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Black representation in American ani...

Lehman, Christopher Paul.

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Black representation in American animated short films, 1928--1954.

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Black representation in American animated short films, 1928--1954./
Author:	Lehman, Christopher Paul.
Description:	219 p.
Notes:	Director: Ernest Allen.
Contained By:	Dissertation Abstracts International63-06A.
Subject:	Black Studies. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3056252
ISBN:	0493716580

Black representation in American animated short films, 1928--1954.
Lehman, Christopher Paul.

Black representation in American animated short films, 1928--1954. - 219 p.

Director: Ernest Allen.

Thesis (Ph.D.)--University of Massachusetts Amherst, 2002.

Black representation in American animated short films circularly evolved between 1928 and 1954. Blackface minstrelsy at first figured heavily in black representation. The increasing prominence of African-American movie stars and technological improvements in animation led to extremely diverse animated black images in the late 1930s and early 1940s. With the decline of African-American film roles in the 1950s, however, animators fell back to minstrelsy-derived black images.

ISBN: 0493716580Subjects--Topical Terms:

1017673
Black Studies.

Black representation in American animated short films, 1928--1954.
LDR:02099nam 2200313 a 45 001 935934
005 20110510
008 110510s2002 eng d
020 $a 0493716580
035 $a (UnM)AAI3056252
035 $a AAI3056252
040 $a UnM $c UnM
100 1 $a Lehman, Christopher Paul. $3 1259634
245 1 0 $a Black representation in American animated short films, 1928--1954.
300 $a 219 p.
500 $a Director: Ernest Allen.
500 $a Source: Dissertation Abstracts International, Volume: 63-06, Section: A, page: 2333.
502 $a Thesis (Ph.D.)--University of Massachusetts Amherst, 2002.
520 $a Black representation in American animated short films circularly evolved between 1928 and 1954. Blackface minstrelsy at first figured heavily in black representation. The increasing prominence of African-American movie stars and technological improvements in animation led to extremely diverse animated black images in the late 1930s and early 1940s. With the decline of African-American film roles in the 1950s, however, animators fell back to minstrelsy-derived black images.
520 $a Animated black characterization emerged as blackface changed in the first sound cartoons from a generic cartoon design to an image restricted to black characters. In the early 1930s, cartoon studios began to significantly differentiate black characters from animal characters. Studios focused upon developing characters with strong personalities in the mid-1930s, but black characterizations were mostly derivative of blackface minstrels and black actors. African-American artistic expressions influenced animation during World War II but did not affect the studios' black images. From 1946 to 1954, studios ignored African-American artistry and reverted to past styles of black imaging.
590 $a School code: 0118.
650 4 $a Black Studies. $3 1017673
650 4 $a Cinema. $3 854529
650 4 $a History, Black. $3 1017776
650 4 $a Sociology, Ethnic and Racial Studies. $3 1017474
690 $a 0325
690 $a 0328
690 $a 0631
690 $a 0900
710 2 0 $a University of Massachusetts Amherst. $3 1019433
773 0 $t Dissertation Abstracts International $g 63-06A.
790 $a 0118
790 1 0 $a Allen, Ernest, $e advisor
791 $a Ph.D.
792 $a 2002
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3056252