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New sensations in Shanghai literatur...

Mao, Jian.

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New sensations in Shanghai literature and cinema in the 1930s and 1940s (Chinese text).

Record Type:	Language materials, printed : Monograph/item
Title/Author:	New sensations in Shanghai literature and cinema in the 1930s and 1940s (Chinese text)./
Author:	Mao, Jian.
Description:	241 p.
Notes:	Source: Dissertation Abstracts International, Volume: 63-10, Section: A, page: 3537.
Contained By:	Dissertation Abstracts International63-10A.
Subject:	Cinema. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3067170
ISBN:	0493867287

New sensations in Shanghai literature and cinema in the 1930s and 1940s (Chinese text).
Mao, Jian.

New sensations in Shanghai literature and cinema in the 1930s and 1940s (Chinese text). - 241 p.

Source: Dissertation Abstracts International, Volume: 63-10, Section: A, page: 3537.

Thesis (Ph.D.)--Hong Kong University of Science and Technology (People's Republic of China), 2002.

By analyzing the new urban discourses that take shape in the thirties and forties, this study tries to explore the figuration and transformation of the “new urban sensations”.

ISBN: 0493867287Subjects--Topical Terms:

854529
Cinema.

New sensations in Shanghai literature and cinema in the 1930s and 1940s (Chinese text).
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005 20110510
008 110510s2002 d
020 $a 0493867287
035 $a (UnM)AAI3067170
035 $a AAI3067170
040 $a UnM $c UnM
100 1 $a Mao, Jian. $3 1259296
245 1 0 $a New sensations in Shanghai literature and cinema in the 1930s and 1940s (Chinese text).
300 $a 241 p.
500 $a Source: Dissertation Abstracts International, Volume: 63-10, Section: A, page: 3537.
500 $a Supervisor: Leonard Kwok-Kou Chan.
502 $a Thesis (Ph.D.)--Hong Kong University of Science and Technology (People's Republic of China), 2002.
520 $a By analyzing the new urban discourses that take shape in the thirties and forties, this study tries to explore the figuration and transformation of the “new urban sensations”.
520 $a The first chapter focuses on how the concept of “health” becomes a rising idea in the thirties and one of the requirements of being modern. Second Chapter discusses the relationship between the ideology of the left wing, the face of Jin Yan and the body of Ruan Lingyu. Third Chapter probes into the new sensations expressed through “things” like “cinema” and “telephone”, and defines the characteristics of Shanghai Space Time of being discursive and neurotic. Fourth Chapter puts forward the idea of “two Shanghais” by comparing the experiences of Shanghai local people and that of the countrymen in the same city. The concluding chapter discusses the relationship between Shanghai and rural China, and describes the fate of “Shanghai ideology” after the Sino-Japanese War.
590 $a School code: 1223.
650 4 $a Cinema. $3 854529
650 4 $a Language, Modern. $3 1018098
650 4 $a Literature, Asian. $3 1017599
690 $a 0291
690 $a 0305
690 $a 0900
710 2 0 $a Hong Kong University of Science and Technology (People's Republic of China). $3 1249812
773 0 $t Dissertation Abstracts International $g 63-10A.
790 $a 1223
790 1 0 $a Chan, Leonard Kwok-Kou, $e advisor
791 $a Ph.D.
792 $a 2002
793 $a Chinese
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3067170