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Emerging artistry from process to pr...

Kemp, Heather Suzanne.

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Emerging artistry from process to product (Original choreography).

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Emerging artistry from process to product (Original choreography)./
作者:	Kemp, Heather Suzanne.
面頁冊數:	49 p.
附註:	Adviser: Judy Allen.
Contained By:	Masters Abstracts International40-06.
標題:	Dance. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1409207
ISBN:	0493666338

Emerging artistry from process to product (Original choreography).
Kemp, Heather Suzanne.

Emerging artistry from process to product (Original choreography). - 49 p.

Adviser: Judy Allen.

Thesis (M.F.A.)--California State University, Long Beach, 2002.

Four choreographic works were created to complete the Master of Fine Arts project: <italic>Collectables</italic>, 9½ minutes; <italic>Trace Elements</italic>, 5 minutes; <italic>Irrepressible Reality</italic>, 14½ minutes; and <italic>Room for Waiting</italic>, 14 minutes. <italic> Trace Elements</italic> was choreographed by Jennifer Salk; the remaining works were created by the candidate. The works were performed at the Martha B. Knoebel Dance Theater at California State University, Long Beach: <italic> Collectables</italic> and <italic>Trace Elements</italic> in concert 5–8 October 2000, <italic>Irrepressible Reality</italic> in concert 22–25 February 2001, and <italic>Room for Waiting</italic> in concert 27–30 September 2001.

ISBN: 0493666338Subjects--Topical Terms:

610547
Dance.

Emerging artistry from process to product (Original choreography).
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245 1 0 $a Emerging artistry from process to product (Original choreography).
300 $a 49 p.
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500 $a Source: Masters Abstracts International, Volume: 40-06, page: 1326.
502 $a Thesis (M.F.A.)--California State University, Long Beach, 2002.
520 $a Four choreographic works were created to complete the Master of Fine Arts project: <italic>Collectables</italic>, 9½ minutes; <italic>Trace Elements</italic>, 5 minutes; <italic>Irrepressible Reality</italic>, 14½ minutes; and <italic>Room for Waiting</italic>, 14 minutes. <italic> Trace Elements</italic> was choreographed by Jennifer Salk; the remaining works were created by the candidate. The works were performed at the Martha B. Knoebel Dance Theater at California State University, Long Beach: <italic> Collectables</italic> and <italic>Trace Elements</italic> in concert 5–8 October 2000, <italic>Irrepressible Reality</italic> in concert 22–25 February 2001, and <italic>Room for Waiting</italic> in concert 27–30 September 2001.
520 $a <italic>Collectables</italic> used accumulation of movement as a metaphor for materialism in society. <italic>Trace Elements</italic>, commissioned and performed by the candidate, was based on the ending of a serious relationship. <italic> Irrepressible Reality</italic> explored the dynamics of interpersonal relationships. <italic> Room for Waiting</italic> was based on the anticipation, boredom, and frustration one feels when waiting for something. These works are documented and analyzed in this paper.
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