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Shakespeare and masculinity in South...

Keener, Joseph Bryan.

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Shakespeare and masculinity in Southern fiction = Faulkner, Simms, Page and Dixon /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Shakespeare and masculinity in Southern fiction/ Joseph B. Keener.
Reminder of title:	Faulkner, Simms, Page and Dixon /
Author:	Keener, Joseph Bryan.
Published:	New York, N.Y. ;Palgrave Macmillan, : 2008.,
Description:	xv, 203 p.
[NT 15003449]:	William Gilmore Simms and William Shakespeare: combining the father and the son -- Thomas Nelson Page's mythmaking and Shakespearean masculinity -- Fear of a black planet: Thomas Dixon Jr. and the narration of the self via an other -- Who's your daddy? William Faulkner's making ofthe father and son -- I'm my own grandpa: Quentin Compson's Shakespearean solution.
Subject:	American fiction - History and criticism. - Southern States -
Subject:	Southern States - In literature. -
Online resource:	http://link.springer.com/10.1057/9780230610194access to fulltext (Palgrave)
ISBN:	0230610196

Shakespeare and masculinity in Southern fiction = Faulkner, Simms, Page and Dixon /
Keener, Joseph Bryan.

Shakespeare and masculinity in Southern fictionFaulkner, Simms, Page and Dixon /[electronic resource] :Joseph B. Keener. - 1st ed. - New York, N.Y. ;Palgrave Macmillan,2008. - xv, 203 p.

Includes bibliographical references (p. [189]-198) and index.

William Gilmore Simms and William Shakespeare: combining the father and the son -- Thomas Nelson Page's mythmaking and Shakespearean masculinity -- Fear of a black planet: Thomas Dixon Jr. and the narration of the self via an other -- Who's your daddy? William Faulkner's making ofthe father and son -- I'm my own grandpa: Quentin Compson's Shakespearean solution.

Shakespeare and Masculinity in Southern Fiction advances the idea that American, Southern, white, planter class authors have appropriated models and modes of masculinity from William Shakespeare. Keener traces the history of this appropriation and its attendant masculinities from authors as early as William Gilmore Simms, through Thomas Nelson Page and Thomas Dixon, to William Faulkner. This project distinctively ignores artificial divisions of literary studies, circumventing place and time in search of meaning. The work's inter-textual and inter-cultural approach affords a unique perspective on how masculinity is defined, modified by cultural circumstances, and expressed in succeeding literature. This far-reaching book bridges Shakespearean, American Southern, cultural materialist,and gender studies; offering a critical reappraisal.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 0230610196

Standard No.: 10.1057/9780230610194doiSubjects--Personal Names:

825073
Shakespeare, William,
1564-1616--In literature.Subjects--Topical Terms:

680588
American fiction
--History and criticism.--Southern StatesSubjects--Geographical Terms:

554438
Southern States
--In literature.Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PS261 / .K385 2008eb

Dewey Class. No.: 810.9

Shakespeare and masculinity in Southern fiction = Faulkner, Simms, Page and Dixon /
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245 1 0 $a Shakespeare and masculinity in Southern fiction $h [electronic resource] : $b Faulkner, Simms, Page and Dixon / $c Joseph B. Keener.
250 $a 1st ed.
260 $a New York, N.Y. ; $a Basingstoke, England : $c 2008. $b Palgrave Macmillan,
300 $a xv, 203 p.
504 $a Includes bibliographical references (p. [189]-198) and index.
505 0 $a William Gilmore Simms and William Shakespeare: combining the father and the son -- Thomas Nelson Page's mythmaking and Shakespearean masculinity -- Fear of a black planet: Thomas Dixon Jr. and the narration of the self via an other -- Who's your daddy? William Faulkner's making ofthe father and son -- I'm my own grandpa: Quentin Compson's Shakespearean solution.
520 $a Shakespeare and Masculinity in Southern Fiction advances the idea that American, Southern, white, planter class authors have appropriated models and modes of masculinity from William Shakespeare. Keener traces the history of this appropriation and its attendant masculinities from authors as early as William Gilmore Simms, through Thomas Nelson Page and Thomas Dixon, to William Faulkner. This project distinctively ignores artificial divisions of literary studies, circumventing place and time in search of meaning. The work's inter-textual and inter-cultural approach affords a unique perspective on how masculinity is defined, modified by cultural circumstances, and expressed in succeeding literature. This far-reaching book bridges Shakespearean, American Southern, cultural materialist,and gender studies; offering a critical reappraisal.
533 $a Electronic reproduction. $b Basingstoke, England : $c Palgrave Macmillan, $d 2009. $n Mode of access:World Wide Web. $n System requirements: Web browser. $n Title from title screen (viewed on Mar. 3, 2009). $n Access may berestricted to users at subscribing institutions.
600 1 0 $a Shakespeare, William, $d 1564-1616 $x In literature. $3 825073
600 1 0 $a Shakespeare, William, $d 1564-1616 $x Influence. $3 701349
650 0 $a American fiction $z Southern States $x History and criticism. $3 680588
650 0 $a Masculinity in literature. $3 580406
651 0 $a Southern States $x In literature. $3 554438
655 7 $a Electronic books. $2 lcsh $3 542853
710 2 $a Palgrave Connect (Online service) $3 1081578
856 4 0 $3 Palgrave Connect $u http://link.springer.com/10.1057/9780230610194 $z access to fulltext (Palgrave)