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The documentary = politics, emotion,...

Smaill, Belinda.

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The documentary = politics, emotion, culture/

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The documentary/ Belinda Smaill.
其他題名:	politics, emotion, culture/
作者:	Smaill, Belinda.
出版者:	Basingstoke, UK ;Palgrave Macmillan, : 2010.,
面頁冊數:	vii, 221 p. :ill.
內容註:	Introduction : representation and documentary emotion -- Pleasure and disgust : desire and the female porn star -- Injury, identity and recognition : Rize and Fix : the story of an addicted city -- Women, pain and the documentaries of Kim Longinotto -- Loss and care : Asian Australian documentary -- Civic love and contemporary dissent documentary -- Children, futurity and hope : Born into brothels -- Nostalgia, historical time and reality television : the Idol series.
標題:	Documentary films - History and criticism. -
電子資源:	http://link.springer.com/10.1057/9780230251113access to fulltext (Palgrave)
ISBN:	0230251110

The documentary = politics, emotion, culture/
Smaill, Belinda.

The documentarypolitics, emotion, culture/[electronic resource] :Belinda Smaill. - Basingstoke, UK ;Palgrave Macmillan,2010. - vii, 221 p. :ill.

Includes bibliographical references and index.

Introduction : representation and documentary emotion -- Pleasure and disgust : desire and the female porn star -- Injury, identity and recognition : Rize and Fix : the story of an addicted city -- Women, pain and the documentaries of Kim Longinotto -- Loss and care : Asian Australian documentary -- Civic love and contemporary dissent documentary -- Children, futurity and hope : Born into brothels -- Nostalgia, historical time and reality television : the Idol series.

The Documentary: Politics, Emotion, Culture proposes that emotions such as pleasure, hope, pain, empathy or nostalgia play a powerful role in the circulation and reception of documentaries. Emotion shapes how political issues and individuals are represented and perceived in documentary and itis crucial to how we engage with the vicissitudes of the public sphere. In the past documentary hasbeen popularly perceived in ways that align it with education, science, history and the rational realm. This frame has never been adequate for understanding the broad array of styles and themes that can be seen in the documentary genre. Focusing on the question of subjectivity, Smaill analyses different kinds ofindividuals that can be found in documentaries, such as the female porn star, the politically disenfranchised, children, or the documentary auteur. She envisages an interdisciplinary approach to documentary drawing on scholarship from not only film studies, but also gender studies, queertheory, cultural theories of affect, critical race studies, political theory and psychoanalysis.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2010.

Mode of access:World Wide Web.

ISBN: 0230251110Subjects--Topical Terms:

583801
Documentary films
--History and criticism.

LC Class. No.: PN1995.9.D6 / S55 2010

Dewey Class. No.: 070.1/8

The documentary = politics, emotion, culture/
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245 1 4 $a The documentary $h [electronic resource] : $b politics, emotion, culture/ $c Belinda Smaill.
260 $a Basingstoke, UK ; $a New York : $b Palgrave Macmillan, $c 2010.
300 $a vii, 221 p. : $b ill.
504 $a Includes bibliographical references and index.
505 0 $a Introduction : representation and documentary emotion -- Pleasure and disgust : desire and the female porn star -- Injury, identity and recognition : Rize and Fix : the story of an addicted city -- Women, pain and the documentaries of Kim Longinotto -- Loss and care : Asian Australian documentary -- Civic love and contemporary dissent documentary -- Children, futurity and hope : Born into brothels -- Nostalgia, historical time and reality television : the Idol series.
520 $a The Documentary: Politics, Emotion, Culture proposes that emotions such as pleasure, hope, pain, empathy or nostalgia play a powerful role in the circulation and reception of documentaries. Emotion shapes how political issues and individuals are represented and perceived in documentary and itis crucial to how we engage with the vicissitudes of the public sphere. In the past documentary hasbeen popularly perceived in ways that align it with education, science, history and the rational realm. This frame has never been adequate for understanding the broad array of styles and themes that can be seen in the documentary genre. Focusing on the question of subjectivity, Smaill analyses different kinds ofindividuals that can be found in documentaries, such as the female porn star, the politically disenfranchised, children, or the documentary auteur. She envisages an interdisciplinary approach to documentary drawing on scholarship from not only film studies, but also gender studies, queertheory, cultural theories of affect, critical race studies, political theory and psychoanalysis.
520 $a "An exploration of the role of emotion and affect in contemporary documentary film, arguing that analysis of the sociality of the emotions is integral to advancing our understanding of the formulation of selfhood in documentary. Belinda Smaill also examines documentary's politicalfunction, looking at issues such as gender, ethnicity and class"--Provided by publisher.
533 $a Electronic reproduction. $b Basingstoke, England : $c Palgrave Macmillan, $d 2010. $n Mode of access:World Wide Web. $n System requirements: Web browser. $n Title from title screen (viewed on July 14, 2010). $n Access may be restricted to users at subscribing institutions.
650 0 $a Documentary films $x History and criticism. $3 583801
650 0 $a Documentary films $x Political aspects. $3 1037451
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856 4 0 $3 Palgrave Connect $u http://link.springer.com/10.1057/9780230251113 $z access to fulltext (Palgrave)