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Evanescence and form = an introducti...
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Inouye, Charles Shiråo.
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Evanescence and form = an introduction to Japanese culture /
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Evanescence and form/ CharlesShiro Inouye.
其他題名:
an introduction to Japanese culture /
作者:
Inouye, Charles Shiråo.
出版者:
New York :Palgrave Macmillan, : 2008.,
面頁冊數:
xv, 260 p. :ill.
內容註:
In spring the cherry blossoms -- Change and nature -- Japanese poetics and a first consideration of animism -- Utsusemi, the Cicada's shell-- Hakanasa and mujo -- Anitya in a world of spontaneity -- Life as itseems, Nagarjuna's emptiness -- Shukke: leaving the world -- Success and failure -- The transcendental order/the order of here-and-now -- Zen, kata, and the noh theater -- Hedonism -- Matsuo Basho, permanence andchange -- Mono no aware, the sadness of things -- Protocol and loyal retainers -- Inner and outer: the expanding context of modernity -- Monstrosity -- Change under the transcendental order -- Late-modern Japan (1868-1970) -- The colonial context: adapt or die -- Explaining Japan-linking here-and-now with the new world order -- Japan as bushido -- Japan as tea-ism -- Japan as erotic style -- In the margins of empire-the rape of Nanking -- Other horrors of life on the margins -- Kamikaze -- The a-bomb, and a new kind of nothing -- Occupation: radical change as salvation -- Decadence, moving away from form -- To live! -- Nihil versus nothingness -- Higashiyama Kaii:embracing passivity -- Return to evanescence -- Contemporary Japan (since 1970) -- Fashion and the joy of evanescence.
標題:
Aesthetics, Japanese. -
標題:
Japan - Civilization -
電子資源:
http://link.springer.com/10.1057/9780230615489access to fulltext (Palgrave)
ISBN:
0230615481
Evanescence and form = an introduction to Japanese culture /
Inouye, Charles Shiråo.
Evanescence and form
an introduction to Japanese culture /[electronic resource] :CharlesShiro Inouye. - 1st ed. - New York :Palgrave Macmillan,2008. - xv, 260 p. :ill.
Includes bibliographical references (p. [247]-252) and index.
In spring the cherry blossoms -- Change and nature -- Japanese poetics and a first consideration of animism -- Utsusemi, the Cicada's shell-- Hakanasa and mujo -- Anitya in a world of spontaneity -- Life as itseems, Nagarjuna's emptiness -- Shukke: leaving the world -- Success and failure -- The transcendental order/the order of here-and-now -- Zen, kata, and the noh theater -- Hedonism -- Matsuo Basho, permanence andchange -- Mono no aware, the sadness of things -- Protocol and loyal retainers -- Inner and outer: the expanding context of modernity -- Monstrosity -- Change under the transcendental order -- Late-modern Japan (1868-1970) -- The colonial context: adapt or die -- Explaining Japan-linking here-and-now with the new world order -- Japan as bushido -- Japan as tea-ism -- Japan as erotic style -- In the margins of empire-the rape of Nanking -- Other horrors of life on the margins -- Kamikaze -- The a-bomb, and a new kind of nothing -- Occupation: radical change as salvation -- Decadence, moving away from form -- To live! -- Nihil versus nothingness -- Higashiyama Kaii:embracing passivity -- Return to evanescence -- Contemporary Japan (since 1970) -- Fashion and the joy of evanescence.
If we thought that reality were changeable, fragile, and fleeting, would we take life more seriously or less seriously? This book contemplates the notion of hakanasa, the evanescence of all things, as understood by the Japanese. Their lived responses to this idea of impermanence have been various and even contradictory. Asceticism, fatalism, conformism. Hedonism, materialism, careerism. What this array of responses havein common are, first, a grounding in hakanasa, and, second, an emphasis on formality. Evanescence and Etiquette attempts to illuminate for the first time the ties betweenan epistemology of constant change and Japan's formal emphasis on etiquette and visuality.
Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.
Mode of access:World Wide Web.
ISBN: 0230615481
Standard No.: 10.1057/9780230615489doiSubjects--Topical Terms:
546493
Aesthetics, Japanese.
Subjects--Geographical Terms:
1083498
Japan
--CivilizationIndex Terms--Genre/Form:
542853
Electronic books.
LC Class. No.: DS821 / .I569 2008eb
Dewey Class. No.: 952
Evanescence and form = an introduction to Japanese culture /
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In spring the cherry blossoms -- Change and nature -- Japanese poetics and a first consideration of animism -- Utsusemi, the Cicada's shell-- Hakanasa and mujo -- Anitya in a world of spontaneity -- Life as itseems, Nagarjuna's emptiness -- Shukke: leaving the world -- Success and failure -- The transcendental order/the order of here-and-now -- Zen, kata, and the noh theater -- Hedonism -- Matsuo Basho, permanence andchange -- Mono no aware, the sadness of things -- Protocol and loyal retainers -- Inner and outer: the expanding context of modernity -- Monstrosity -- Change under the transcendental order -- Late-modern Japan (1868-1970) -- The colonial context: adapt or die -- Explaining Japan-linking here-and-now with the new world order -- Japan as bushido -- Japan as tea-ism -- Japan as erotic style -- In the margins of empire-the rape of Nanking -- Other horrors of life on the margins -- Kamikaze -- The a-bomb, and a new kind of nothing -- Occupation: radical change as salvation -- Decadence, moving away from form -- To live! -- Nihil versus nothingness -- Higashiyama Kaii:embracing passivity -- Return to evanescence -- Contemporary Japan (since 1970) -- Fashion and the joy of evanescence.
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If we thought that reality were changeable, fragile, and fleeting, would we take life more seriously or less seriously? This book contemplates the notion of hakanasa, the evanescence of all things, as understood by the Japanese. Their lived responses to this idea of impermanence have been various and even contradictory. Asceticism, fatalism, conformism. Hedonism, materialism, careerism. What this array of responses havein common are, first, a grounding in hakanasa, and, second, an emphasis on formality. Evanescence and Etiquette attempts to illuminate for the first time the ties betweenan epistemology of constant change and Japan's formal emphasis on etiquette and visuality.
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