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Gender and power in shrew-taming nar...

Holderness, Graham.

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Gender and power in shrew-taming narratives, 1500-1700

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Gender and power in shrew-taming narratives, 1500-1700/ edited by David Wootton and Graham Holderness.
其他作者:	Holderness, Graham.
出版者:	Houndmills, Basingstoke, Hampshire ;Palgrave Macmillan, : 2010.,
面頁冊數:	ix, 236 p.
內容註:	Shrews in pamphlets and plays / Anna Bayman and George Southcombe --Shrews, marriage and murder / Sandra Clark -- Engendering shrews: Medieval to early modern/ Holly A. Crocker -- 'He speaks very shrewishly':apprentice-training and The taming of the shrew / Richard Madelaine --The shrew as editor/editing shrews / Leah S. Marcus -- Putting the silent woman back into the Shakespearean shrew/ Margaret Maurer and BarryGaines -- Unknown shrews: three transformations of the/a shrew / Helmer J. Helmers -- 'Ye sid ha taken my counsel sir': restoration satire and theatrical authority/ CharlesConaway -- 'Darkenes was before light': hierarchy and duality in The taming of a shrew / Graham Holderness --The gendered stomach in The taming of the shrew/ Jan Purnis -- The tamer tamed, or none shall have prizes: 'Equality' in Shakespeare's England / David Wootton -- Afterword: 'Thus have I politicly ended my reign'/ Ann Thompson.
標題:	English drama - History and criticism. - 17th century -
電子資源:	http://link.springer.com/10.1057/9780230277489access to fulltext (Palgrave)
ISBN:	0230277489

Gender and power in shrew-taming narratives, 1500-1700
Gender and power in shrew-taming narratives, 1500-1700[electronic resource] /edited by David Wootton and Graham Holderness. - Houndmills, Basingstoke, Hampshire ;Palgrave Macmillan,2010. - ix, 236 p.

Includes bibliographical references and index.

Shrews in pamphlets and plays / Anna Bayman and George Southcombe --Shrews, marriage and murder / Sandra Clark -- Engendering shrews: Medieval to early modern/ Holly A. Crocker -- 'He speaks very shrewishly':apprentice-training and The taming of the shrew / Richard Madelaine --The shrew as editor/editing shrews / Leah S. Marcus -- Putting the silent woman back into the Shakespearean shrew/ Margaret Maurer and BarryGaines -- Unknown shrews: three transformations of the/a shrew / Helmer J. Helmers -- 'Ye sid ha taken my counsel sir': restoration satire and theatrical authority/ CharlesConaway -- 'Darkenes was before light': hierarchy and duality in The taming of a shrew / Graham Holderness --The gendered stomach in The taming of the shrew/ Jan Purnis -- The tamer tamed, or none shall have prizes: 'Equality' in Shakespeare's England / David Wootton -- Afterword: 'Thus have I politicly ended my reign'/ Ann Thompson.

This is the first book to address and explore the various dramatic, poetic and narrative versions of the popular 'taming of the shrew' story, from the Middle Ages to the Restoration, in the light of new historical work on the place of early modern women in society. The contributors address the historical interrelationships of key theatrical texts such as the anonymous The Taming of A Shrew,Shakespeare's The Taming of the Shrew, John Fletcher's The Woman's Prize, or the Tamer Tamed and John Lacey's Sauny the Scot.The essays in this volume subsume and extend the historical work, especially on the later 17th century versions and address the multiple shrew-taming narratives as an extendedcultural dialogue debating key issues of gender and sexual politics. Recent criticism has tended tooverplay 'power' readings of the shrew-plays and to cast especially Shakespeare's play as an irredeemable document of barbarism. This volume reopens some of these critical questions and takes a freshperspective on the renaissance shrew. The cast of contributors represents a balance between established critics responsible for seminal work in shrew-studies and younger scholars whose research is exploring new directions.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2010.

Mode of access:World Wide Web.

ISBN: 0230277489Subjects--Personal Names:

689443
Shakespeare, William,
1564-1616.Twelfth night.Subjects--Topical Terms:

592975
English drama
--History and criticism.--17th centuryIndex Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PR658.W6 / G46 2010

Dewey Class. No.: 822/.3093522

Gender and power in shrew-taming narratives, 1500-1700
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300 $a ix, 236 p.
504 $a Includes bibliographical references and index.
505 0 $a Shrews in pamphlets and plays / Anna Bayman and George Southcombe --Shrews, marriage and murder / Sandra Clark -- Engendering shrews: Medieval to early modern/ Holly A. Crocker -- 'He speaks very shrewishly':apprentice-training and The taming of the shrew / Richard Madelaine --The shrew as editor/editing shrews / Leah S. Marcus -- Putting the silent woman back into the Shakespearean shrew/ Margaret Maurer and BarryGaines -- Unknown shrews: three transformations of the/a shrew / Helmer J. Helmers -- 'Ye sid ha taken my counsel sir': restoration satire and theatrical authority/ CharlesConaway -- 'Darkenes was before light': hierarchy and duality in The taming of a shrew / Graham Holderness --The gendered stomach in The taming of the shrew/ Jan Purnis -- The tamer tamed, or none shall have prizes: 'Equality' in Shakespeare's England / David Wootton -- Afterword: 'Thus have I politicly ended my reign'/ Ann Thompson.
520 $a This is the first book to address and explore the various dramatic, poetic and narrative versions of the popular 'taming of the shrew' story, from the Middle Ages to the Restoration, in the light of new historical work on the place of early modern women in society. The contributors address the historical interrelationships of key theatrical texts such as the anonymous The Taming of A Shrew,Shakespeare's The Taming of the Shrew, John Fletcher's The Woman's Prize, or the Tamer Tamed and John Lacey's Sauny the Scot.The essays in this volume subsume and extend the historical work, especially on the later 17th century versions and address the multiple shrew-taming narratives as an extendedcultural dialogue debating key issues of gender and sexual politics. Recent criticism has tended tooverplay 'power' readings of the shrew-plays and to cast especially Shakespeare's play as an irredeemable document of barbarism. This volume reopens some of these critical questions and takes a freshperspective on the renaissance shrew. The cast of contributors represents a balance between established critics responsible for seminal work in shrew-studies and younger scholars whose research is exploring new directions.
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