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The poetics of description = imagine...
~
Koelb, Janice Hewlett.
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The poetics of description = imagined placesin European literature /
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
The poetics of description/ Janice Hewlett Koelb.
其他題名:
imagined placesin European literature /
作者:
Koelb, Janice Hewlett.
出版者:
New York :Palgrave Macmillan, : 2006.,
面頁冊數:
xii, 232 p.
內容註:
Introduction: Ecphrasis, Description, and the Imagined Place * "As If Present": Classical Ecphrasis * Unity, Form, and Figuration * A Sylvan Scene * The Universe Dead or Alive: Gilpin, Wordsworth, and the Picturesque * The Visionary Eye: Wordsworth?s Anti-picturesque Excursion * "Till the Place Became Religion": Byron?s Coliseum * Epilogue: Immediacy.
標題:
Description (Rhetoric) -
電子資源:
http://link.springer.com/10.1057/9780230601888access to fulltext (Palgrave)
ISBN:
023060188X
The poetics of description = imagined placesin European literature /
Koelb, Janice Hewlett.
The poetics of description
imagined placesin European literature /[electronic resource] :Janice Hewlett Koelb. - 1st ed. - New York :Palgrave Macmillan,2006. - xii, 232 p.
Includes bibliographical references (p. [207]-219) and index.
Introduction: Ecphrasis, Description, and the Imagined Place * "As If Present": Classical Ecphrasis * Unity, Form, and Figuration * A Sylvan Scene * The Universe Dead or Alive: Gilpin, Wordsworth, and the Picturesque * The Visionary Eye: Wordsworth?s Anti-picturesque Excursion * "Till the Place Became Religion": Byron?s Coliseum * Epilogue: Immediacy.
The Poetics of Description tells a remarkable story that begins in classical antiquity with ecphrasis, the art of describing the world so vividly that the audience could become imaginative eyewitnesses. The story continues with the European writers from Milton to Lord Byron who inherited thistradition and used it to describe places, both natural andman-made, to serve as figures for mind, memory, and creative perception. It comes to a surprising conclusion when, in the middle of the twentieth century, one prominent scholar?s misunderstanding limited ecphrasis to descriptions of works ofart, and what had begun as an ideal of immediacy was transformed into nearly its opposite, a preoccupation with representation of representation.
Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.
Mode of access:World Wide Web.
ISBN: 023060188X
Standard No.: 10.1057/9780230601888doiSubjects--Topical Terms:
592486
Description (Rhetoric)
Index Terms--Genre/Form:
542853
Electronic books.
LC Class. No.: PN56.I44 / K64 2006eb
Dewey Class. No.: 809/.93372
The poetics of description = imagined placesin European literature /
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Introduction: Ecphrasis, Description, and the Imagined Place * "As If Present": Classical Ecphrasis * Unity, Form, and Figuration * A Sylvan Scene * The Universe Dead or Alive: Gilpin, Wordsworth, and the Picturesque * The Visionary Eye: Wordsworth?s Anti-picturesque Excursion * "Till the Place Became Religion": Byron?s Coliseum * Epilogue: Immediacy.
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The Poetics of Description tells a remarkable story that begins in classical antiquity with ecphrasis, the art of describing the world so vividly that the audience could become imaginative eyewitnesses. The story continues with the European writers from Milton to Lord Byron who inherited thistradition and used it to describe places, both natural andman-made, to serve as figures for mind, memory, and creative perception. It comes to a surprising conclusion when, in the middle of the twentieth century, one prominent scholar?s misunderstanding limited ecphrasis to descriptions of works ofart, and what had begun as an ideal of immediacy was transformed into nearly its opposite, a preoccupation with representation of representation.
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