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Women on the edge = twelve political...
~
Tay, Sharon Lin, (1976-)
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Women on the edge = twelve political film practices /
Record Type:
Electronic resources : Monograph/item
Title/Author:
Women on the edge/ Sharon Lin Tay.
Reminder of title:
twelve political film practices /
Author:
Tay, Sharon Lin,
Published:
Basingstoke :Palgrave Macmillan, : 2009.,
Description:
xi, 211 p. :ill. ;23 cm.
[NT 15003449]:
Introduction: A Revised Women's Cinema Through Lynn Hershmann-Leeson's Cyberfeminist Interventions -- On the Edges of the Authorial Voice: Liv Ullmann's Faithless, Gendered Authorship, and Ingmar Bergman -- On the Edges of the Documentary: Jill Craigie's Political and Aesthetic Sensibilities -- On the Edges of Ethnography: Kim Longinotto's Institution of Feminist Discourses -- On the Edges of Art Cinema: Sally Potter and the Feminist Response -- On the Edges of Postcolonialism: Deepa Mehtaand Transnational Cinema -- On the Edges of National Cinema: Sofia Coppola and Female Authorship --On the Edges of Geopolitics: Sexual Difference in Ursula Biemann's Video Essays -- Conclusion: Vignettes of A New Feminist Politique: Gisela Sanders Alácntara, Guo Xiaolu, Christina McPhee, Liz Miller.
Subject:
Feminism and motion pictures. -
Online resource:
http://link.springer.com/10.1057/9780230250543access to fulltext (Palgrave)
ISBN:
0230250548
Women on the edge = twelve political film practices /
Tay, Sharon Lin,1976-
Women on the edge
twelve political film practices /[electronic resource] :Sharon Lin Tay. - Basingstoke :Palgrave Macmillan,2009. - xi, 211 p. :ill. ;23 cm.
Includes bibliographical references and index.
Introduction: A Revised Women's Cinema Through Lynn Hershmann-Leeson's Cyberfeminist Interventions -- On the Edges of the Authorial Voice: Liv Ullmann's Faithless, Gendered Authorship, and Ingmar Bergman -- On the Edges of the Documentary: Jill Craigie's Political and Aesthetic Sensibilities -- On the Edges of Ethnography: Kim Longinotto's Institution of Feminist Discourses -- On the Edges of Art Cinema: Sally Potter and the Feminist Response -- On the Edges of Postcolonialism: Deepa Mehtaand Transnational Cinema -- On the Edges of National Cinema: Sofia Coppola and Female Authorship --On the Edges of Geopolitics: Sexual Difference in Ursula Biemann's Video Essays -- Conclusion: Vignettes of A New Feminist Politique: Gisela Sanders Alácntara, Guo Xiaolu, Christina McPhee, Liz Miller.
Women on the Edge re-envisions women's cinema as contemporary political practices by exploring the works of twelve filmmakers. Moving on from the 1970s feminist adage that the personal is political, the book argues that contemporary women's cinema must exceed the personal to be politically relevant and ethically cogent. The individual chapters cover a range of filmmaking practices: Hollywood cinema (Sofia Coppola), European arthouse fare (Sally Potter, Liv Ullmann), the political documentary (Jill Craigie, Kim Longinotto, Liz Miller), world cinema (Guo Xiaolu, Deepa Mehta), the video essay (Ursula Biemann), as well as independent and multi-platformed works (Lynn Hershmann-Leeson, Christina McPhee and Gisela Sanders Alácntara). Expanding the scope of women's cinema beyond themes suchas domesticity and beyond feminine stories, issues and concerns to arrive at a range of possible responses to a transnational world, Women on the Edge constructs a feminist ethics for contemporary film and media culture.
Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2010.
Mode of access:World Wide Web.
ISBN: 0230250548
Standard No.: 10.1057/9780230250543doiSubjects--Topical Terms:
601384
Feminism and motion pictures.
Index Terms--Genre/Form:
542853
Electronic books.
LC Class. No.: PN1995.9.W6 / T39 2009
Dewey Class. No.: 791.430233082
Women on the edge = twelve political film practices /
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twelve political film practices /
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Sharon Lin Tay.
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2009.
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Palgrave Macmillan,
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ill. ;
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Includes bibliographical references and index.
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Introduction: A Revised Women's Cinema Through Lynn Hershmann-Leeson's Cyberfeminist Interventions -- On the Edges of the Authorial Voice: Liv Ullmann's Faithless, Gendered Authorship, and Ingmar Bergman -- On the Edges of the Documentary: Jill Craigie's Political and Aesthetic Sensibilities -- On the Edges of Ethnography: Kim Longinotto's Institution of Feminist Discourses -- On the Edges of Art Cinema: Sally Potter and the Feminist Response -- On the Edges of Postcolonialism: Deepa Mehtaand Transnational Cinema -- On the Edges of National Cinema: Sofia Coppola and Female Authorship --On the Edges of Geopolitics: Sexual Difference in Ursula Biemann's Video Essays -- Conclusion: Vignettes of A New Feminist Politique: Gisela Sanders Alácntara, Guo Xiaolu, Christina McPhee, Liz Miller.
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Women on the Edge re-envisions women's cinema as contemporary political practices by exploring the works of twelve filmmakers. Moving on from the 1970s feminist adage that the personal is political, the book argues that contemporary women's cinema must exceed the personal to be politically relevant and ethically cogent. The individual chapters cover a range of filmmaking practices: Hollywood cinema (Sofia Coppola), European arthouse fare (Sally Potter, Liv Ullmann), the political documentary (Jill Craigie, Kim Longinotto, Liz Miller), world cinema (Guo Xiaolu, Deepa Mehta), the video essay (Ursula Biemann), as well as independent and multi-platformed works (Lynn Hershmann-Leeson, Christina McPhee and Gisela Sanders Alácntara). Expanding the scope of women's cinema beyond themes suchas domesticity and beyond feminine stories, issues and concerns to arrive at a range of possible responses to a transnational world, Women on the Edge constructs a feminist ethics for contemporary film and media culture.
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Feminism and motion pictures.
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http://link.springer.com/10.1057/9780230250543
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access to fulltext (Palgrave)
based on 0 review(s)
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