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Emerging artistry from process to pr...
~
Kemp, Heather Suzanne.
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Emerging artistry from process to product (Original choreography).
Record Type:
Language materials, printed : Monograph/item
Title/Author:
Emerging artistry from process to product (Original choreography)./
Author:
Kemp, Heather Suzanne.
Description:
49 p.
Notes:
Adviser: Judy Allen.
Contained By:
Masters Abstracts International40-06.
Subject:
Dance. -
Online resource:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1409207
ISBN:
0493666338
Emerging artistry from process to product (Original choreography).
Kemp, Heather Suzanne.
Emerging artistry from process to product (Original choreography).
- 49 p.
Adviser: Judy Allen.
Thesis (M.F.A.)--California State University, Long Beach, 2002.
Four choreographic works were created to complete the Master of Fine Arts project: <italic>Collectables</italic>, 9½ minutes; <italic>Trace Elements</italic>, 5 minutes; <italic>Irrepressible Reality</italic>, 14½ minutes; and <italic>Room for Waiting</italic>, 14 minutes. <italic> Trace Elements</italic> was choreographed by Jennifer Salk; the remaining works were created by the candidate. The works were performed at the Martha B. Knoebel Dance Theater at California State University, Long Beach: <italic> Collectables</italic> and <italic>Trace Elements</italic> in concert 5–8 October 2000, <italic>Irrepressible Reality</italic> in concert 22–25 February 2001, and <italic>Room for Waiting</italic> in concert 27–30 September 2001.
ISBN: 0493666338Subjects--Topical Terms:
610547
Dance.
Emerging artistry from process to product (Original choreography).
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Emerging artistry from process to product (Original choreography).
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49 p.
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Adviser: Judy Allen.
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Source: Masters Abstracts International, Volume: 40-06, page: 1326.
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Thesis (M.F.A.)--California State University, Long Beach, 2002.
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Four choreographic works were created to complete the Master of Fine Arts project: <italic>Collectables</italic>, 9½ minutes; <italic>Trace Elements</italic>, 5 minutes; <italic>Irrepressible Reality</italic>, 14½ minutes; and <italic>Room for Waiting</italic>, 14 minutes. <italic> Trace Elements</italic> was choreographed by Jennifer Salk; the remaining works were created by the candidate. The works were performed at the Martha B. Knoebel Dance Theater at California State University, Long Beach: <italic> Collectables</italic> and <italic>Trace Elements</italic> in concert 5–8 October 2000, <italic>Irrepressible Reality</italic> in concert 22–25 February 2001, and <italic>Room for Waiting</italic> in concert 27–30 September 2001.
520
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<italic>Collectables</italic> used accumulation of movement as a metaphor for materialism in society. <italic>Trace Elements</italic>, commissioned and performed by the candidate, was based on the ending of a serious relationship. <italic> Irrepressible Reality</italic> explored the dynamics of interpersonal relationships. <italic> Room for Waiting</italic> was based on the anticipation, boredom, and frustration one feels when waiting for something. These works are documented and analyzed in this paper.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1409207
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