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Crossroads = performance studies and...

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Crossroads = performance studies and Irish culture /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Crossroads/ edited by Sara Brady and Fintan Walsh.
其他題名:	performance studies and Irish culture /
其他作者:	Brady, Sara.
出版者:	Houndmills, Basingstoke, Hanpshire :Palgrave Macmillan, : 2009.,
面頁冊數:	xii, 255 p. :ill. ;23 cm.
內容註:	Tradition, ritual and play -- Place, landscape and commemoration -- Political performances --Gender, feminism, and queer performance -- Diaspora, migration, globalization.
標題:	Arts and society - Ireland. -
標題:	Ireland - Civilization. -
電子資源:	http://link.springer.com/10.1057/9780230244788access to fulltext (Palgrave)
ISBN:	0230244785

Crossroads = performance studies and Irish culture /
Crossroadsperformance studies and Irish culture /[electronic resource] :edited by Sara Brady and Fintan Walsh. - Houndmills, Basingstoke, Hanpshire :Palgrave Macmillan,2009. - xii, 255 p. :ill. ;23 cm.

Includes bibliographical references and index.

Tradition, ritual and play -- Place, landscape and commemoration -- Political performances --Gender, feminism, and queer performance -- Diaspora, migration, globalization.

In the expansive and expanding field of Irish studies, performance has typically featured as drama, theatre, dance, and music. Recent changes in Irish society, the arts industry, and modes of critical inquiry have all prompted the need to think further about the complex and under-researched area of performance in and of Irish culture. It is increasingly well recognized that the categories of 'Irish culture' and 'Irishness' are highly performative, effected through a wide range of social practices, cultural formations, and discursive utterances, and in timely need of critical address. The purpose of this seminal collection of essays is to broach this task by considering Irish culture through some ofthe paradigms and vocabularies offered by performance studies. As the title of the book makes clear, we return to the evocative metaphor of crossroads by way of signaling the manifold ways in which Irish culture has been performed in past, present, and likely futural tenses at local, national, and international domains. These roads do not respect the static symmetry indexed by a figural cross; rather the trajectories mapped here are suggestive, multiplicitous, and mobile. Practices, epistemologies, temporalities, geographies, and identities splinter in their wake, clearing the ground for the emergence of nuanced understandings of performance and cultural politics.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2010.

Mode of access:World Wide Web.

ISBN: 0230244785

Standard No.: 10.1057/9780230244788doiSubjects--Topical Terms:

1100279
Arts and society
--Ireland.Subjects--Geographical Terms:

680515
Ireland
--Civilization.Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: DA926.C85 / C76 2009

Dewey Class. No.: 790.209415

Crossroads = performance studies and Irish culture /
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520 $a In the expansive and expanding field of Irish studies, performance has typically featured as drama, theatre, dance, and music. Recent changes in Irish society, the arts industry, and modes of critical inquiry have all prompted the need to think further about the complex and under-researched area of performance in and of Irish culture. It is increasingly well recognized that the categories of 'Irish culture' and 'Irishness' are highly performative, effected through a wide range of social practices, cultural formations, and discursive utterances, and in timely need of critical address. The purpose of this seminal collection of essays is to broach this task by considering Irish culture through some ofthe paradigms and vocabularies offered by performance studies. As the title of the book makes clear, we return to the evocative metaphor of crossroads by way of signaling the manifold ways in which Irish culture has been performed in past, present, and likely futural tenses at local, national, and international domains. These roads do not respect the static symmetry indexed by a figural cross; rather the trajectories mapped here are suggestive, multiplicitous, and mobile. Practices, epistemologies, temporalities, geographies, and identities splinter in their wake, clearing the ground for the emergence of nuanced understandings of performance and cultural politics.
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