東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

The alien in our nation: Complicati...

Kosnik, Kristin Costello.

FindBook

Google Book

Amazon

博客來

The alien in our nation: Complicating issues of "passing" and miscegenation in the American narrative (Harriet Beecher Stowe, William Faulkner, Toni Morrison, Ralph Ellison).

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	The alien in our nation: Complicating issues of "passing" and miscegenation in the American narrative (Harriet Beecher Stowe, William Faulkner, Toni Morrison, Ralph Ellison)./
作者:	Kosnik, Kristin Costello.
面頁冊數:	220 p.
附註:	Adviser: Robert G. O'Meally.
Contained By:	Dissertation Abstracts International62-02A.
標題:	Black Studies. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3005745
ISBN:	0493152423

The alien in our nation: Complicating issues of "passing" and miscegenation in the American narrative (Harriet Beecher Stowe, William Faulkner, Toni Morrison, Ralph Ellison).
Kosnik, Kristin Costello.

The alien in our nation: Complicating issues of "passing" and miscegenation in the American narrative (Harriet Beecher Stowe, William Faulkner, Toni Morrison, Ralph Ellison). - 220 p.

Adviser: Robert G. O'Meally.

Thesis (Ph.D.)--Columbia University, 2001.

This study examines the complexity of racial “passing” beyond the presumed arithmetic of the black-white dualism of modern America. Encompassing works from the mid-nineteenth century through contemporary American literature, I argue that racial “passing” is as much a negotiation of American citizenship for black and mixed race Americans as it is a secret attempt to cross America's “color-line” from black to white. Chapter 1 sets the stage for the project with a discussion of Harriet Beecher Stowe's 1852 novel <italic>Uncle Tom's Cabin</italic>, specifically the scene in which light-skinned black George Harris decides to leave the United States to establish a home in Africa rather than “to pass for an American.” Harris's statement of resistance to American identity, notably using the term “passing,” significantly shifts the assumption of “passing” in American culture from implying “a black person who passes for white” to what <italic> The Alien in Our Nation</italic> argues is the more complex and explosive notion of a black person or person of mixed race who refuses to pass for American.

ISBN: 0493152423Subjects--Topical Terms:

1017673
Black Studies.

The alien in our nation: Complicating issues of "passing" and miscegenation in the American narrative (Harriet Beecher Stowe, William Faulkner, Toni Morrison, Ralph Ellison).
LDR:03317nam 2200289 a 45 001 927009
005 20110422
008 110422s2001 eng d
020 $a 0493152423
035 $a (UnM)AAI3005745
035 $a AAI3005745
040 $a UnM $c UnM
100 1 $a Kosnik, Kristin Costello. $3 1250589
245 1 0 $a The alien in our nation: Complicating issues of "passing" and miscegenation in the American narrative (Harriet Beecher Stowe, William Faulkner, Toni Morrison, Ralph Ellison).
300 $a 220 p.
500 $a Adviser: Robert G. O'Meally.
500 $a Source: Dissertation Abstracts International, Volume: 62-02, Section: A, page: 0574.
502 $a Thesis (Ph.D.)--Columbia University, 2001.
520 $a This study examines the complexity of racial “passing” beyond the presumed arithmetic of the black-white dualism of modern America. Encompassing works from the mid-nineteenth century through contemporary American literature, I argue that racial “passing” is as much a negotiation of American citizenship for black and mixed race Americans as it is a secret attempt to cross America's “color-line” from black to white. Chapter 1 sets the stage for the project with a discussion of Harriet Beecher Stowe's 1852 novel <italic>Uncle Tom's Cabin</italic>, specifically the scene in which light-skinned black George Harris decides to leave the United States to establish a home in Africa rather than “to pass for an American.” Harris's statement of resistance to American identity, notably using the term “passing,” significantly shifts the assumption of “passing” in American culture from implying “a black person who passes for white” to what <italic> The Alien in Our Nation</italic> argues is the more complex and explosive notion of a black person or person of mixed race who refuses to pass for American.
520 $a All of the texts that I address in this project offer provocative responses to this notion of <italic>refusing to pass for American</italic>. Chapter 2 explores Joe Christmas's uncertain racial origins in William Faulkner's 1932 novel <italic>Light in August</italic>, where Christmas's swapping of shoes with a black woman becomes symbolic of his own alienated and emasculated place as an ambiguously raced American. Chapter 3 considers the question of “passing” in Toni Morrison's 1981 novel <italic>Tar Baby</italic> and 1998 novel Paradise, both works in which the black male's assertion of his racial authenticity verges on committing the very “crime” of “passing for white” against which the black male defines his identity as an American. Chapter 4 examines the complexities of American identity through “passing”—for black as well as white—in Ralph Ellison's posthumously published 1999 novel <italic>Juneteenth</italic>, where a light-skinned black boy's reinvention of himself as a white racist Senator reveals Americanness as its own complex form of masquerade.
590 $a School code: 0054.
650 4 $a Black Studies. $3 1017673
650 4 $a Literature, American. $3 1017657
690 $a 0325
690 $a 0591
710 2 0 $a Columbia University. $3 571054
773 0 $t Dissertation Abstracts International $g 62-02A.
790 $a 0054
790 1 0 $a O'Meally, Robert G., $e advisor
791 $a Ph.D.
792 $a 2001
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3005745