東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Wordsworth and word-preserving arts ...

Simonsen, Peter.

FindBook

Google Book

Amazon

博客來

Wordsworth and word-preserving arts = typographic inscription, ekphrasis and posterity in the later work /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Wordsworth and word-preserving arts/ Peter Simonsen.
其他題名:	typographic inscription, ekphrasis and posterity in the later work /
作者:	Simonsen, Peter.
出版者:	Basingstoke [England] ;Palgrave Macmillan, : 2007.,
面頁冊數:	x, 216 p. :ill.
內容註:	The return of the visible and Romantic ekphrasis : Wordsworth in thevisual art culture of Romanticism -- Typographic inscription : the artof 'word-preserving' in Wordsworth's later inscriptions-- 'If mine had been the painter's hand' : Wordsworth's collaboration with Sir GeorgeBeaumont -- Thesonnet as visual poetry : Italics in 'After-thought' -- The book of ekphrasis : Yarrow revisited, and other poems -- 'The marble index of a mind' : frontispiece portraiture and the image of late Wordsworth.
標題:	Art and literature - History - 19th century. - England -
電子資源:	http://link.springer.com/10.1057/9780230590748access to fulltext (Palgrave)
ISBN:	0230590748

Wordsworth and word-preserving arts = typographic inscription, ekphrasis and posterity in the later work /
Simonsen, Peter.

Wordsworth and word-preserving artstypographic inscription, ekphrasis and posterity in the later work /[electronic resource] :Peter Simonsen. - Basingstoke [England] ;Palgrave Macmillan,2007. - x, 216 p. :ill.

Includes bibliographical references (p. 210-212) and index.

The return of the visible and Romantic ekphrasis : Wordsworth in thevisual art culture of Romanticism -- Typographic inscription : the artof 'word-preserving' in Wordsworth's later inscriptions-- 'If mine had been the painter's hand' : Wordsworth's collaboration with Sir GeorgeBeaumont -- Thesonnet as visual poetry : Italics in 'After-thought' -- The book of ekphrasis : Yarrow revisited, and other poems -- 'The marble index of a mind' : frontispiece portraiture and the image of late Wordsworth.

Did Wordsworth really become a poorer poet after 1807, as most readers since the Victorians have maintained? Wordsworth and Word-PreservingArts reopens this central question, and is the first critical study togive serious and sustained attention to two central aspects of the poet's later work: his ekphrastic writings about visual art, and his increased awareness of the printed dimension of his work. Using insights from the developing fields of interart studies in ekphrasis and textual criticism, Peter Simonsen argues that these aspects reveal Wordsworth as a much more interesting - because much more enduringly active - artist than is commonly thought. By calling attention to what is uniquely exciting about the later Wordsworth, and by arguing that this complicates traditional understandings of the poet based on his so-called Great Decade, Wordsworth and Word-Preserving Arts proposes a fundamental revaluation not only of the central poet of British Romanticism, but of the entire literary movement.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 0230590748

Standard No.: 10.1057/9780230590748doiSubjects--Personal Names:

1082071
Wordsworth, William,
1770-1850--KnowledgeSubjects--Topical Terms:

680717
Art and literature
--History--England--19th century.Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PR5892.A66 / S56 2007eb

Dewey Class. No.: 821.7

Wordsworth and word-preserving arts = typographic inscription, ekphrasis and posterity in the later work /
LDR:02750cmm 2200313 a 45 001 903063
003 OCoLC
005 20101207
006 m d
007 cr nn muauu
008 231227s2007 enka sb 001 0 eng d
020 $a 0230590748
020 $a 9780230590748
024 7 $a 10.1057/9780230590748 $2 doi
035 $a Palgrave
035 $a 903063
040 $a UKPGM $b eng $c UKPGM $d IDEBK
041 0 $a eng
043 $a e-uk-en
049 $a APTA
050 1 4 $a PR5892.A66 $b S56 2007eb
082 0 4 $a 821.7 $2 22
100 1 $a Simonsen, Peter. $3 1082070
245 1 0 $a Wordsworth and word-preserving arts $h [electronic resource] : $b typographic inscription, ekphrasis and posterity in the later work / $c Peter Simonsen.
260 $a Basingstoke [England] ; $a New York : $c 2007. $b Palgrave Macmillan,
300 $a x, 216 p. : $b ill.
504 $a Includes bibliographical references (p. 210-212) and index.
505 0 $a The return of the visible and Romantic ekphrasis : Wordsworth in thevisual art culture of Romanticism -- Typographic inscription : the artof 'word-preserving' in Wordsworth's later inscriptions-- 'If mine had been the painter's hand' : Wordsworth's collaboration with Sir GeorgeBeaumont -- Thesonnet as visual poetry : Italics in 'After-thought' -- The book of ekphrasis : Yarrow revisited, and other poems -- 'The marble index of a mind' : frontispiece portraiture and the image of late Wordsworth.
520 $a Did Wordsworth really become a poorer poet after 1807, as most readers since the Victorians have maintained? Wordsworth and Word-PreservingArts reopens this central question, and is the first critical study togive serious and sustained attention to two central aspects of the poet's later work: his ekphrastic writings about visual art, and his increased awareness of the printed dimension of his work. Using insights from the developing fields of interart studies in ekphrasis and textual criticism, Peter Simonsen argues that these aspects reveal Wordsworth as a much more interesting - because much more enduringly active - artist than is commonly thought. By calling attention to what is uniquely exciting about the later Wordsworth, and by arguing that this complicates traditional understandings of the poet based on his so-called Great Decade, Wordsworth and Word-Preserving Arts proposes a fundamental revaluation not only of the central poet of British Romanticism, but of the entire literary movement.
533 $a Electronic reproduction. $b Basingstoke, England : $c Palgrave Macmillan, $d 2009. $n Mode of access:World Wide Web. $n System requirements: Web browser. $n Title from title screen (viewed on Mar. 3, 2009). $n Access may berestricted to users at subscribing institutions.
600 1 0 $a Wordsworth, William, $d 1770-1850 $x Knowledge $x Art. $3 1082071
600 1 0 $a Wordsworth, William, $d 1770-1850 $x Knowledge $x Printing. $3 1082072
650 0 $a Art and literature $z England $x History $y 19th century. $3 680717
650 0 $a Ekphrasis. $3 819616
650 0 $a Inscriptions in literature. $3 1082073
650 0 $a Romanticism $z England. $3 593405
655 7 $a Electronic books. $2 lcsh $3 542853
710 2 $a Palgrave Connect (Online service) $3 1081578
856 4 0 $3 Palgrave Connect $u http://link.springer.com/10.1057/9780230590748 $z access to fulltext (Palgrave)