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Desire and gender in the sonnet trad...
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Distiller, Natasha.
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Desire and gender in the sonnet tradition
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Desire and gender in the sonnet tradition/ Natasha Distiller.
作者:
Distiller, Natasha.
出版者:
Basingstoke [England] ;Palgrave Macmillan, : 2008.,
面頁冊數:
vi, 226 p.
內容註:
Sex, gender, and sexual difference -- Petrarchism and psychoanalysis-- Petrarchism in early modern England -- The petrarchism of Mary Wroth -- Strategies of legitimation 1796-1881 -- Queering the petrarchan subject : the poetry of Rosa Newmarch -- Edna St Vincent Millay and the dissident petrarchan subject -- Conclusion : petrarchism today.
標題:
Desire in literature. -
電子資源:
http://link.springer.com/10.1057/9780230583832access to fulltext (Palgrave)
ISBN:
0230583830
Desire and gender in the sonnet tradition
Distiller, Natasha.
Desire and gender in the sonnet tradition
[electronic resource] /Natasha Distiller. - Basingstoke [England] ;Palgrave Macmillan,2008. - vi, 226 p.
Includes bibliographical references (p. 182-210) and index.
Sex, gender, and sexual difference -- Petrarchism and psychoanalysis-- Petrarchism in early modern England -- The petrarchism of Mary Wroth -- Strategies of legitimation 1796-1881 -- Queering the petrarchan subject : the poetry of Rosa Newmarch -- Edna St Vincent Millay and the dissident petrarchan subject -- Conclusion : petrarchism today.
This new study explores the poetic tradition of the love sonnet sequence in English as written by women. Natasha Distiller offers a unique contribution to the debate about gender and subjectivity by taking the subject of the sonnet as an analogue for the Lacanian subject. The bookranges from the development of Petrarchism in sixteenth-century English poetry, to sequences by Englishwomen in the eighteenth and nineteenthcenturies. It examines the work of Edna St Vincent Millay in the earlytwentieth century, and explores the Petrarchan inheritances in gangster rap today. Offering a distinctive theoretical scope, and speaking to scholars of feminist theory, of the sonnet, of women's literary historyand of cultural studies, it engages with current and ongoing debates about the place of women's voices in Western literature and theories of subjectivity; about the development of a psychoanalytic literary critical vocabulary; and about the history of poetics in discourses of love.
Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.
Mode of access:World Wide Web.
ISBN: 0230583830
Standard No.: 10.1057/9780230583832doiSubjects--Personal Names:
716366
Petrarca, Francesco,
1304-1374--Influence.Subjects--Topical Terms:
571770
Desire in literature.
Index Terms--Genre/Form:
542853
Electronic books.
LC Class. No.: PR535.L7 / D57 2008eb
Dewey Class. No.: 821/.042093538
Desire and gender in the sonnet tradition
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Sex, gender, and sexual difference -- Petrarchism and psychoanalysis-- Petrarchism in early modern England -- The petrarchism of Mary Wroth -- Strategies of legitimation 1796-1881 -- Queering the petrarchan subject : the poetry of Rosa Newmarch -- Edna St Vincent Millay and the dissident petrarchan subject -- Conclusion : petrarchism today.
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This new study explores the poetic tradition of the love sonnet sequence in English as written by women. Natasha Distiller offers a unique contribution to the debate about gender and subjectivity by taking the subject of the sonnet as an analogue for the Lacanian subject. The bookranges from the development of Petrarchism in sixteenth-century English poetry, to sequences by Englishwomen in the eighteenth and nineteenthcenturies. It examines the work of Edna St Vincent Millay in the earlytwentieth century, and explores the Petrarchan inheritances in gangster rap today. Offering a distinctive theoretical scope, and speaking to scholars of feminist theory, of the sonnet, of women's literary historyand of cultural studies, it engages with current and ongoing debates about the place of women's voices in Western literature and theories of subjectivity; about the development of a psychoanalytic literary critical vocabulary; and about the history of poetics in discourses of love.
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