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Historical reenactment = from realis...

McCalman, Iain.

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Historical reenactment = from realism to theaffective turn /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Historical reenactment/ edited by Iain McCalman and Paul A. Pickering.
其他題名:	from realism to theaffective turn /
其他作者:	McCalman, Iain.
出版者:	Basingstoke [England] ;Palgrave Macmillan, : 2010.,
面頁冊數:	xi, 229 p. :ill.
標題:	Historical reenactments - History. -
電子資源:	http://link.springer.com/10.1057/9780230277090access to fulltext (Palgrave)
ISBN:	0230277098

Historical reenactment = from realism to theaffective turn /
Historical reenactmentfrom realism to theaffective turn /[electronic resource] :edited by Iain McCalman and Paul A. Pickering. - Basingstoke [England] ;Palgrave Macmillan,2010. - xi, 229 p. :ill. - Reenactment history. - Reenactment history..

Includes bibliographical references and index.

From realism to the affective turn: an agenda /Iain McCalman and Paul A. Pickering --

What was it like to live in the past? How did it feel? Ever since the late eighteenth centurywhen new forms of visual entertainment claimed to be able to use technology to replicate or simulatethe literal details of nature, scholars, poets and intellectuals have bemoaned the increasing dominance of the realist aesthetic. More recently reenactment has become the most widely consumed form ofpopular history. The essays in the volume engage with the quest for a definition and an appropriatedelimitation of reenactment as well as the philosophical and practicalquestions revolving around thevexed relationship between realism and affect. Exploring these questions is aided by attention to genre and tothat end many of the essays here explore the place of reenactment in pursuits within andbeyond the academy - history, literature, music, theatre, dance, the law, film, television, public commemoration and historical tourism.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2010.

Mode of access:World Wide Web.

ISBN: 0230277098Subjects--Topical Terms:

1246041
Historical reenactments
--History.Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: D16.163 / .H57 2010

Dewey Class. No.: 909

Historical reenactment = from realism to theaffective turn /
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300 $a xi, 229 p. : $b ill.
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505 0 0 $t From realism to the affective turn: an agenda / $r Iain McCalman and Paul A. Pickering -- $t "-- Just as it would have been in 1861": stuttering colonial beginnings in ABC's Outback house/ $r Anja Schwarz -- $t "Recreating chaos": Jeremy Deller's The battle of Orgreave / $r Katie Kitamura -- $t On beinga mobile monument: historical reenactments and commemorations/ $r Stephen Gapps -- $t What should we doabout slavery? Slavery, abolition and public history / $r James Walvin -- $t Reenactment and neo-realism / $r John Brewer -- $t Textual realism and reenactment/ $r Jonathan Walker-- $t "No witnesses. No leads.No problems": the reenactment of crime and rebellion / $r Paul A Pickering -- $t R.G. Collingwood, historical reenactment and the early music revival/ $r Kate Brown -- $t "From wigwam to white lights": popular culture, politics, and the performance of Native North American identity in the era of assimilationism/ $r Ruth B. Phillipsand Trudy Nicks -- $t Music toil: eighteenth-century preconditions for the modern historical reenactment / $r Simon During -- $t Loutherbourg's simulations: reenactment and realisminLate-Georgian Britain / $r Iain McCalman.
520 $a What was it like to live in the past? How did it feel? Ever since the late eighteenth centurywhen new forms of visual entertainment claimed to be able to use technology to replicate or simulatethe literal details of nature, scholars, poets and intellectuals have bemoaned the increasing dominance of the realist aesthetic. More recently reenactment has become the most widely consumed form ofpopular history. The essays in the volume engage with the quest for a definition and an appropriatedelimitation of reenactment as well as the philosophical and practicalquestions revolving around thevexed relationship between realism and affect. Exploring these questions is aided by attention to genre and tothat end many of the essays here explore the place of reenactment in pursuits within andbeyond the academy - history, literature, music, theatre, dance, the law, film, television, public commemoration and historical tourism.
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