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Theatre, facilitation, and nation fo...

Kuftinec, Sonja, (1966-)

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Theatre, facilitation, and nation formation in the Balkans and Middle East

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Theatre, facilitation, and nation formation in the Balkans and Middle East/ by Sonja Arsham Kuftinec.
作者:	Kuftinec, Sonja,
出版者:	Basingstoke :Palgrave Macmillan, : 2009.,
面頁冊數:	xviii, 217 p. :ill., maps ;23 cm.
內容註:	Contours and Contestations -- Balkan Bridges: Re-membering Mostar (1995-2000) -- Between the Lines: Staging 'the Balkans' through Berlin (2001) -- Border Zones: Theatrical Mobilizations of 'theMiddle East' (2004-08) -- Facilitation Praxis: Four Modes of Encounter.
標題:	Nation-building - Balkan Peninsula. -
電子資源:	http://link.springer.com/10.1057/9780230239449access to fulltext (Palgrave)
ISBN:	0230239447

Theatre, facilitation, and nation formation in the Balkans and Middle East
Kuftinec, Sonja,1966-

Theatre, facilitation, and nation formation in the Balkans and Middle East[electronic resource] /by Sonja Arsham Kuftinec. - Basingstoke :Palgrave Macmillan,2009. - xviii, 217 p. :ill., maps ;23 cm. - Studies in international performance. - Studies in international performance..

Includes bibliographical references and index.

Contours and Contestations -- Balkan Bridges: Re-membering Mostar (1995-2000) -- Between the Lines: Staging 'the Balkans' through Berlin (2001) -- Border Zones: Theatrical Mobilizations of 'theMiddle East' (2004-08) -- Facilitation Praxis: Four Modes of Encounter.

How might theatre intervene in violent inter-ethnic conflicts? When does participatory theatre mediate more just futures, and when might itpreserve inequities? Theatre, Facilitation and Nation Formation addresses these questions through detailed case studies of community-based projects in theBalkans and Middle East that the author has witnessed or helped to create. In Mostar, collaborativeperformance helps youth re-member a divided city. In Berlin, participants from seven Balkan countries reorient understandings of citizenship through an interactive installation. In Israel and the Occupied Palestinian Territories, image theatre animates the limits of reconciliation. These theatricalfacilitations model ways that ethnic oppositions can move towards ethical relationships, while pointing out challenges in doing so. As a travelogue, this study weaves critical analysis with the voices of participants, directors, and workshop leaders, offering viewpoints and field notes on how theatrical facilitation can (and can't) effectively transform conflicts.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 0230239447Subjects--Topical Terms:

1099075
Nation-building
--Balkan Peninsula.Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PN2821 / .K84 2009

Dewey Class. No.: 792.09496

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505 0 $a Contours and Contestations -- Balkan Bridges: Re-membering Mostar (1995-2000) -- Between the Lines: Staging 'the Balkans' through Berlin (2001) -- Border Zones: Theatrical Mobilizations of 'theMiddle East' (2004-08) -- Facilitation Praxis: Four Modes of Encounter.
520 $a How might theatre intervene in violent inter-ethnic conflicts? When does participatory theatre mediate more just futures, and when might itpreserve inequities? Theatre, Facilitation and Nation Formation addresses these questions through detailed case studies of community-based projects in theBalkans and Middle East that the author has witnessed or helped to create. In Mostar, collaborativeperformance helps youth re-member a divided city. In Berlin, participants from seven Balkan countries reorient understandings of citizenship through an interactive installation. In Israel and the Occupied Palestinian Territories, image theatre animates the limits of reconciliation. These theatricalfacilitations model ways that ethnic oppositions can move towards ethical relationships, while pointing out challenges in doing so. As a travelogue, this study weaves critical analysis with the voices of participants, directors, and workshop leaders, offering viewpoints and field notes on how theatrical facilitation can (and can't) effectively transform conflicts.
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