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The face of queenship = early modern...

Riehl, Anna, (1970-)

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The face of queenship = early modern representations of Elizabeth I /

Record Type:	Electronic resources : Monograph/item
Title/Author:	The face of queenship/ Anna Riehl.
Reminder of title:	early modern representations of Elizabeth I /
Author:	Riehl, Anna,
Published:	New York :Palgrave Macmillan, : 2010.,
Description:	xv, 248 p. :ill.
[NT 15003449]:	Plain Queen, Gorgeous King: Tudor Royal Faces -- "Let nature paint your beauty's glory": Beauty and Cosmetics -- Meeting the Queen: Documentary Accounts -- "Mirrors more than one": Elizabeth's Literary Faces --Portraiture: The Painted Texts of Elizabeth's Faces.
Subject:	Facial expression - Political aspects. -
Subject:	Great Britain - Biography -
Online resource:	http://link.springer.com/10.1057/9780230106741access to fulltext (Palgrave)
ISBN:	0230106749

The face of queenship = early modern representations of Elizabeth I /
Riehl, Anna,1970-

The face of queenshipearly modern representations of Elizabeth I /[electronic resource] :Anna Riehl. - 1st ed. - New York :Palgrave Macmillan,2010. - xv, 248 p. :ill. - Queenship and power. - Queenship and power..

Includes bibliographical references (p. [209]-238) and index.

Plain Queen, Gorgeous King: Tudor Royal Faces -- "Let nature paint your beauty's glory": Beauty and Cosmetics -- Meeting the Queen: Documentary Accounts -- "Mirrors more than one": Elizabeth's Literary Faces --Portraiture: The Painted Texts of Elizabeth's Faces.

The Face of Queenship investigates the aesthetic, political, and gender-related meanings in representations of Elizabeth I by her contemporaries. By attending to eyewitness reports, poetry, portraiture, and discourses on beauty and cosmetics, this book shows how the portrayals of the queen's face register her contemporaries' hopes, fears, hatreds, mockeries, rivalries, and awe. In its application of theories of the meaning of the face and its exploration of the early modern representationand interpretation of faces, this study argues that the face was seen as a rhetorical tool and thatElizabeth was a master of using her face to persuade, threaten, or comfort her subjects.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2010.

Mode of access:World Wide Web.

ISBN: 0230106749Subjects--Personal Names:

3646577
Elizabeth
I,Queen of England,1533-1603--Literary art.Subjects--Topical Terms:

1246975
Facial expression
--Political aspects.Subjects--Geographical Terms:

3263449
Great Britain
--BiographyIndex Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: DA356 / .R54 2010

Dewey Class. No.: 942.05/5092

The face of queenship = early modern representations of Elizabeth I /
LDR:02300nmm a2200337 a 45 001 924217
003 OCoLC
005 20110408
006 m d
007 cr nn muauu
008 231227s2010 nyua sb 001 0deng d
020 $a 0230106749
020 $a 9780230106741
035 $a
035 $a 924217
040 $a UKPGM $b eng $c UKPGM
041 0 $a eng
043 $a e-uk--- $a e-uk-en
049 $a APTA
050 1 4 $a DA356 $b .R54 2010
082 0 4 $a 942.05/5092 $2 22
100 1 $a Riehl, Anna, $d 1970- $3 1246974
245 1 4 $a The face of queenship $h [electronic resource] : $b early modern representations of Elizabeth I / $c Anna Riehl.
250 $a 1st ed.
260 $a New York : $b Palgrave Macmillan, $c 2010.
300 $a xv, 248 p. : $b ill.
490 1 $a Queenship and power
504 $a Includes bibliographical references (p. [209]-238) and index.
505 0 $a Plain Queen, Gorgeous King: Tudor Royal Faces -- "Let nature paint your beauty's glory": Beauty and Cosmetics -- Meeting the Queen: Documentary Accounts -- "Mirrors more than one": Elizabeth's Literary Faces --Portraiture: The Painted Texts of Elizabeth's Faces.
520 $a The Face of Queenship investigates the aesthetic, political, and gender-related meanings in representations of Elizabeth I by her contemporaries. By attending to eyewitness reports, poetry, portraiture, and discourses on beauty and cosmetics, this book shows how the portrayals of the queen's face register her contemporaries' hopes, fears, hatreds, mockeries, rivalries, and awe. In its application of theories of the meaning of the face and its exploration of the early modern representationand interpretation of faces, this study argues that the face was seen as a rhetorical tool and thatElizabeth was a master of using her face to persuade, threaten, or comfort her subjects.
533 $a Electronic reproduction. $b Basingstoke, England : $c Palgrave Macmillan, $d 2010. $n Mode of access:World Wide Web. $n System requirements: Web browser. $n Title from title screen (viewed on Sep. 27, 2010). $n Access may be restricted to users at subscribing institutions.
600 0 0 $a Elizabeth $b I, $c Queen of England, $d 1533-1603 $x Literary art. $3 3646577
650 0 $a Facial expression $x Political aspects. $3 1246975
650 0 $a Facial expression $x Social aspects. $3 1246976
650 0 $a Monarchy $z Great Britain $x Public opinion. $3 843297
650 0 $a Queens $z Great Britain $x Public opinion. $3 1098461
651 0 $a Great Britain $v Biography $v Portraits. $3 3263449
655 7 $a Electronic books. $2 lcsh $3 542853
710 2 $a Palgrave Connect (Online service) $3 1081578
776 0 8 $i Print version: $a Riehl, Anna, 1970- $t Face of queenship. $b 1st ed. $d NewYork : Palgrave Macmillan, 2010 $z 9780230614956 $w (DLC) 2009039973 $w (OCoLC)268792515
830 0 $a Queenship and power. $3 1098463
856 4 0 $3 Palgrave Connect $u http://link.springer.com/10.1057/9780230106741 $z access to fulltext (Palgrave)