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Tattoos in American visual culture

Fenske, Mindy, (1969-)

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Tattoos in American visual culture

Record Type:	Electronic resources : Monograph/item
Title/Author:	Tattoos in American visual culture/ Mindy Fenske.
Author:	Fenske, Mindy,
Published:	New York :Palgrave Macmillan, : 2007.,
Description:	xii, 201 p. :ill.
[NT 15003449]:	Introduction: Picturing tattoos -- Vital images : the performance ofperformativity -- Modern day sideshows : class, classification, and tattoo conventions -- Rosie gets a tattoo : gender, fragmentation, and advertising -- Modern primitives : exoticism, hybridity, and photography -- Conclusion: Imag(E)Ining agency and criticism.
Subject:	Body image. -
Online resource:	http://link.springer.com/10.1057/9780230609709access to fulltext (Palgrave)
ISBN:	0230609708

Tattoos in American visual culture
Fenske, Mindy,1969-

Tattoos in American visual culture[electronic resource] /Mindy Fenske. - 1st ed. - New York :Palgrave Macmillan,2007. - xii, 201 p. :ill.

Includes bibliographical references (p. [183]-193) and index.

Introduction: Picturing tattoos -- Vital images : the performance ofperformativity -- Modern day sideshows : class, classification, and tattoo conventions -- Rosie gets a tattoo : gender, fragmentation, and advertising -- Modern primitives : exoticism, hybridity, and photography -- Conclusion: Imag(E)Ining agency and criticism.

Since the rise of the dime museum in the 19th century, tattooed bodies have been parading across stages both live and mediated. This book takes a close look at images of tattooed bodies in liveperformance, advertising, and photography. In so doing, the book combines the craft of cultural analysis with theories of performance while also generating a largely untold history of the tattooed body on display in the United States. Because of this unique combination, the book is truly interdisciplinary and appeals to multiple audiences. At the same time, it sustainsa deep theoretical engagementwith the central concepts of social and visual agency and the disruption of restrictive social norms. In the end, this study of the visual argues that the agency of images is locatedwithin, and not only in opposition to, cultural discourses such as gender, class, and exoticism.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 0230609708

Standard No.: 10.1057/9780230609709doiSubjects--Topical Terms:

526498
Body image.
Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: GT2345 / .F455 2007eb

Dewey Class. No.: 391.6/5

Tattoos in American visual culture
LDR:02346cmm 2200313 a 45 001 903137
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005 20101207
006 m d
007 cr nn muauu
008 231227s2007 nyua sb 001 0 eng d
020 $a 0230609708
020 $a 9780230609709
024 7 $a 10.1057/9780230609709 $2 doi
035 $a Palgrave
035 $a 903137
040 $a UKPGM $b eng $c UKPGM $d IDEBK
041 0 $a eng
049 $a APTA
050 1 4 $a GT2345 $b .F455 2007eb
082 0 4 $a 391.6/5 $2 22
100 1 $a Fenske, Mindy, $d 1969- $3 925072
245 1 0 $a Tattoos in American visual culture $h [electronic resource] / $c Mindy Fenske.
250 $a 1st ed.
260 $a New York : $c 2007. $b Palgrave Macmillan,
300 $a xii, 201 p. : $b ill.
504 $a Includes bibliographical references (p. [183]-193) and index.
505 0 $a Introduction: Picturing tattoos -- Vital images : the performance ofperformativity -- Modern day sideshows : class, classification, and tattoo conventions -- Rosie gets a tattoo : gender, fragmentation, and advertising -- Modern primitives : exoticism, hybridity, and photography -- Conclusion: Imag(E)Ining agency and criticism.
520 $a Since the rise of the dime museum in the 19th century, tattooed bodies have been parading across stages both live and mediated. This book takes a close look at images of tattooed bodies in liveperformance, advertising, and photography. In so doing, the book combines the craft of cultural analysis with theories of performance while also generating a largely untold history of the tattooed body on display in the United States. Because of this unique combination, the book is truly interdisciplinary and appeals to multiple audiences. At the same time, it sustainsa deep theoretical engagementwith the central concepts of social and visual agency and the disruption of restrictive social norms. In the end, this study of the visual argues that the agency of images is locatedwithin, and not only in opposition to, cultural discourses such as gender, class, and exoticism.
533 $a Electronic reproduction. $b Basingstoke, England : $c Palgrave Macmillan, $d 2009. $n Mode of access:World Wide Web. $n System requirements: Web browser. $n Title from title screen (viewed on Mar. 3, 2009). $n Access may berestricted to users at subscribing institutions.
650 0 $a Body image. $3 526498
650 0 $a Tattooing $x Social aspects. $3 919727
650 0 $a Tattooing. $3 583620
655 7 $a Electronic books. $2 lcsh $3 542853
710 2 $a Palgrave Connect (Online service) $3 1081578
856 4 0 $3 Palgrave Connect $u http://link.springer.com/10.1057/9780230609709 $z access to fulltext (Palgrave)