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Modernismo y modelos estetico-sexual...

Giaudrone, Carla Elena.

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Modernismo y modelos estetico-sexuales de la cultura: La degeneracion del Novecientos (Spanish text, Uruguay).

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Modernismo y modelos estetico-sexuales de la cultura: La degeneracion del Novecientos (Spanish text, Uruguay)./
作者:	Giaudrone, Carla Elena.
面頁冊數:	231 p.
附註:	Adviser: Sylvia Molloy.
Contained By:	Dissertation Abstracts International63-12A.
標題:	Literature, Latin American. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3075499
ISBN:	0493957081

Modernismo y modelos estetico-sexuales de la cultura: La degeneracion del Novecientos (Spanish text, Uruguay).
Giaudrone, Carla Elena.

Modernismo y modelos estetico-sexuales de la cultura: La degeneracion del Novecientos (Spanish text, Uruguay). - 231 p.

Adviser: Sylvia Molloy.

Thesis (Ph.D.)--New York University, 2003.

This study focuses on the emergence of new textual subjectivities in a group of Uruguayan writers born between 1871 and 1886, known as the <italic> Novecientos</italic> generation: Delmira Agustini, Roberto de las Carreras, Julio Herrera y Reissig, Alberto Nin Frías, Carlos Reyles, and José Enrique Rodó. In their poetics the sexual body assumes a central position, sexualizing writing by exalting the erotic and challenging one of the projects of modernization, which seeks to impose an institutionalized rhetoric of “excess” regarding sexuality.

ISBN: 0493957081Subjects--Topical Terms:

1024734
Literature, Latin American.

Modernismo y modelos estetico-sexuales de la cultura: La degeneracion del Novecientos (Spanish text, Uruguay).
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245 1 0 $a Modernismo y modelos estetico-sexuales de la cultura: La degeneracion del Novecientos (Spanish text, Uruguay).
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500 $a Adviser: Sylvia Molloy.
500 $a Source: Dissertation Abstracts International, Volume: 63-12, Section: A, page: 4328.
502 $a Thesis (Ph.D.)--New York University, 2003.
520 $a This study focuses on the emergence of new textual subjectivities in a group of Uruguayan writers born between 1871 and 1886, known as the <italic> Novecientos</italic> generation: Delmira Agustini, Roberto de las Carreras, Julio Herrera y Reissig, Alberto Nin Frías, Carlos Reyles, and José Enrique Rodó. In their poetics the sexual body assumes a central position, sexualizing writing by exalting the erotic and challenging one of the projects of modernization, which seeks to impose an institutionalized rhetoric of “excess” regarding sexuality.
520 $a The project begins with the study of the socio-political context in which the “new subjectivities” became visible, placing special emphasis on feminine and homoerotic constructions of desire. The historical context of my work is the presidency of José Batlle y Ordóñez (1903–1916), a key moment in the emergence of Uruguay's strongest and most persistent myths of national identity.
520 $a In chapters one and two I study excessive representations of the body in the early writings of Reyles (1897), the satiric prose of De las Carreras and Herrera y Reissig (1900–1902), and the late poems of Agustini (1910–1914). I take as my point of reference the appropriation feminist criticism makes of the Bakhtinian construction of the grotesque and the monstrous body. Although the use of the grotesque body in <italic>modernista</italic> writings varies according to the gender of the producer of the text, it primarily implies a destabilization of idealizations of beauty and/or a reconstruction of the mechanisms of desire.
520 $a In the last two chapters I analyze representations of the classical male body in Nin Frías' novel <italic>Sordello Andrea</italic> (1910), and Rodó's <italic>Ariel</italic> (1900) and <italic>Motivos de Proteo </italic> (1909). In both Nin Frías and Rodó's descriptions of male bodies, homoeroticism emerges in an erotically resonant language of the male gaze and focuses on the beautiful young man. I study both authors' use of the Hellenic paradigm to forge a more pretigious model of Hispanic identity. In this context I analyze self-representations of a male homosexual subject (Nin Frías) as well as the appropriation of the Platonic concept of “spiritual procreation” as source of civic health (Rodó).
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