelligibility of sacrifices performed in a modern, secular context. The guiding question of this work has been how to interpret the apparent gestures of sacrifice presented inside dramas and as semiotic representations of sacrifice before an audience. The confirmed hypothesis of this study is that the central sacrifice presented in each play is intelligible to the degree that it implies a sense of a religious or sacred code. The dramas of the corpus include The Zoo Story and Who's Afraid of Virginia Woolf? by Edward Albee, as well as Les feluettes ou la repetition d'un drame romantique and L'histoire de l'oie by Michel Marc Bouchard.
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Although neither Bouchard nor Albee is known for being explicitly religious, the analysis of the plays of the corpus demonstrates the significance of their frequent use of images or motifs of sacrifice. The thesis also provides research into the history of sacrifice and reflection on related theories by scholars such as Terry Eagleton, P. Bottinelli and Georges Bataille.
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The work concludes that sacrifice in each of the dramas is a means of exchange wherein a precious or cherished object is surrendered in favour of a higher value which, while remaining ultimately indeterminate, through the performance of the sacrifice takes on an aura of the sacred.
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