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Modernism on file = writers, artists...

United States., Federal Bureau of Investigation

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Modernism on file = writers, artists, and the FBI, 1920-1950 /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Modernism on file/ edited by Claire A. Culleton and Karen Leick.
Reminder of title:	writers, artists, and the FBI, 1920-1950 /
other author:	Culleton, Claire A.
Published:	New York :Palgrave Macmillan, : 2008.,
Description:	vi, 269 p.
[NT 15003449]:	Ghostreaders and diaspora-writers: four theses on the FBI and African American modernism / William J. Maxwell -- Raising Muscovite ducks and government suspicions: Henry Roth and the FBI/ Steven G. Kellman -- Telling stories from Hemingway's FBI file: conspiracy, paranoia, and masculinity / Debra A. Moddelmog -- Most wanted: Claude McKay and the "black specter" of African American poetry in the 1920s/ Josh Gosciak -- Madness, paranoia, and Ezra Pound's FBI file / Karen Leick -- Investigative savagery: figuring Hoover in Richard Wright's Savage Holiday / Andrew Strombeck -- "Poetess probed as red": Muriel Rukeyser and the FBI/Jeanne Perreault -- An archive of the (political) unconscious: Jean Renoir at the FBI / Christopher Faulkner -- New information from the FBI,CNDI LA-BB-1: the surveillance of Bertolt Brecht's telephone in Los Angeles/ Alexander Stephan, translated by EmilyBanwell -- Sour notes: Hanns Eisler and the FBI / James Wierzbicki -- Communism, perversion, and other crimes against the state: the FBI files of Klaus and Erika Mann/ Andrea Weiss -- Extorting HenryHolt & Co.: J. Edgar Hoover and the publishing industry / Claire A. Culleton.
Subject:	American literature - History and criticism. - 20th century -
Online resource:	http://link.springer.com/10.1057/9780230610392access to fulltext (Palgrave)
ISBN:	0230610390

Modernism on file = writers, artists, and the FBI, 1920-1950 /
Modernism on filewriters, artists, and the FBI, 1920-1950 /[electronic resource] :edited by Claire A. Culleton and Karen Leick. - 1st ed. - New York :Palgrave Macmillan,2008. - vi, 269 p.

Includes bibliographical references and index.

Ghostreaders and diaspora-writers: four theses on the FBI and African American modernism / William J. Maxwell -- Raising Muscovite ducks and government suspicions: Henry Roth and the FBI/ Steven G. Kellman -- Telling stories from Hemingway's FBI file: conspiracy, paranoia, and masculinity / Debra A. Moddelmog -- Most wanted: Claude McKay and the "black specter" of African American poetry in the 1920s/ Josh Gosciak -- Madness, paranoia, and Ezra Pound's FBI file / Karen Leick -- Investigative savagery: figuring Hoover in Richard Wright's Savage Holiday / Andrew Strombeck -- "Poetess probed as red": Muriel Rukeyser and the FBI/Jeanne Perreault -- An archive of the (political) unconscious: Jean Renoir at the FBI / Christopher Faulkner -- New information from the FBI,CNDI LA-BB-1: the surveillance of Bertolt Brecht's telephone in Los Angeles/ Alexander Stephan, translated by EmilyBanwell -- Sour notes: Hanns Eisler and the FBI / James Wierzbicki -- Communism, perversion, and other crimes against the state: the FBI files of Klaus and Erika Mann/ Andrea Weiss -- Extorting HenryHolt & Co.: J. Edgar Hoover and the publishing industry / Claire A. Culleton.

Modernism on File: Writers, Artists, and the FBI, 1920-1950 brings together important new scholarship focused on J. Edgar Hoover's FBI and its institutional presence in shaping and directing American print, film, and art culture. From Harlem to Hollywood, Hoover and his bureau workers were bent on decontaminating America's creativity and this collection looks at the writers and artists who were tagged, tracked, and in some cases, trapped by the FBI. Contributors detail the threatening aspects of political power and critique the very historiography of modernism, acknowledging that modernism was on trial during those years.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 0230610390

Standard No.: 10.1057/9780230610392doiSubjects--Corporate Names:

1082685
United States.
Federal Bureau of Investigation--History--20th century.Subjects--Topical Terms:

543702
American literature
--History and criticism.--20th centuryIndex Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PS228.P6 / M57 2008eb

Dewey Class. No.: 810.9/112

Modernism on file = writers, artists, and the FBI, 1920-1950 /
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003 OCoLC
005 20101214
006 m d
007 cr nn muauu
008 231227s2008 nyu sb 001 0 eng d
019 $a 225873794
020 $a 0230610390
020 $a 9780230610392
024 7 $a 10.1057/9780230610392 $2 doi
035 $a Palgrave
035 $a 903326
040 $a UKPGM $b eng $c UKPGM $d BTCTA $d IDEBK
041 0 $a eng
043 $a n-us---
049 $a APTA
050 1 4 $a PS228.P6 $b M57 2008eb
082 0 4 $a 810.9/112 $2 22
245 0 0 $a Modernism on file $h [electronic resource] : $b writers, artists, and the FBI, 1920-1950 / $c edited by Claire A. Culleton and Karen Leick.
250 $a 1st ed.
260 $a New York : $c 2008. $b Palgrave Macmillan,
300 $a vi, 269 p.
504 $a Includes bibliographical references and index.
505 0 $a Ghostreaders and diaspora-writers: four theses on the FBI and African American modernism / William J. Maxwell -- Raising Muscovite ducks and government suspicions: Henry Roth and the FBI/ Steven G. Kellman -- Telling stories from Hemingway's FBI file: conspiracy, paranoia, and masculinity / Debra A. Moddelmog -- Most wanted: Claude McKay and the "black specter" of African American poetry in the 1920s/ Josh Gosciak -- Madness, paranoia, and Ezra Pound's FBI file / Karen Leick -- Investigative savagery: figuring Hoover in Richard Wright's Savage Holiday / Andrew Strombeck -- "Poetess probed as red": Muriel Rukeyser and the FBI/Jeanne Perreault -- An archive of the (political) unconscious: Jean Renoir at the FBI / Christopher Faulkner -- New information from the FBI,CNDI LA-BB-1: the surveillance of Bertolt Brecht's telephone in Los Angeles/ Alexander Stephan, translated by EmilyBanwell -- Sour notes: Hanns Eisler and the FBI / James Wierzbicki -- Communism, perversion, and other crimes against the state: the FBI files of Klaus and Erika Mann/ Andrea Weiss -- Extorting HenryHolt & Co.: J. Edgar Hoover and the publishing industry / Claire A. Culleton.
520 $a Modernism on File: Writers, Artists, and the FBI, 1920-1950 brings together important new scholarship focused on J. Edgar Hoover's FBI and its institutional presence in shaping and directing American print, film, and art culture. From Harlem to Hollywood, Hoover and his bureau workers were bent on decontaminating America's creativity and this collection looks at the writers and artists who were tagged, tracked, and in some cases, trapped by the FBI. Contributors detail the threatening aspects of political power and critique the very historiography of modernism, acknowledging that modernism was on trial during those years.
533 $a Electronic reproduction. $b Basingstoke, England : $c Palgrave Macmillan, $d 2009. $n Mode of access:World Wide Web. $n System requirements: Web browser. $n Title from title screen (viewed on Mar. 3, 2009). $n Access may berestricted to users at subscribing institutions.
610 1 0 $a United States. $b Federal Bureau of Investigation $x History $y 20th century. $3 1082685
650 0 $a American literature $y 20th century $x History and criticism. $3 543702
650 0 $a Anti-communist movements $z United States $x History $y 20th century. $3 792269
650 0 $a Art and state $z United States $x History $y 20th century. $3 934866
650 0 $a Freedom of speech $z United States $x History $y 20th century. $3 882493
650 0 $a Literature and state $z United States $x History $y 20th century. $3 1082686
650 0 $a Modernism (Art) $z United States. $3 546565
650 0 $a Modernism (Literature) $z United States. $3 547761
650 0 $a Politics and literature $z United States $x History $y 20th century. $3 549699
655 7 $a Electronic books. $2 lcsh $3 542853
700 1 $a Culleton, Claire A. $3 1082683
700 1 $a Leick, Karen. $3 1082684
710 2 $a Palgrave Connect (Online service) $3 1081578
856 4 0 $3 Palgrave Connect $u http://link.springer.com/10.1057/9780230610392 $z access to fulltext (Palgrave)