東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

Broadway and corporate capitalism = ...

Schwartz, Michael, (1963 Oct. 18-)

Linked to FindBook

Google Book

Amazon

博客來

Broadway and corporate capitalism = the riseof the professional-managerial class, 1900-1920 /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Broadway and corporate capitalism/ Michael Schwartz.
Reminder of title:	the riseof the professional-managerial class, 1900-1920 /
Author:	Schwartz, Michael,
Published:	New York, NY :Palgrave Macmillan, : 2009.,
Description:	vi, 220 p. ;22 cm.
[NT 15003449]:	Introduction: a matter for experts -- The growth of Broadway, the emergence of the PMC -- Brave New York : nowhere to go but up -- The showbusiness -- Who were the PMC? -- Meet the experts -- Where the actors stood : the actors' strike -- The problem of nerves -- Dim shadows : pre-PMC consciousness -- Modern men and modern nerves -- Gillette as Sherlock Holmes, super expert -- Fitch and thepsychological moment -- Neurasthenics caught on Kodak -- Muckraking the playing field : emerging PMC class consciousness -- The freshest kids in town -- Fair play : The college widow, Strongheart, and Brown of Harvard -- Sweepings from the muckrakes : The lion and the mouse -- Strikers, gentlemen, and toughs : The boss -- A size thirteen collar : musicals and PMC class consciousness -- The musical : pre-post-mortem -- The providences of God : The Sultan of Sulu -- Musicals grow up for a moment : the princess shows -- Showing a class how to move : the castles -- System and farce : emerging PMChabitus -- Cohan as super model, positive and negative -- F.W. Taylor : a scientific call for PMC -- Losing and making a fortune : Brewster's millions -- Grant Mitchell : PMC poster boy -- Humbuggingprelude :Get-Rich-Quick Wallingford -- Mitchell on the rise : it pays to advertise -- PMC apotheosis : a tailor-made man -- Conclusion : business as usual -- Clarence : leading the U.S. safely into the 1920s -- Freud and the PMC -- O'Neill and psychological capital -- Other cures for nerves : a look at the 1920s -- Postscript : the return of the tailor-made man.
Subject:	American drama - History and criticism. - 20th century -
Online resource:	http://link.springer.com/10.1057/9780230623323access to fulltext (Palgrave)
ISBN:	0230623328

Broadway and corporate capitalism = the riseof the professional-managerial class, 1900-1920 /
Schwartz, Michael,1963 Oct. 18-

Broadway and corporate capitalismthe riseof the professional-managerial class, 1900-1920 /[electronic resource] :Michael Schwartz. - 1st ed. - New York, NY :Palgrave Macmillan,2009. - vi, 220 p. ;22 cm. - Palgrave studies in theatre and performance history. - Palgrave studies in theatre and performance history..

Includes bibliographical references and index.

Introduction: a matter for experts -- The growth of Broadway, the emergence of the PMC -- Brave New York : nowhere to go but up -- The showbusiness -- Who were the PMC? -- Meet the experts -- Where the actors stood : the actors' strike -- The problem of nerves -- Dim shadows : pre-PMC consciousness -- Modern men and modern nerves -- Gillette as Sherlock Holmes, super expert -- Fitch and thepsychological moment -- Neurasthenics caught on Kodak -- Muckraking the playing field : emerging PMC class consciousness -- The freshest kids in town -- Fair play : The college widow, Strongheart, and Brown of Harvard -- Sweepings from the muckrakes : The lion and the mouse -- Strikers, gentlemen, and toughs : The boss -- A size thirteen collar : musicals and PMC class consciousness -- The musical : pre-post-mortem -- The providences of God : The Sultan of Sulu -- Musicals grow up for a moment : the princess shows -- Showing a class how to move : the castles -- System and farce : emerging PMChabitus -- Cohan as super model, positive and negative -- F.W. Taylor : a scientific call for PMC -- Losing and making a fortune : Brewster's millions -- Grant Mitchell : PMC poster boy -- Humbuggingprelude :Get-Rich-Quick Wallingford -- Mitchell on the rise : it pays to advertise -- PMC apotheosis : a tailor-made man -- Conclusion : business as usual -- Clarence : leading the U.S. safely into the 1920s -- Freud and the PMC -- O'Neill and psychological capital -- Other cures for nerves : a look at the 1920s -- Postscript : the return of the tailor-made man.

Broadway and Corporate Capitalism examines two overlapping and, in many ways, symbiotic phenomena of early 20th century America - the emergence of the Professional-Managerial Class within American corporate capitalism and the evolution of Broadway. Michael Schwartz shows how the class movements moved - literally and figuratively - to the rhythm of noisy, frenetic farces, highly charged business and sports melodramas, and exuberant musicals. This book brings to life the representative plays, playwrights, actors, critics, and audiences from one of the liveliestperiods of Broadway.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2010.

Mode of access:World Wide Web.

ISBN: 0230623328

Standard No.: 10.1057/9780230623323doiSubjects--Topical Terms:

523054
American drama
--History and criticism.--20th centuryIndex Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PN2277.N5 / S37 2009

Dewey Class. No.: 792.09747

Broadway and corporate capitalism = the riseof the professional-managerial class, 1900-1920 /
LDR:03435nmm 2200337 a 45 001 912378
003 OCoLC
005 20110114
006 m d
007 cr cn|
008 231227s2009 nyu sb 001 0 eng d
020 $a 0230623328
020 $a 9780230623323
024 7 $a 10.1057/9780230623323 $2 doi
035 $a (OCoLC)497757144
035 $a ocn497757144
035 $a 912378
040 $a UKPGM $b eng $c UKPGM
043 $a n-us-ny
049 $a APTA
050 1 4 $a PN2277.N5 $b S37 2009
082 0 4 $a 792.09747 $2 22
100 1 $a Schwartz, Michael, $d 1963 Oct. 18- $3 1100272
245 1 0 $a Broadway and corporate capitalism $h [electronic resource] : $b the riseof the professional-managerial class, 1900-1920 / $c Michael Schwartz.
250 $a 1st ed.
260 $a New York, NY : $c 2009. $b Palgrave Macmillan,
300 $a vi, 220 p. ; $c 22 cm.
490 1 $a Palgrave studies in theatre and performance history
504 $a Includes bibliographical references and index.
505 0 $a Introduction: a matter for experts -- The growth of Broadway, the emergence of the PMC -- Brave New York : nowhere to go but up -- The showbusiness -- Who were the PMC? -- Meet the experts -- Where the actors stood : the actors' strike -- The problem of nerves -- Dim shadows : pre-PMC consciousness -- Modern men and modern nerves -- Gillette as Sherlock Holmes, super expert -- Fitch and thepsychological moment -- Neurasthenics caught on Kodak -- Muckraking the playing field : emerging PMC class consciousness -- The freshest kids in town -- Fair play : The college widow, Strongheart, and Brown of Harvard -- Sweepings from the muckrakes : The lion and the mouse -- Strikers, gentlemen, and toughs : The boss -- A size thirteen collar : musicals and PMC class consciousness -- The musical : pre-post-mortem -- The providences of God : The Sultan of Sulu -- Musicals grow up for a moment : the princess shows -- Showing a class how to move : the castles -- System and farce : emerging PMChabitus -- Cohan as super model, positive and negative -- F.W. Taylor : a scientific call for PMC -- Losing and making a fortune : Brewster's millions -- Grant Mitchell : PMC poster boy -- Humbuggingprelude :Get-Rich-Quick Wallingford -- Mitchell on the rise : it pays to advertise -- PMC apotheosis : a tailor-made man -- Conclusion : business as usual -- Clarence : leading the U.S. safely into the 1920s -- Freud and the PMC -- O'Neill and psychological capital -- Other cures for nerves : a look at the 1920s -- Postscript : the return of the tailor-made man.
520 $a Broadway and Corporate Capitalism examines two overlapping and, in many ways, symbiotic phenomena of early 20th century America - the emergence of the Professional-Managerial Class within American corporate capitalism and the evolution of Broadway. Michael Schwartz shows how the class movements moved - literally and figuratively - to the rhythm of noisy, frenetic farces, highly charged business and sports melodramas, and exuberant musicals. This book brings to life the representative plays, playwrights, actors, critics, and audiences from one of the liveliestperiods of Broadway.
533 $a Electronic reproduction. $b Basingstoke, England : $c Palgrave Macmillan, $d 2010. $n Mode of access:World Wide Web. $n System requirements: Web browser. $n Title from title screen (viewed on Jan. 11, 2010). $n Access may be restricted to users at subscribing institutions.
650 0 $a American drama $y 20th century $x History and criticism. $3 523054
650 0 $a Class consciousness in literature. $3 824167
650 0 $a Class consciousness $z New York (State) $z New York $x History $y 20th century. $3 1100273
650 0 $a Theater and society $z New York (State) $z New York $x History $y 20th century. $3 1100274
650 0 $a Theater management $z New York (State) $z New York $x History $y 20th century. $3 1100275
655 7 $a Electronic books. $2 lcsh $3 542853
710 2 $a Palgrave Connect (Online service) $3 1081578
830 0 $a Palgrave studies in theatre and performance history. $3 1098893
856 4 0 $3 Palgrave Connect $u http://link.springer.com/10.1057/9780230623323 $z access to fulltext (Palgrave)