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Art and artifice in the "Satyricon".
~
Mordine, Michael J.
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Art and artifice in the "Satyricon".
Record Type:
Language materials, printed : Monograph/item
Title/Author:
Art and artifice in the "Satyricon"./
Author:
Mordine, Michael J.
Description:
278 p.
Notes:
Adviser: Gareth Williams.
Contained By:
Dissertation Abstracts International68-06A.
Subject:
Art History. -
Online resource:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3266651
ISBN:
9780549056171
Art and artifice in the "Satyricon".
Mordine, Michael J.
Art and artifice in the "Satyricon".
- 278 p.
Adviser: Gareth Williams.
Thesis (Ph.D.)--Columbia University, 2007.
Art and Artifice in the Satyricon investigates Petronius' representations of material art objects, their analogical narrative functions, and their role in Petronius' rich engagement with his literary antecedents. The dissertation explores the descriptions of, and discussions about, artworks and artificial objects, not only painting, sculpture, and decorative items, but also objects which are metaphorically artificial, such as dressed-up bodies and prepared foods. Within the Satyricon's dazzlingly complex and allusive literary world, art operates as a synecdoche for the text itself, offering a window into the Satyricon through which Petronius illuminates the nature and the mechanics of his own artwork. In addition, as analogical representations of the Satyricon as an artistic creation, these ekphrastic moments and the characters' responses to them provide opportunities for Petronius to explore the nature of reading and writing his own and, indeed, any fiction. By considering material evidence as well as the literary record, Art and Artifice in the Satyricon situates Petronius' idiosyncratic masterpiece within, and as a product of, the larger cultural habits of the Romans and their engagement with art and artistic objects, both visual and literary.
ISBN: 9780549056171Subjects--Topical Terms:
635474
Art History.
Art and artifice in the "Satyricon".
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Mordine, Michael J.
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Art and artifice in the "Satyricon".
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278 p.
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Adviser: Gareth Williams.
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Source: Dissertation Abstracts International, Volume: 68-06, Section: A, page: 2440.
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Thesis (Ph.D.)--Columbia University, 2007.
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Art and Artifice in the Satyricon investigates Petronius' representations of material art objects, their analogical narrative functions, and their role in Petronius' rich engagement with his literary antecedents. The dissertation explores the descriptions of, and discussions about, artworks and artificial objects, not only painting, sculpture, and decorative items, but also objects which are metaphorically artificial, such as dressed-up bodies and prepared foods. Within the Satyricon's dazzlingly complex and allusive literary world, art operates as a synecdoche for the text itself, offering a window into the Satyricon through which Petronius illuminates the nature and the mechanics of his own artwork. In addition, as analogical representations of the Satyricon as an artistic creation, these ekphrastic moments and the characters' responses to them provide opportunities for Petronius to explore the nature of reading and writing his own and, indeed, any fiction. By considering material evidence as well as the literary record, Art and Artifice in the Satyricon situates Petronius' idiosyncratic masterpiece within, and as a product of, the larger cultural habits of the Romans and their engagement with art and artistic objects, both visual and literary.
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School code: 0054.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3266651
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