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Popular feminist fiction as American...

Elliott, Jane, (1969-)

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Popular feminist fiction as American allegory = representing national time /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Popular feminist fiction as American allegory/ Jane Elliott.
其他題名:	representing national time /
作者:	Elliott, Jane,
出版者:	New York :Palgrave Macmillan, : 2008.,
面頁冊數:	ix, 225 p.
內容註:	The problem of static time : totalization, the end of history, and the end of the 1960s -- Heir apparent : legacies of the 1960s in The women's room and Vida -- Dead-end job : The Stepford wives, domestic labor, and the end of history -- Promiscuous times : Rubyfruit jungle, Fear of flying, and the desire for the event -- Alice Walker's hindsight : Meridian, The color purple, and the production of prolepsis -- My mother, myself : sentiment and the transcendence of time in The Joy Luck Cluband The divine secrets of the Ya-Ya Sisterhood -- Coda : hurried womantales.
標題:	American fiction - Women authors -
標題:	United States - Civilization - 1970- -
電子資源:	http://link.springer.com/10.1057/9780230612808access to fulltext (Palgrave)
ISBN:	0230612806

Popular feminist fiction as American allegory = representing national time /
Elliott, Jane,1969-

Popular feminist fiction as American allegoryrepresenting national time /[electronic resource]:Jane Elliott. - 1st ed. - New York :Palgrave Macmillan,2008. - ix, 225 p.

Includes bibliographical references (p. [199]-217) and index.

The problem of static time : totalization, the end of history, and the end of the 1960s -- Heir apparent : legacies of the 1960s in The women's room and Vida -- Dead-end job : The Stepford wives, domestic labor, and the end of history -- Promiscuous times : Rubyfruit jungle, Fear of flying, and the desire for the event -- Alice Walker's hindsight : Meridian, The color purple, and the production of prolepsis -- My mother, myself : sentiment and the transcendence of time in The Joy Luck Cluband The divine secrets of the Ya-Ya Sisterhood -- Coda : hurried womantales.

Offering a strikingly original treatment of feminist literature, Popular Feminist Fiction as American Allegory argues that feminist novels served as a means of narrating and negotiating the perceived decline ofAmerican progress after the 1960s. Elliott analyzes popular tropes ranging from thewhite middle class housewife trapped in endless domestic labor to the woman of color haunted by a traumatic past--exploring the way in which feminist narratives represented women as unable to access positive futures. In a powerful new reading of temporality in contemporary fiction, Elliott posits that feminism's image of women trapped in time operated as a potent allegory for the apparent breakdown of futurity in postmodernity.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 0230612806

Standard No.: 10.1057/9780230612808doiSubjects--Topical Terms:

584212
American fiction
--Women authorsSubjects--Geographical Terms:

547518
United States
--Civilization--1970-Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PS374.F45 / E45 2008eb

Dewey Class. No.: 813/.54093522

Popular feminist fiction as American allegory = representing national time /
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300 $a ix, 225 p.
504 $a Includes bibliographical references (p. [199]-217) and index.
505 0 $a The problem of static time : totalization, the end of history, and the end of the 1960s -- Heir apparent : legacies of the 1960s in The women's room and Vida -- Dead-end job : The Stepford wives, domestic labor, and the end of history -- Promiscuous times : Rubyfruit jungle, Fear of flying, and the desire for the event -- Alice Walker's hindsight : Meridian, The color purple, and the production of prolepsis -- My mother, myself : sentiment and the transcendence of time in The Joy Luck Cluband The divine secrets of the Ya-Ya Sisterhood -- Coda : hurried womantales.
520 $a Offering a strikingly original treatment of feminist literature, Popular Feminist Fiction as American Allegory argues that feminist novels served as a means of narrating and negotiating the perceived decline ofAmerican progress after the 1960s. Elliott analyzes popular tropes ranging from thewhite middle class housewife trapped in endless domestic labor to the woman of color haunted by a traumatic past--exploring the way in which feminist narratives represented women as unable to access positive futures. In a powerful new reading of temporality in contemporary fiction, Elliott posits that feminism's image of women trapped in time operated as a potent allegory for the apparent breakdown of futurity in postmodernity.
533 $a Electronic reproduction. $b Basingstoke, England : $c Palgrave Macmillan, $d 2009. $n Mode of access:World Wide Web. $n System requirements: Web browser. $n Title from title screen (viewed on Mar. 3, 2009). $n Access may berestricted to users at subscribing institutions.
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