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Performance, ethics and spectatorshi...

Grehan, Helena.

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Performance, ethics and spectatorship in a global age

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Performance, ethics and spectatorship in a global age/ Helena Grehan.
作者:	Grehan, Helena.
出版者:	New York :Palgrave Macmillan, : 2009.,
面頁冊數:	1 v.
內容註:	1. Situating the Spectator -- 2. Genesi: The Spectator and 'Useless Suffering'? -- 3. The Career Highlights of the MAMU: Alterity and Shame-- 4. Sandakan Threnody: Testimony and the Dangers of Polyphony -- 5. 'The Refugee', Empathy and Participation: Ariane Mnouchkine and Theatredu Soleil's Le Dernier Caravanserail (Odyssees) -- 6. Otherness and Responsibility in Three Tales by Steve Reich and Beryl Korot and Nature'sLittle Helpers by Patricia Piccinini.
標題:	Theater and society. -
電子資源:	http://link.springer.com/10.1057/9780230234550access to fulltext (Palgrave)
ISBN:	0230234550

Performance, ethics and spectatorship in a global age
Grehan, Helena.

Performance, ethics and spectatorship in a global age[electronic resource] /Helena Grehan. - New York :Palgrave Macmillan,2009. - 1 v. - Studies in international performance. - Studies in international performance..

Includes bibliographical references and index.

1. Situating the Spectator -- 2. Genesi: The Spectator and 'Useless Suffering'? -- 3. The Career Highlights of the MAMU: Alterity and Shame-- 4. Sandakan Threnody: Testimony and the Dangers of Polyphony -- 5. 'The Refugee', Empathy and Participation: Ariane Mnouchkine and Theatredu Soleil's Le Dernier Caravanserail (Odyssees) -- 6. Otherness and Responsibility in Three Tales by Steve Reich and Beryl Korot and Nature'sLittle Helpers by Patricia Piccinini.

Performance, Ethics and Spectatorship in a Global Age is an innovative book that makes a significant contribution to performance studies scholarship. It undertakes a detailed investigation intothe relationshipbetween ethics and spectatorship in and in response to contemporary performance. Considering spectators both within and beyond the theatre, the text explores the ways in which they are stimulated or provoked by performance to address ethical questions about their roles as spectatorsand as citizens in a fraught media-saturated landscape. Through a detailed engagement with five internationally-acclaimed performances, this book talks about both the emotional and intellectual responses generated by politically-inflected work. It explores the feelings of awe, shock, delight and unsettlement that good performance engenders, and it traces the process spectators go through in makingsense of those emotions through extended ethical reflection.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 0230234550Subjects--Topical Terms:

619070
Theater and society.
Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PN2049 / .G74 2009

Dewey Class. No.: 792.01/3

Performance, ethics and spectatorship in a global age
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100 1 $a Grehan, Helena. $3 1099039
245 1 0 $a Performance, ethics and spectatorship in a global age $h [electronic resource] / $c Helena Grehan.
260 $a New York : $c 2009. $b Palgrave Macmillan,
300 $a 1 v.
490 1 $a Studies in international performance
504 $a Includes bibliographical references and index.
505 0 $a 1. Situating the Spectator -- 2. Genesi: The Spectator and 'Useless Suffering'? -- 3. The Career Highlights of the MAMU: Alterity and Shame-- 4. Sandakan Threnody: Testimony and the Dangers of Polyphony -- 5. 'The Refugee', Empathy and Participation: Ariane Mnouchkine and Theatredu Soleil's Le Dernier Caravanserail (Odyssees) -- 6. Otherness and Responsibility in Three Tales by Steve Reich and Beryl Korot and Nature'sLittle Helpers by Patricia Piccinini.
520 $a Performance, Ethics and Spectatorship in a Global Age is an innovative book that makes a significant contribution to performance studies scholarship. It undertakes a detailed investigation intothe relationshipbetween ethics and spectatorship in and in response to contemporary performance. Considering spectators both within and beyond the theatre, the text explores the ways in which they are stimulated or provoked by performance to address ethical questions about their roles as spectatorsand as citizens in a fraught media-saturated landscape. Through a detailed engagement with five internationally-acclaimed performances, this book talks about both the emotional and intellectual responses generated by politically-inflected work. It explores the feelings of awe, shock, delight and unsettlement that good performance engenders, and it traces the process spectators go through in makingsense of those emotions through extended ethical reflection.
533 $a Electronic reproduction. $b Basingstoke, England : $c Palgrave Macmillan, $d 2009. $n Mode of access:World Wide Web. $n System requirements: Web browser. $n Title from title screen (viewed on Oct. 6, 2009). $n Access may berestricted to users at subscribing institutions.
650 0 $a Theater and society. $3 619070
650 0 $a Theater audiences. $3 698264
650 0 $a Theater $x Philosophy. $3 559598
655 7 $a Electronic books. $2 lcsh $3 542853
710 2 $a Palgrave Connect (Online service) $3 1081578
830 0 $a Studies in international performance. $3 1099040
856 4 0 $3 Palgrave Connect $u http://link.springer.com/10.1057/9780230234550 $z access to fulltext (Palgrave)