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Conflict and difference in nineteenth-century literature

Record Type:	Electronic resources : Monograph/item
Title/Author:	Conflict and difference in nineteenth-century literature/ edited by Dinah Birch and Mark Llewellyn.
remainder title:	Conflict and difference in 19th-century literature
other author:	Birch, Dinah.
Published:	Basingstoke, Hampshire [England] ;Palgrave Macmillan, : 2010.,
Description:	x, 257 p. :ill.
[NT 15003449]:	Introduction / Dinah Birch and Mark Llewellyn -- Argument as conflict: then and now / Helen Small -- Ever a fighter: Browning's struggle with conflict / Herbert F. Tucker -- Conflict and imperial communication:narrating the first Afghan war/ Muireann O'Cinneide -- Off-white Indians / Kate Flint -- The interpretation of daydreams: reverie as site ofconflict in early Victorian psychiatry/ Natalie Ford -- "If I am not grotesque I am nothing": Aubrey Beardsley and disabled identities in conflict / Alex Tankard -- Negotiating the gentle-man: male nursing and class conflict in the 'high' Victorian period/ Holly Furneaux -- "Resolved in defiance of fool and of knave": chartism, children and conflict / Malcolm Chase -- Conversing with monstrosities: evolutionary theory and the contemporary response to Wilkie Collins/ Janice M. Allan -- Dickens and the heritage industry: or, culture and the commodity / Juliet John -- The king and who? dance, difference, and identity in Anna Leonowensand The king and I/ Sharon Aronofsky Weltman -- "The utmost intricacies of the soul's pathways": the significance of syntax in George Eliot's Felix Holt, the radical (1866)/ Melissa Raines -- Culture wars? Arnold's essays in criticism and the rise of journalism 1864-1895 / Laurel Brake -- Shrieking sisters and bawling brothers: sibling rivalry inSarah Grand and Mary Cholmondeley/ Galia Ofek --After eternal punishment: 'fin de siáecle' as literary eschatology / Matthew Bradley.
Subject:	Consensus (Social sciences) in literature. -
Subject:	Great Britain - Biography -
Online resource:	http://link.springer.com/10.1057/9780230277212access to fulltext (Palgrave)
ISBN:	0230277217

Conflict and difference in nineteenth-century literature
Conflict and difference in nineteenth-century literature[electronic resource] /Conflict and difference in 19th-century literatureedited by Dinah Birch and Mark Llewellyn. - Basingstoke, Hampshire [England] ;Palgrave Macmillan,2010. - x, 257 p. :ill.

Includes bibliographical references (p. 240-250) and index.

Introduction / Dinah Birch and Mark Llewellyn -- Argument as conflict: then and now / Helen Small -- Ever a fighter: Browning's struggle with conflict / Herbert F. Tucker -- Conflict and imperial communication:narrating the first Afghan war/ Muireann O'Cinneide -- Off-white Indians / Kate Flint -- The interpretation of daydreams: reverie as site ofconflict in early Victorian psychiatry/ Natalie Ford -- "If I am not grotesque I am nothing": Aubrey Beardsley and disabled identities in conflict / Alex Tankard -- Negotiating the gentle-man: male nursing and class conflict in the 'high' Victorian period/ Holly Furneaux -- "Resolved in defiance of fool and of knave": chartism, children and conflict / Malcolm Chase -- Conversing with monstrosities: evolutionary theory and the contemporary response to Wilkie Collins/ Janice M. Allan -- Dickens and the heritage industry: or, culture and the commodity / Juliet John -- The king and who? dance, difference, and identity in Anna Leonowensand The king and I/ Sharon Aronofsky Weltman -- "The utmost intricacies of the soul's pathways": the significance of syntax in George Eliot's Felix Holt, the radical (1866)/ Melissa Raines -- Culture wars? Arnold's essays in criticism and the rise of journalism 1864-1895 / Laurel Brake -- Shrieking sisters and bawling brothers: sibling rivalry inSarah Grand and Mary Cholmondeley/ Galia Ofek --After eternal punishment: 'fin de siáecle' as literary eschatology / Matthew Bradley.

How should we understand Victorian cultural conflict? The Victorianswere fiercely disputatious, divided between multiple views of the political, religious and social issues that motivated theirchanging aspirations. Such debates are a fundamental aspect of the literary culture ofthe period, and the essays in this collection propose new ways of understanding their significance. Ranging from detailed readings of key literary figures (Browning, Collins, Dickens, Eliot) to explorations of cross-period themes (the philosophical roots of conflict; dreams and psychology; consumption; imperialism and race) or specific literary movements or moments (Chartism; journalism; writing of the Afghan War; New Woman novels), they address diverse areas of intellectual inquiry about what mattered most to the Victorians. These essays speak collectively in arguing for a reinterpretation of literary andcultural conflict through a greater critical awareness of the productive analyses available within such debates over difference in the period. The aim is not to resolve conflicted cultural moments ormovements, but to explore the slippages and instabilities which so fascinated, intrigued and inspired the Victorians themselves.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2010.

Mode of access:World Wide Web.

ISBN: 0230277217Subjects--Topical Terms:

1247029
Consensus (Social sciences) in literature.
Subjects--Geographical Terms:

3263449
Great Britain
--BiographyIndex Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PR468.S6 / C66 2010

Dewey Class. No.: 820.9/355

Conflict and difference in nineteenth-century literature
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245 0 0 $a Conflict and difference in nineteenth-century literature $h [electronic resource] / $c edited by Dinah Birch and Mark Llewellyn.
246 3 $a Conflict and difference in 19th-century literature
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300 $a x, 257 p. : $b ill.
504 $a Includes bibliographical references (p. 240-250) and index.
505 0 $a Introduction / Dinah Birch and Mark Llewellyn -- Argument as conflict: then and now / Helen Small -- Ever a fighter: Browning's struggle with conflict / Herbert F. Tucker -- Conflict and imperial communication:narrating the first Afghan war/ Muireann O'Cinneide -- Off-white Indians / Kate Flint -- The interpretation of daydreams: reverie as site ofconflict in early Victorian psychiatry/ Natalie Ford -- "If I am not grotesque I am nothing": Aubrey Beardsley and disabled identities in conflict / Alex Tankard -- Negotiating the gentle-man: male nursing and class conflict in the 'high' Victorian period/ Holly Furneaux -- "Resolved in defiance of fool and of knave": chartism, children and conflict / Malcolm Chase -- Conversing with monstrosities: evolutionary theory and the contemporary response to Wilkie Collins/ Janice M. Allan -- Dickens and the heritage industry: or, culture and the commodity / Juliet John -- The king and who? dance, difference, and identity in Anna Leonowensand The king and I/ Sharon Aronofsky Weltman -- "The utmost intricacies of the soul's pathways": the significance of syntax in George Eliot's Felix Holt, the radical (1866)/ Melissa Raines -- Culture wars? Arnold's essays in criticism and the rise of journalism 1864-1895 / Laurel Brake -- Shrieking sisters and bawling brothers: sibling rivalry inSarah Grand and Mary Cholmondeley/ Galia Ofek --After eternal punishment: 'fin de siáecle' as literary eschatology / Matthew Bradley.
520 $a How should we understand Victorian cultural conflict? The Victorianswere fiercely disputatious, divided between multiple views of the political, religious and social issues that motivated theirchanging aspirations. Such debates are a fundamental aspect of the literary culture ofthe period, and the essays in this collection propose new ways of understanding their significance. Ranging from detailed readings of key literary figures (Browning, Collins, Dickens, Eliot) to explorations of cross-period themes (the philosophical roots of conflict; dreams and psychology; consumption; imperialism and race) or specific literary movements or moments (Chartism; journalism; writing of the Afghan War; New Woman novels), they address diverse areas of intellectual inquiry about what mattered most to the Victorians. These essays speak collectively in arguing for a reinterpretation of literary andcultural conflict through a greater critical awareness of the productive analyses available within such debates over difference in the period. The aim is not to resolve conflicted cultural moments ormovements, but to explore the slippages and instabilities which so fascinated, intrigued and inspired the Victorians themselves.
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650 0 $a Consensus (Social sciences) in literature. $3 1247029
650 0 $a Culture conflict in literature. $3 595953
650 0 $a Difference (Philosophy) in literature. $3 924626
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650 0 $a Ideology and literature $x History $y 19th century. $3 1247030
650 0 $a Ideology in literature. $3 739407
650 0 $a Literature and society $z Great Britain $x History $y 19th century. $3 592470
650 0 $a Social conflict in literature. $3 737104
650 0 $a Social values in literature. $3 653450
651 0 $a Great Britain $v Biography $v Portraits. $3 3263449
655 7 $a Electronic books. $2 lcsh $3 542853
700 1 $a Birch, Dinah. $3 709656
700 1 $a Llewellyn, Mark, $d 1979- $3 1081937
710 2 $a Palgrave Connect (Online service) $3 1081578
776 0 8 $i Print version: $t Conflict and difference in nineteenth-century literature. $d Basingstoke, Hampshire [England] ; New York : Palgrave Macmillan, 2010 $z 9780230221550 $w (DLC) 2010007404 $w (OCoLC)298778215
856 4 0 $3 Palgrave Connect $u http://link.springer.com/10.1057/9780230277212 $z access to fulltext (Palgrave)