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Sexuality and the culture of sensibi...

Nagle, Christopher Carl.

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Sexuality and the culture of sensibility in the British romantic era

Record Type:	Electronic resources : Monograph/item
Title/Author:	Sexuality and the culture of sensibility in the British romantic era/ Christopher C. Nagle.
Author:	Nagle, Christopher Carl.
Published:	New York ;Palgrave Macmillan, : 2007.,
Description:	xi, 227 p.
[NT 15003449]:	'The heart's best blood': Sterne and the promiscuous life of sensibility -- From trembling totranquility: women writers and Wordsworth's pleasure principle -- Epistemologies of the romantic closet: Shakespeare, sexuality, and the myth of genius -- The social work of persuasion: Austen and thenew sensorium -- Prometheus versus the man of feeling: Frankenstein, sensibility, and the uncertainfuture of romanticism (an allegory for literary history) -- Coda: Sentimental journeys: the afterlifeof feeling in Landon and Tennyson.
Subject:	English literature - History and criticism. - 19th century -
Online resource:	http://link.springer.com/10.1057/9780230609327access to fulltext (Palgrave)
ISBN:	0230609325

Sexuality and the culture of sensibility in the British romantic era
Nagle, Christopher Carl.

Sexuality and the culture of sensibility in the British romantic era[electronic resource] /Christopher C. Nagle. - 1st ed. - New York ;Palgrave Macmillan,2007. - xi, 227 p.

Includes bibliographical references ( p. [155]-217) and index.

'The heart's best blood': Sterne and the promiscuous life of sensibility -- From trembling totranquility: women writers and Wordsworth's pleasure principle -- Epistemologies of the romantic closet: Shakespeare, sexuality, and the myth of genius -- The social work of persuasion: Austen and thenew sensorium -- Prometheus versus the man of feeling: Frankenstein, sensibility, and the uncertainfuture of romanticism (an allegory for literary history) -- Coda: Sentimental journeys: the afterlifeof feeling in Landon and Tennyson.

Drawing together theoretically informed literary history and the cultural history of sexuality, friendship, and affective relations, this is the first study to trace fully the influence of thisnotorious yet often undervalued cultural tradition on British Romanticism, a movement that both draws on and resists Sensibility's excessive embodiments of non-normative pleasure. Offering a broad consideration of literary genreswhile balancing the contributions of both canonical and non-canonical male and female writers, this bold new study insists on the need to revise the traditional boundariesof literary periods and establishes unexpected influences on both Romantic and early Victorian culture and their shared pleasures of attachment.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 0230609325

Standard No.: 10.1057/9780230609327doiSubjects--Topical Terms:

553825
English literature
--History and criticism.--19th centuryIndex Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PR468.R65 / N34 2007eb

Dewey Class. No.: 820.9/145

Sexuality and the culture of sensibility in the British romantic era
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505 0 $a 'The heart's best blood': Sterne and the promiscuous life of sensibility -- From trembling totranquility: women writers and Wordsworth's pleasure principle -- Epistemologies of the romantic closet: Shakespeare, sexuality, and the myth of genius -- The social work of persuasion: Austen and thenew sensorium -- Prometheus versus the man of feeling: Frankenstein, sensibility, and the uncertainfuture of romanticism (an allegory for literary history) -- Coda: Sentimental journeys: the afterlifeof feeling in Landon and Tennyson.
520 $a Drawing together theoretically informed literary history and the cultural history of sexuality, friendship, and affective relations, this is the first study to trace fully the influence of thisnotorious yet often undervalued cultural tradition on British Romanticism, a movement that both draws on and resists Sensibility's excessive embodiments of non-normative pleasure. Offering a broad consideration of literary genreswhile balancing the contributions of both canonical and non-canonical male and female writers, this bold new study insists on the need to revise the traditional boundariesof literary periods and establishes unexpected influences on both Romantic and early Victorian culture and their shared pleasures of attachment.
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