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Contemporary aboriginal art texts: ...

Walsh, Andrea Naomi.

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Contemporary aboriginal art texts: Intersections of visual culture.

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Contemporary aboriginal art texts: Intersections of visual culture./
作者:	Walsh, Andrea Naomi.
面頁冊數:	253 p.
附註:	Adviser: Kenneth Little.
Contained By:	Dissertation Abstracts International62-04A.
標題:	Anthropology, Cultural. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=NQ59158
ISBN:	0612591581

Contemporary aboriginal art texts: Intersections of visual culture.
Walsh, Andrea Naomi.

Contemporary aboriginal art texts: Intersections of visual culture. - 253 p.

Adviser: Kenneth Little.

Thesis (Ph.D.)--York University (Canada), 2000.

This dissertation provides a textual analysis of the visual politics of production and reception of modern aboriginal art in Canada. Two predicaments provide departure points for this analysis. The first concerns how Native artists in Canada express their identity through visual art based on notions of ‘space’ and ‘place.’ The second concerns the consumption of the identities of these artists and their art via processes of intercultural spectatorship documented in art exhibition catalogues and artworld discourse.

ISBN: 0612591581Subjects--Topical Terms:

735016
Anthropology, Cultural.

Contemporary aboriginal art texts: Intersections of visual culture.
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245 1 0 $a Contemporary aboriginal art texts: Intersections of visual culture.
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520 $a This dissertation provides a textual analysis of the visual politics of production and reception of modern aboriginal art in Canada. Two predicaments provide departure points for this analysis. The first concerns how Native artists in Canada express their identity through visual art based on notions of ‘space’ and ‘place.’ The second concerns the consumption of the identities of these artists and their art via processes of intercultural spectatorship documented in art exhibition catalogues and artworld discourse.
520 $a The analysis is performed along three interdependent critical paths under the headings Citing/text, Sighting/subjectivity, and Siting/place. The chapters written under these headings chronicle slippage in ethnographic writing about aboriginal art that can be identified through processes of vision and visuality. In particular this slippage occurs through the formation of subjectivity, the critique of objectivity, the circulation of signs of aboriginality, alternative visual strategies, the use of technology in art, and transnational flows of modern art and cultural property.
520 $a The discussion explores fields of written art texts, vision, and sense of place as they work on each other to produce cultural texts on aboriginal art. Such texts evoke representational as well as materialist practices in aboriginal art worlds. These modes of ethnographic inquiry explore multiple textualities focused upon the production and reception of visual images and textual signs. This analysis of aboriginal art provokes questions about how visual culture is represented in modern ethnographic writing. The dissertation seeks to re-fashion the manner in which aboriginal modern art is represented, and reproduced, through anthropological analysis. By taking this particular approach to textual analysis, I argue for new ways of reading critical texts about art and, subsequently, seeing <italic>art as text</italic> as a valuable form of cultural critique.
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