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Remembering the occupation in French...

Hewitt, Leah Dianne.

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Remembering the occupation in French film = national identity in postwar Europe /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Remembering the occupation in French film/ Leah D. Hewitt.
Reminder of title:	national identity in postwar Europe /
Author:	Hewitt, Leah Dianne.
Published:	New York :Palgrave Macmillan, : 2008.,
Description:	viii, 254 p. :ill.
Series:	Studies in European culture and history
[NT 15003449]:	Film as memory: a battleground for shaping identity -- Transitions before the "sorrow": criticism and myth in the late 1950s and early 1960s -- Identity politics in films of the 1970s -- Occupational performances in Truffaut's The last metro -- Ambiguous national icons in Chabrol's Story of women -- Love stories, real/cinematic heroines, the postmoderns: the 1980s and beyond -- In lieu of aconclusion.
Subject:	Motion pictures - History. - France -
Subject:	France - History - German occupation, 1940-1945. -
Online resource:	http://link.springer.com/10.1057/9780230612105access to fulltext (Palgrave)
ISBN:	0230612105

Remembering the occupation in French film = national identity in postwar Europe /
Hewitt, Leah Dianne.

Remembering the occupation in French filmnational identity in postwar Europe /[electronic resource] :Leah D. Hewitt. - 1st ed. - New York :Palgrave Macmillan,2008. - viii, 254 p. :ill. - Studies in European culture and history.

Includes bibliographical references (p. [231]-242) and index.

Film as memory: a battleground for shaping identity -- Transitions before the "sorrow": criticism and myth in the late 1950s and early 1960s -- Identity politics in films of the 1970s -- Occupational performances in Truffaut's The last metro -- Ambiguous national icons in Chabrol's Story of women -- Love stories, real/cinematic heroines, the postmoderns: the 1980s and beyond -- In lieu of aconclusion.

When collective memory is a source of national debate, the public representation of history quickly becomes a locus of controversy and ideological struggle. Remembering the Occupation in FrenchFilm explores French identity as it is articulated through cultural representations of Occupied France in French film. This work shows how French film has allowed for a public airing of current concerns through the lens of memory's recreations of the Occupation. By focusing on the representation ofwomen as the symbol of a collective identity crisis, the author links France's traditional female icon, Marianne, to the multiple unresolved ambiguities that have continued to plague France b2 ss historical reckoning with the war.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 0230612105

Standard No.: 10.1057/9780230612105doiSubjects--Topical Terms:

715580
Motion pictures
--History.--FranceSubjects--Geographical Terms:

609371
France
--History--German occupation, 1940-1945.Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: D743.23 / .H48 2008eb

Dewey Class. No.: 791.43/658

Remembering the occupation in French film = national identity in postwar Europe /
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024 7 $a 10.1057/9780230612105 $2 doi
035 $a Palgrave
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050 1 4 $a D743.23 $b .H48 2008eb
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100 1 $a Hewitt, Leah Dianne. $3 1083419
245 1 0 $a Remembering the occupation in French film $h [electronic resource] : $b national identity in postwar Europe / $c Leah D. Hewitt.
250 $a 1st ed.
260 $a New York : $c 2008. $b Palgrave Macmillan,
300 $a viii, 254 p. : $b ill.
440 0 $a Studies in European culture and history
504 $a Includes bibliographical references (p. [231]-242) and index.
505 0 $a Film as memory: a battleground for shaping identity -- Transitions before the "sorrow": criticism and myth in the late 1950s and early 1960s -- Identity politics in films of the 1970s -- Occupational performances in Truffaut's The last metro -- Ambiguous national icons in Chabrol's Story of women -- Love stories, real/cinematic heroines, the postmoderns: the 1980s and beyond -- In lieu of aconclusion.
520 $a When collective memory is a source of national debate, the public representation of history quickly becomes a locus of controversy and ideological struggle. Remembering the Occupation in FrenchFilm explores French identity as it is articulated through cultural representations of Occupied France in French film. This work shows how French film has allowed for a public airing of current concerns through the lens of memory's recreations of the Occupation. By focusing on the representation ofwomen as the symbol of a collective identity crisis, the author links France's traditional female icon, Marianne, to the multiple unresolved ambiguities that have continued to plague France b2 ss historical reckoning with the war.
533 $a Electronic reproduction. $b Basingstoke, England : $c Palgrave Macmillan, $d 2009. $n Mode of access:World Wide Web. $n System requirements: Web browser. $n Title from title screen (viewed on Mar. 3, 2009). $n Access may berestricted to users at subscribing institutions.
650 0 $a Motion pictures $z France $x History. $3 715580
650 0 $a National characteristics, French. $3 613692
650 0 $a World War, 1939-1945 $x Motion pictures and the war. $3 837087
651 0 $a France $x History $y German occupation, 1940-1945. $3 609371
651 0 $a France $x In motion pictures. $3 759714
655 7 $a Electronic books. $2 lcsh $3 542853
710 2 $a Palgrave Connect (Online service) $3 1081578
856 4 0 $3 Palgrave Connect $u http://link.springer.com/10.1057/9780230612105 $z access to fulltext (Palgrave)